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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking Memories</text>
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                <text>Adelaide, The Advertiser, cinema, film, films, movies, movie, dragon, ship, ships, dragon ships, Lief Eriksson, film, Norseman, SA, saga, South Australia, Viking, vikings, Norway</text>
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                <text>A review of the film The Viking on page 14 of the Adelaide newspaper â€˜The Advertiserâ€™ on October 17, 1929. The film was about Lief Eriksson, or Leif the Lucky, the leader of possibly the first group of Europeans to reach North America. The review is positive, describing the film as â€˜a remarkable screen achievementâ€™, featuring dragon ships and Viking dress and armour. The reviewer also notes that Lief had a saga written about him, although the saga (story) that provides the most information about Lief is the saga about his father, Saga of Erik the Redâ€™s.    </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article4533824" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article4533824&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>A poem advertising the film â€˜The Vikingâ€™ on page 6 of the Darwin newspaper, the Northern Territory Times on July 24, 1931. The poem mentions historical Viking Age Danish kings Gorm and his son Harald Bluetooth, and other terms associated with the Vikings, including sagas, skalds, the North Sea, and serpent vessels. </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Alhambra, architecture, Bohringer, Taylor &amp; Johnson, cinema, clock tower, columns, corbel, cupola, dome, grotesque figures, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, oriel windows, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria, winged creatures</text>
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                <text>A view of the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor &amp; Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. </text>
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                <text>McEwan, Joanne</text>
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                <text>A view of the clocktower at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor &amp; Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492.  </text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Sex, Power, and Chivalry â€“ Medieval to Modern Literature</text>
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                <text>Miguel de Cervantes, cinema, Louise Dâ€™Arcens, Clint Eastwood, fiction, film, William Morris, NSW, New South Wales, poetry, Alfred Tennyson, University of Wollongong, Wollongong, literature, university, universities</text>
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                <text>An undergraduate unit taught by Louise Dâ€™Arcens at the University of Wollongong in New South Wales. The unit begins with literature from the medieval period, including texts by Malory, Marie de France, the Gawain poet and Troubadours, Cervantesâ€™ early seventeenth-century satire of the medieval period â€˜Don Quixoteâ€™, and the nineteenth-century medievalism of Tennyson and Morris. After considering modern romance fiction, the unit concludes with the Clint Eastwood film â€˜Unforgivenâ€™, asking if any chivalric or courtly ideals have been transplanted to the American frontier. </text>
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                <text>Alhambra, architecture, Bohringer, Taylor &amp; Johnson, cinema, cupola, dome, Iberian Peninsula, Islamic rule, John Eberson, machiolation, medieval Spain, minaret, moor, Moorish Revival, pressed cement, reconquista, Spanish Mission style, theatre, tower, tracery, VIC, Victoria</text>
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                <text>A view of a minaret - or tall, tiered tower - at the Forum Theatre (formerly the State Theatre) in central Melbourne. Designed by American architect John Eberson in conjunction with Melbourne firm Bohringer, Taylor &amp; Johnson, The Forum was originally built as a cinema palace. Completed in 1928, it is one of four cinemas that opened in Melbourne in the 1920s. The exterior of the building combines Spanish Mission and â€˜Alhambresqueâ€™ Moorish Revival architecture. The minarets, cupolaâ€™s and pressed cement decorations are reminiscent of Islamic Spanish architecture dating from the eighth to the fifteenth century. The Iberian Peninsula was conquered in 711 by the Muslim army of Tariq ibn Ziyad, and the various southern Spanish States remained under Arab or Moorish Islamic rule until they were gradually reconquered by Catholic monarchs throughout the later medieval period. The reconquest ended with the conversion of Andalusia in 1492. </text>
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