1 8 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html">http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Golden era of neo-Gothic', Domain Website Subject The topic of the resource ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website Description An account of the resource This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. Creator An entity primarily responsible for making the resource Brown, Jenny Date A point or period of time associated with an event in the lifecycle of the resource November 13, 2010 Rights Information about rights held in and over the resource Domain, Jenny Brown Format The file format, physical medium, or dimensions of the resource Online article Language A language of the resource English ANZ ANZ Gothic Bank bank Domain English Gothic Gothic Revival Jenny Brown Melbourne neo-Gothic Old Stock Exchange pointed arch Safe Deposit Scottish and Australian Chartered Bank Vic Victoria website William Pitt William Wardell https://ausmed.arts.uwa.edu.au/files/original/f0a56f2ff725c41b421464045f57f76b.jpg 1eff7f2e7ee6d636a9ff7d98e2ac774f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANZ Gothic Bank Interior, Melbourne, Victoria Subject The topic of the resource ANZ, bank, capital, column, English, Scottish & Australian Bank, Gothic, Gothic Revival, lancet window, Allom Lovell & Associates, Melbourne, tracery, Vic, Victoria, William Wardell Description An account of the resource This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish & Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Allom Lovell & Associates ANZ bank capital column English Gothic Gothic Revival lancet window Melbourne Scottish & Australian Bank tracery Vic Victoria William Wardell https://ausmed.arts.uwa.edu.au/files/original/f207ddd6df9b2180194f76e8786fef2a.jpg 7c3fecd3615c1a8d1b9a1d5633a94586 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANZ Gothic Bank, Melbourne, Victoria Subject The topic of the resource ANZ, bank, capital, column, English, Scottish & Australian Bank, Gothic, Gothic Revival, lancet window, Allom Lovell & Associates, Melbourne, tracery, Vic, Victoria, William Wardell Description An account of the resource This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish & Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Allom Lovell & Associates ANZ bank capital column English Gothic Gothic Revival lancet window Melbourne Scottish & Australian Bank tracery Vic Victoria William Wardell https://ausmed.arts.uwa.edu.au/files/original/b3e9945ab42e3c6697ed28c709a3d79b.jpg 954b141c70daf7092dbb37fec18fde23 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 653 Width 980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Australasian Steam Navigation Co building, Sydney. Subject The topic of the resource Anglo-Dutch style, Anglo-Dutch, Australasian Steam Navigation Co, New South Wales, NSW, office, The Rocks, spire, Sydney, tower, square tower, William Wardell, warehouse Description An account of the resource The Australasian Steam Navigation Company building is one of the landmark buildings in The Rocks tourist precinct in Sydney. The building functioned as an office and warehouse for the company and was designed by William Wardell. It opened in 1884 and is in the Anglo-Dutch style. The main medieval feature is the square tower. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglo-Dutch Anglo-Dutch style Australasian Steam Navigation Co New South Wales NSW office spire square tower Sydney The Rocks tower warehouse William Wardell https://ausmed.arts.uwa.edu.au/files/original/bfd1136202794b03ee2c6f9085551f2f.JPG 52564462e7cdc950fdb01a72e58b89d0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/e7e0357024bdd0a7f53ed1e041cb64f0.JPG 007d8f8e595501e641ae4267bd5161f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral exterior, Hobart, Tasmania Subject The topic of the resource Blind arcading, buttress, Catholic, finial, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet window, Daniel Murphy, niche, rose window, St Mary’s Cathedral, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource <p>The building of St Mary&rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy(1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter&nbsp;between 1876 and 1881. The sandstone building is in the Gothic Revival style with blind arcading, buttresses, a rose window, niches, pointed arch doorways and windows (with tracery), pointed finials, lancet windows. The tower of the original cathedral did not survive the redesign. The extension to the right of the cathedral was added in 2010.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p> <p>For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1140">http://ausmed.arts.uwa.edu.au/items/show/1140</a></p> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Bishop Willson. blind arcading buttress Catholic Daniel Murphy finial Gothic Gothic Revival Henry Hunter Hobart lancet window niche Robert William Willson rose window St Mary’s Cathedral Tas Tasmania tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/729e3bb60add624f743ad69cf9e3db5d.JPG 89fcaae902cc004ba48e45242d88bb19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral interior, Hobart, Tasmania Subject The topic of the resource Catholic, Gothic, Gothic Revival, William Hall, John Hardman, Hardman Studio, high alter, Hobart, Henry Hunter, lancet window, St Mary’s Cathedral, Byron Malloy, tabernacle, Tas, Tasmania, tower, tracery, William Wardell, Robert William Willson, Bishop Willson. Description An account of the resource <p>The building of St Mary&rsquo;s Catholic Cathedral, Hobart, Tasmania, was instigated by Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866). The building was designed by William Wardell and built between 1860 and 1866, supervised by Henry Hunter (1832-1892). It was opened by Willson's successor Bishop Daniel Murphy (1815-1907). However the building was found to be faulty and had to be largely dismantled and rebuilt to a modified design by Hunter between 1876 and 1881. The building is in the Gothic Revival style. The interior includes pointed arch windows and columns supporting pointed arch openings within the nave. A survival from the original cathedral is the Hardman window. The stained glass window was made by the Hardman Studio run by John Hardman in Birmingham, England. It is based on Gothic windows of the fourteenth century and features five lancet windows and tracery. It is a memorial to Bishop William and his Vicar-General William Hall (1807-1866). Below the window is the tabernacle. It is made from the remains of the high alter carved by Byron Malloy that was installed at the re-opening of the cathedral in 1881.</p> <p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a></p> <p>For the Norman font see <a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1138">http://ausmed.arts.uwa.edu.au/items/show/1138</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1133">http://ausmed.arts.uwa.edu.au/items/show/1133</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. Byron Malloy Catholic Gothic Gothic Revival Hardman Studio Henry Hunter high alter Hobart John Hardman lancet window Robert William Willson St Mary’s Cathedral tabernacle Tas Tasmania tower tracery William Hall William Wardell https://ausmed.arts.uwa.edu.au/files/original/e10af5eb5071dac18e3dde48c6aa65cf.jpg 5d6e9bc5259ecf5dc0f9871523812614 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell, saint, Mary, St. Mary, St Mary, Saint Mary Description An account of the resource <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.</p> For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co Mary minor basilica New South Wales NSW pointed arched windows rose window saint Saint Mary spire St Mary St. Mary stained glass Sydney tower tracery William Wardell https://ausmed.arts.uwa.edu.au/files/original/9a1ca66a6f9de5d01302917439fde346.jpg 9c42137182e0ebb39fc7bb2f5928bcbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 653 Width 980 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Cathedral, Sydney Subject The topic of the resource Basilica, Catholic, Gothic, Gothic Revival, Hennessy, Hennessy and Co, minor basilica, New South Wales, NSW, pointed arched windows, rose window, spire, stained glass, Sydney, tower, tracery, William Wardell Description An account of the resource <p>The present St Mary&rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.</p> <p>For more on the cathedral see <a href="http://www.stmaryscathedral.org.au/" target="_blank">http://www.stmaryscathedral.org.au/</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 4, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Basilica Catholic Gothic Gothic Revival Hennessy Hennessy and Co minor basilica New South Wales NSW pointed arched windows rose window spire stained glass Sydney tower tracery William Wardell