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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self"&gt;http://www.artgallery.nsw.gov.au/work/182.2002.20/&lt;/a&gt;</text>
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                <text>â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea</text>
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                <text>&lt;em&gt;Appassionata&lt;/em&gt;, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window.</text>
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                <text>This woodblock print, from Salvatore Zofrea&amp;rsquo;s &lt;em&gt;Appassionata&lt;/em&gt; collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.</text>
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                <text>Salvatore Zofrea (b.1946)</text>
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                <text>Art Gallery of New South Wales</text>
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                <text>c.1994-1999</text>
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                <text>Art Gallery of New South Wales</text>
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                <text>Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/32f134eab929383dff32da14a30f8777.pdf</src>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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PDF</text>
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                <text>The Johnston Memorial Congregational Church</text>
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                <text>acanthus scroll, balcony, balustrading, building interior, canopy, church, church building, church interior, Congregational Church, decoration, Fremantle, Perth, WA, Western Australia, frieze, gothic canopy, gothic design, interior decoration, interior design, Johnston Memorial Church, J. Ross Anderson, Joseph Johnston (1814-1892), Maltese cross, memorial plate, organ, quatrefoil, tracery, window</text>
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                <text>This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line â€˜with a foliated design introducing quartrefoils and Maltese crossesâ€™, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as â€˜Gothicâ€™, and behind the rostrum â€˜is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacherâ€™. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth.&#13;
&#13;
The Johnston Memorial Church was completed in 1877 and was originally named the Congregational Church. It was later renamed in honour of long-serving congregational minister, Joseph Johnston (1814-1892).</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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                <text>20 August 1897, p. 47.</text>
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                <text>The Western Mail</text>
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