3 8 23 https://ausmed.arts.uwa.edu.au/files/original/6f0295134990f89ea0ae5ac4cceb3071.jpg 9458fa0a71dee81e8c1d7bb093ecd432 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/225b7766e4eb3a59859763c75386e79a.jpg 471dc34a32eeeb0cc92e1765bdfdf384 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 931 Width 698 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/28e435a19e0f24c9d8985042d5a1fb6a.jpg 432cda006ec873512bdeb1546b90d201 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/fbb254ee1888d376889da589aed49353.JPG 105d590b67bd87f57b70b2d8db364bc6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2022 Width 3306 https://ausmed.arts.uwa.edu.au/files/original/8890793d5a81a466828d70bb5f4af1ba.jpg b80f51c3f840181c0a6afe9ff1f76a06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2550 Width 2748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flinders Street Station, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, Brunelleschi, competition, cupola, dome, Edwardian Free Style, false machiolation, French Renaissance, HPC Ashworth, James Fawcett, Melbourne, neo-Romanesque, parapet, public building, railway station, Railways Department, Romanesque Revival, The Duomo, VIC, Victoria. Description An account of the resource A view of Flinders Street Station, located at the intersection of Flinders Street and Swanston Street in Melbourne&rsquo;s CBD. Flinders Street station was designed by architects James Fawcett and HCP Ashworth, who won a competition to re-design the station in 1899. Building commenced in 1900 and was completed in 1910. The architecture is often described as "Edwardian Free Style", which suggests a design featuring an eclectic mix of different architectural elements without favouring any particular style from the past (see Richard Apperly, Robert Irving, Peter Reynolds, <em>A Pictorial Guide to Identifying Australian Architecture: Styles and Terms from 1788 to the Present</em>, North Ryde, Angus &amp; Robertson, 1989, p.139). However, the station architects described their design as &ldquo;French Renaissance in a free manner&rdquo;, which suggests rather that they did start with a particular Renaissance style in mind, into which they incorporated a number of other elements and influences, such as Art Nouveau (See the Victorian Heritage Database report at: <a href="http://vhd.heritage.vic.gov.au/#detail_places;752" target="_self">http://vhd.heritage.vic.gov.au/#detail_places;752</a>). The exterior of the station is constructed in red brick with yellow pressed cement decoration, while the interior also has a number of pressed metal features. A large dome, reminiscent of Brunelleschi&rsquo;s fifteenth-century addition to The Duomo in Florence, adorns the roof of the station and is flanked on either side by a smaller cupola. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 17 March 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2x Digital Photograph arcade arch architecture blind tracery Brunelleschi competition cupola dome Edwardian Free Style false machiolation French Renaissance HPC Ashworth James Fawcett Melbourne neo-Romanesque parapet public building railway station Railways Department Romanesque Revival The Duomo Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/eb88bf09a7fbf2864c0137b8de3fc2e8.JPG 82b72a74b7f44ca152d74f4031b671e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St David’s Cathedral entrance, Hobart, Tasmania Subject The topic of the resource Anglican, arcade, George Frederick Bodley, buttress, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, leadlight window, pointed arch, Brooke Robinson, St David’s Cathedral, stained glass, Tas, Tasmania, tracery, turret. Description An account of the resource <p>The main entrance to St David&rsquo;s Cathedral is on Murray Street, Hobart. The cathedral was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The pointed-arch doorway is entered through an arcade consisting of three pointed-arch entrances. The large west window above the entrance includes tracery, five lancet windows, and&nbsp;leadlight made in Melbourne by Brooke Robinson and installed in 1965. The entrance is flanked by two additional pointed-arch windows featuring three lancet windows each, as well as buttressed turrets.</p> <p>George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.</p> <p>For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></span></p> <p><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></span></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican arcade Brooke Robinson buttress George Frederick Bodley Gothic Gothic Revival Henry Hunter Hobart lancet windows leadlight window pointed arch St David’s Cathedral stained glass Tas Tasmania tracery turret. https://ausmed.arts.uwa.edu.au/files/original/807c8118548541256c02aa1c2671b06c.JPG ee168b8fe9e5997ca5460fb37b401be9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/b824b92369c8a19eecccbc423543336a.JPG 1c09683058d358ebd208d1e3a83438ba Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mark’s Church of England, Pontville, Tasmania Subject The topic of the resource Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window. Description An account of the resource <p>St Mark&rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For the rear of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arcade arrow slit buttress capital Celtic cross Church of England column convict James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Mark’s Church of England stained glass Tas Tasmania tower trefoil window. https://ausmed.arts.uwa.edu.au/files/original/e0449116d65a0c6767c5cb60b7b375e2.jpg 7768a8eac522a1b8937d0297cb264b8d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 271 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The ‘Advance Australia’ Arms Window in the Queen Victoria Building, Sydney Subject The topic of the resource architecture, cartwheel window, coat-of-arms, endeavour, heraldic, heraldry, identity, neo-Romanesque, New South Wales, NSW, Queen Victoria Building, retail arcade, Romanesque Revival architecture, shopping arcade, Southern Cross, stained glass, Sydney, unification, window, arcade Creator An entity primarily responsible for making the resource Urry, David (Digital Image) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade architecture cartwheel window coat-of-arms endeavour heraldic heraldry identity neo-Romanesque New South Wales NSW Queen Victoria Building retail arcade Romanesque Revival architecture shopping arcade Southern Cross stained glass Sydney unification window