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                <text>Completed in 1906, the elaborate National Mutual Life Building in Hobart, Tasmania, was designed by Hobart-born architect Alan Cameron Walker (1864-1931). It is a mixture of Romanesque and Gothic architecture and features semi-circular windows with pointed arches above the windows, blind arcading, a parapet, and lions and dogs climbing up and down the wall between the windows of the second and third storeys. The entrance includes lion statues holding shields, and the logo of the company featuring a heraldic shield between a unicorn and lion.   </text>
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                <text>&lt;p&gt;One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows face masks around the bell tower. Despite the flamboyantly Gothic style of the tower, the masks may be inspired by similar ones from the Classical period, and are quite different from the gargoyles which one would expect to find on a Gothic church.&lt;/p&gt;&#13;
For more on the Presbyterian Church in Tasmania see &lt;a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank"&gt;http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This photograph shows the KFC store on George Street in central Sydney. The store, previously a bank, is in the Victorian Romanesque style, and features semi-circular arched windows, moulded brick, and carved stone. The Romanesque style was popular in medieval Europe prior to the development of the Gothic style in the twelfth century.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="21787">
                <text>Digital Photograph; JPEG</text>
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                <text>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows a boy, presumably Jack, climbing a beanstalk that grows to the roof of the house. Jack and the Beanstalk is an enduringly popular English folktale which has existed in some form since at least the mid-18th century. Versions of the tale often have medievalism aspects, especially in the depiction of the giant, where he might be thought to represent an uncouth medieval past.</text>
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                <text>Dorey, Margaret</text>
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