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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Buttress, castle, coat of arms, crenellation, crest, drama, education, Gothic, Launceston, Launceston Church Grammar School, Mowbray, parapet, pointed arch, Tom Room, school, shield, Tas, Tasmania, tower.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The relatively recent brick Tom Room Building continues the medieval theme found elsewhere on the campus by the use buttresses that end as crenellation. The building also features the school coat of arms/crest of a castle with towers and crenelated parapets on a shield, as well as a drawing of a Gothic pointed arch doorway. The building has drama and multi-purpose classrooms. This photograph was taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For the crest see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1234"&gt;http://ausmed.arts.uwa.edu.au/items/show/1234&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other buildings with medieval features see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;Launceston Church Grammar School has two campuses in the northern Tasmanian city of Launceston. The school crest, or coat of arms, features a shield with the image of a castle with crenelated parapets and square towers. Above the castle is an open book and two bees. Below the shield is a Latin tag which reads &amp;lsquo;Unless the Lord is with us, our labour is in vain&amp;rsquo;. Featured is an ornate sculptured crest and a more recent simplified version. These photographs were taken on the Mowbray campus.&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;buildings with&amp;nbsp;medieval features on the&amp;nbsp;campus see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1240"&gt;http://ausmed.arts.uwa.edu.au/items/show/1240&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1256"&gt;http://ausmed.arts.uwa.edu.au/items/show/1256&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1250"&gt;http://ausmed.arts.uwa.edu.au/items/show/1250&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <description>A name given to the resource</description>
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                <text>Coat of arms, flag, halo, Italy, Latin, Launceston, lion, Lion of St Mark, logo, Novaroâ€™s Italian Restaurant, Republic of Venice, Restaurant, sign, St Mark, Tas, Tasmania, Venice, winged lion.</text>
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                <text>&lt;p&gt;Novaro&amp;rsquo;s Italian Restaurant is in Brisbane Street in the northern Tasmanian city of Launceston. The photograph shows the sign for the restaurant, which features a Lion of St Mark. This particular version is, with the addition of a halo, essentially the same as the one that appeared on the flag and coat of arms of the medieval Republic of Venice and still continues to be associated with Venice today, including its film festival. The logo features a winged lion holding an open book with one paw. The Latin text on the book reads &amp;lsquo;Pax tibi Marce, evangelista meus&amp;rsquo; (Peace be with you, Mark my evangelist), which comes from an early medieval Venetian legend about an angel appearing to St Mark at a lagoon at Venice.&lt;/p&gt;&#13;
&lt;p&gt;For their website, which features a silhouette of the Lion of St Mark, see &lt;a href="http://www.novaros.com/site/index.html"&gt;http://www.novaros.com/site/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                <text>Digital Photograph</text>
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        <name>Novaroâ€™s Italian Restaurant</name>
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        <name>Republic of Venice</name>
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        <name>sign</name>
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        <name>St Mark</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="31378">
              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Wilmot Arms sign, Kempton, Tasmania </text>
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            <description>The topic of the resource</description>
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                <text>Advertising, coat of arms, crest, eagle, family crest, helmet, heraldry, Kempton, shield, sign, Tas, Tasmania, website, Wilmot Arms.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;The Wilmot Arms Inn is a B&amp;amp;B in a former coaching inn built in 1844 in the small Tasmanian town of Kempton. The business uses the Wilmot coat of arms, or family crest, in their advertising. The family crest consists of a late medieval helmet with an eagle crest above a square shield containing three scallop shells and three eagle heads.&lt;/p&gt;&#13;
&lt;p&gt;The Wilmot surname evolved from the personal name William and is first attested in England in the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;The coat of arms is also featured on their website: http://www.wilmotarms.com.au/&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31374">
                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31375">
                <text>November 21, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31376">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31377">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="902">
        <name>advertising</name>
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      <tag tagId="738">
        <name>coat of arms</name>
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      <tag tagId="739">
        <name>crest</name>
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      <tag tagId="4376">
        <name>eagle</name>
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      <tag tagId="5944">
        <name>family crest</name>
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      <tag tagId="1555">
        <name>helmet</name>
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        <name>heraldry</name>
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        <name>Kempton</name>
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        <name>shield</name>
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        <name>sign</name>
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        <name>Tas</name>
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      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="2662">
        <name>website</name>
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      <tag tagId="5946">
        <name>Wilmot Arms.</name>
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  <item itemId="1086" public="1" featured="0">
    <fileContainer>
      <file fileId="1125">
        <src>https://ausmed.arts.uwa.edu.au/files/original/79d55fb6c53a1e7e6c8173315dee8fa5.pdf</src>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26967">
                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26968">
                <text>C. R. Collins </text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="26970">
                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26971">
                <text>12 December 1953, p.33</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26972">
                <text>Copyright Expired</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="26973">
                <text>Newspaper Article</text>
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        <name>circus</name>
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        <name>coat of arms</name>
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        <name>courage</name>
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        <name>fables</name>
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        <name>gratitude</name>
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        <name>honour</name>
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        <name>lion</name>
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      <tag tagId="1448">
        <name>loyalty</name>
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      <tag tagId="2233">
        <name>Medieval Romance</name>
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        <name>Narrandera</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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        <name>Red Riding Hood</name>
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        <name>Remus</name>
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        <name>Reynard the Fox</name>
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        <name>stories</name>
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        <name>tiger</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Archer Family Coat of Arms </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>William Archer, William Henry Davies Archer, arrow, bow, Brickendon Estate, coat of arms, helmet, heraldry, Longford, motto, Norman French, Normandy, shield, Tas, Tasmania. </text>
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&lt;p&gt;For information on the symbolism of the coat of arms see &lt;a href="http://www.brickendon.com.au/about_us/family_history" target="_self"&gt;http://www.brickendon.com.au/about_us/family_history&lt;/a&gt;&lt;/p&gt;</text>
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