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                <text>A close-up digital photograph of a section of the parade at the Balingup Medieval Carnivale. This image features a group in well-polished armour. The parade went through the town of Balingup before ending up at the carnivale site. It took place on both days of the carnivale in the early afternoon. </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>An online advertisement by Virgin Mobile Australia. The advert plays on the popular image of Robin Hood, complete with images of archery, a lute being played, and a group of Merry Men. Robin Hood is now Robin da Hood, wearing a red (the colour associated with Virgin) hooded tracksuit top and red tights, riding a red dragster bike, and dancing with scantily clad â€˜maidensâ€™. He promises to deliver a fair deal for Australians who have suffered injustice at the hands of telecommunications barons. The interactive advert includes an exploration of Sherwood (a suburb of Brisbane rather than the forest near Nottingham), and information on a pigeon race that will be held there on August 16, 2011. The text of the advert is written in mock Ye Olde English, and is presented on red medieval shaped banners.</text>
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                <text>Images of St George Dry Cleaners at the St Georges Terrace end of Trinity Arcade in the Perth CBD. The wall of the premises features a humorous cartoon representation of St George in armour and carrying a shield mounted on his horse attacking a fire breathing dragon. The lance has a banner hanging from it advertising the services offered by the business.&#13;
&#13;
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                <text>&lt;p&gt;McLeod, Shane, "St George Dry Cleaners, Perth," in Medievalism in Australian Cultural Memory, Item #411, &lt;a href="../../../items/show/411"&gt;http://ausmed.arts.uwa.edu.au/items/show/411&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at  the State Library of  Victoria in Melbourne. The statue is the work of  French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of  his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris.  Purchased in 1906 by  Bernard Hall, the Director of the National Gallery  of Victoria, with  funds from the Felton Bequest, it was installed at  the entrance to the  State Library of Victoria on 4 February 1907. The  sculpture depicts the  young Joan of Arc astride a war-horse, dressed in  her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the   age of about 12, Joan had visions of saints and heard heavenly voices   that increasingly urged her to fight for France during the Hundred   Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the   Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of   armour and her distinctive banner depicting a golden fleur-de-lys. She   secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from   the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the   coronation of Charles VII. However, in May the following year Joan was   captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the   English. She was tried at Rouen on charges of witchcraft and heresy, and   was condemned to death. On 30 May 1431, she was executed. Two and a   half decades later, the case was appealed and her conviction was   overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted  Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of  Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal,  vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;&#13;
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                <text>armour, banner, banners, battles, battle, Bernard Hall, bronze, Charles VII (r., Charles de Ponthieu (1403-1461), DomrÃ©my, Emmanuel FrÃ©miet (1824-1910), equestrian, execution, Felton Bequest, fleur-de-lys, Jeanne dâ€™Arc, Joan of Arc (1412-1431), La Pucelle, legend, maid of OrlÃ©ans, Melbourne, National Gallery of Victoria, oriflamme, OrlÃ©ans, Paris, pennant, Place des Pyramides, sculpture, State Library of Victoria, statue, Victoria, war, war-banner, war-horse, war horse, war banner</text>
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                <text>&lt;p&gt;Image of the Jeanne d&amp;rsquo;Arc bronze statue at the State Library of  Victoria in Melbourne. The statue is the work of French sculptor  Emmanuel Fr&amp;eacute;miet, and is a cast of the 1899 version of his Jeanne d&amp;rsquo;Arc  which stands in the Place des Pyramides in Paris. Purchased in 1906 by  Bernard Hall, the Director of the National Gallery of Victoria, with  funds from the Felton Bequest, it was installed at the entrance to the  State Library of Victoria on 4 February 1907. The sculpture depicts the  young Joan of Arc astride a war-horse, dressed in her body-armour and  raising an oriflamme banner.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;About Joan of Arc:&lt;/span&gt;&lt;br /&gt; Joan of Arc was born in 1412 in the French village of Domr&amp;eacute;my. From the  age of about 12, Joan had visions of saints and heard heavenly voices  that increasingly urged her to fight for France during the Hundred  Years&amp;rsquo; War. She travelled to the court of Charles De Ponthieu, the  Orl&amp;eacute;anist claimant to the throne, where she was provided with a suit of  armour and her distinctive banner depicting a golden fleur-de-lys. She  secured a decisive military victory to rescue the city of Orl&amp;eacute;ans from  the Earl of Salisbury&amp;rsquo;s English army in 1429, and was present at the  coronation of Charles VII. However, in May the following year Joan was  captured by Burgundian forces at Compi&amp;egrave;gne, and was handed over to the  English. She was tried at Rouen on charges of witchcraft and heresy, and  was condemned to death. On 30 May 1431, she was executed. Two and a  half decades later, the case was appealed and her conviction was  overturned. She was beatified in 1909 and canonised as a saint in 1920.&lt;/p&gt;&#13;
&lt;p&gt;For more information about this statue and its background, see Ted Gott,  &amp;lsquo;An Iron Maiden for Melbourne &amp;ndash; The History and Context of Emmanuel  Fr&amp;eacute;miet&amp;rsquo;s 1906 Cast of Jeanne d&amp;rsquo;Arc&amp;rsquo;, The La Trobe Journal, vol.81,  Autumn 2008, pp.53-68: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t5.html&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.</text>
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&#13;
â€œAfter the Mass on Corpus Christi, all kneel and sing O Salutaris Hostia. The Host is incensed, and carried under an ombrellino (an umbrella-like canopy) to the baldacchino, a rectangular tent-like canopy...&#13;
&#13;
Then the procession forms, led by the Crucifer (the acolyte who carries the processional Cross), who is flanked by acolytes carrying candles. Then follow members of religious associations and orders, children strewing rose petals in the path of the Blessed Sacrament (they are customarily dressed in their First&#13;
Communion clothes), clergy, and then two thurifers who incense the path. Then comes the Blessed Sacrament, carried at eye-level by a priest (with his hands veiled) in a monstrance, under the baldacchino, all flanked by torch bearers. The people walk behind.â€&#13;
&#13;
http://www.communityofhopeinc.org/Catholic%20Rites/&#13;
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