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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>1 photograph : gelatin silver </text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24142865"&gt;http://nla.gov.au/nla.pic-an24142865&lt;/a&gt;</text>
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                <text>St. Anthony's Parish of Wanneroo, Fremantle Saints Parade</text>
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                <text>Still image depicting members of St. Anthony's Parish participating in a Saints Parade. The medieval Franciscan priest Saint Anthony of Padua (1195-1231) was born in Portugal and died in Padua, Italy. </text>
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                <text>Smith, Stephen</text>
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                <text>National Library of Australia</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>St George Dry Cleaners, Perth</text>
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                <text>Image of St George Dry Cleaners at the St Georges Terrace end of Trinity Arcade in the Perth CBD. The wall of the premises features a humorous cartoon representation of St George in armour and carrying a shield mounted on his horse attacking a fire breathing dragon. The lance has a banner hanging from it advertising the services offered by the business. </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>An online advertisement by Virgin Mobile Australia. The advert plays on the popular image of Robin Hood, complete with images of archery, a lute being played, and a group of Merry Men. Robin Hood is now Robin da Hood, wearing a red (the colour associated with Virgin) hooded tracksuit top and red tights, riding a red dragster bike, and dancing with scantily clad â€˜maidensâ€™. He promises to deliver a fair deal for Australians who have suffered injustice at the hands of telecommunications barons. The interactive advert includes an exploration of Sherwood (a suburb of Brisbane rather than the forest near Nottingham), and information on a pigeon race that will be held there on August 16, 2011. The text of the advert is written in mock Ye Olde English, and is presented on red medieval shaped banners.</text>
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                <text>&lt;p&gt;A photograph of a raven banner at the Balingup Medieval Carnivale. A raven banner is mentioned in a (late) version of the Anglo-Saxon Chronicle reporting on a battle in 878 between an invading Viking group and the men of Devon. The latter defeated the invaders and are said to have captured their raven banner. The Saga of the Earls of Orkney reports that a raven banner was made for Sigurd the Stout/Great, and Knut is thought to have had one at the Battle of Ashingdon in 1016. The raven is possibly associated with the Norse god Odin, but it is equally likely that a carrion bird is thought to have been an appropriate battle symbol. The raven on the banner in the photograph is based on the raven featured on the coins of Anlaf Guthfrithsson, the Viking king who ruled from York from 939-41.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: tahoma;"&gt;For the original coin see &lt;a href="http://www.britishmuseum.org/explore/highlights/highlight_objects/cm/s/silver_penny_of_anlaf_guthfrit.aspx" target="_blank"&gt; http://www.britishmuseum.org/explore/highlights/highlight_objects/cm/s/silver_penny_of_anlaf_guthfrit.aspx&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>advertising, advertisement, banner, Fremantle, heraldry, lions passant, Mount Barker, Plantagenet, Plantagenet Wines, Richard I, Richard the Lionheart, Royal Arms of England, Shire of Plantagenet, sign, WA, Western Australia, wine</text>
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                <text>&lt;p&gt;Plantagenet Wines have a winery near small rural Western Australian town of Mount Barker in the Shire of Plantagenet. They also have an office in the Perth suburb of Fremantle, where this photograph was taken. The banner depicts the company&amp;rsquo;s label, also found on their wine bottles, which depicts three lions known as lions passant (walking) in heraldry. The design is based on that used by the Plantagenet dynasty, beginning with King Richard I (the Lionheart) of England (1157-1199). The three lions on the coat of arms of the Plantagenets had blue claws and tongues. The design is also known as the Royal Arms of England.&lt;/p&gt;&#13;
For Plantagenet Wines see &lt;a href="http://www.plantagenetwines.com/" target="_blank"&gt;http://www.plantagenetwines.com/&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Shane McLeod (photograph); &#13;
Plantagenet Wines (banner/design).</text>
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                <text>Costumed revellers parading down Fremantleâ€™s cappuccino strip in Western Australia during the 2011 Fremantle Carnevale parade.&#13;
Carnevale is a traditional community festival that temporarily promotes disorder and frivolity using masquerade, cross-dressing, music, dance and the popular or ritualised ridicule of authority figures. In the medieval period, it came to be strongly associated with the Catholic period of Lent. Carnevale was thereafter regarded as a time for festivity and light-hearted jest beginning with the Feast of the Epiphany and lasting until Shrove Tuesday, when the church bells would toll to signal the beginning of Lent.</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=509800"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=509800&lt;/a&gt;</text>
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                <text>Parade of the Ancient Order of Foresters through the Streets</text>
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                <text>parade, parades, banner, banners, processions, procession, float, floats, fraternity, fraternities, Foresters, Ancient Order of Foresters, Friendly Societies, Friendly Society, Ted Hood, NSW, New South Wales</text>
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                <text>&lt;p&gt;Photograph of members of the Ancient Order of Foresters in NSW parading with a ceremonial banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.forestersfs.com.au/1history.html"&gt;http://www.forestersfs.com.au/1history.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Hood, Ted</text>
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                <text>The State Library of New South Wales</text>
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                <text>1929</text>
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                <text>State Library of New South Wales</text>
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              <text>&lt;p&gt;&lt;a href="http://hdl.handle.net/10462/deriv/69611"&gt;http://hdl.handle.net/10462/deriv/69611&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;An image depicting men and women of the Welsh Saint David's Society of Brisbane, gathered around the Society's banner, which depicts a dragon.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;BRIEF HISTORY OF THE SOCIETY:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Saint David&amp;rsquo;s Welsh Society was founded on 16th April 1918 with the aim of acknowledging and celebrating the Welsh origins of its members and to promote an appreciation of various aspects of Welsh culture within the Brisbane community of Welsh immigrants and their descendants. The Society continues to fill that role and welcomes as members all those with historical or cultural connections with Wales or an interest in Welsh cultures and history. Some of the traditions brought to Australia are still recognised and enjoyed by the Society.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;AIMS OF THE SOCIETY: &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The aims of the Society are to promote the following:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Welsh culture, language, literature and music;&lt;/li&gt;&#13;
&lt;li&gt;Welsh traditions and ceremonies;&lt;/li&gt;&#13;
&lt;li&gt;The Arts and Sciences associated with and derived from Wales and Welsh;&lt;/li&gt;&#13;
&lt;li&gt;Fellowship and a sense of community among our members by means of regular meetings and functions;&lt;/li&gt;&#13;
&lt;li&gt;&amp;nbsp;To foster relationships with other organizations in Australia and overseas which have similar aims.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Discover more about the Society at:&lt;a href="http://www.brisbanewelsh.org.au/"&gt;http://www.brisbanewelsh.org.au/&lt;/a&gt;</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>Fegan, Brisbane</text>
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