1 8 1 https://ausmed.arts.uwa.edu.au/files/original/d8096813ae89ad0c1e9ec1e10492901f.jpg 63e20d765c3fd7f97d7143290e145e47 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia Subject The topic of the resource Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia Description An account of the resource An image of the ‘Saint Michael’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts Michael, archangel and commander of the Lord’s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (Revelation, 12:7-9). As is common in artistic renditions, Michael’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of ‘Good’. During the medieval period, St Michael’s feast day (29 September) – known as Michaelmas – was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG angel Anglican Anglican church Anglicanism archangel Archangel Michael architecture battle Book of Revelation Christian Christianity Church church building dragon feast day Highgate iconography J. J. Talbot Hobbs (1864-1938) leadlight windows medieval calendar medieval Holy Day Michaelmas neo-Romanesque Norman architecture parish church religion religious Romanesque architecture rounded arch saint Saint Alban Saint George Saint Michael saints semi-circular arch St Alban St George St Michael St. Alban St. George St. Michael stained-glass Victorian Romanesque style WA Western Australia window windows