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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> <span style="color: #0000ff;">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</span></a></p>
2. search by artist or title.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Queen Guenever as a nun
Subject
The topic of the resource
Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte d’Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory
Description
An account of the resource
This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Malory’s fifteenth-century canonical Arthurian text Le Morte d’Arthur. Upon hearing of Arthur’s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte d’Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons.
Creator
An entity primarily responsible for making the resource
Beardsley, Aubrey
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1893
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
line-block reproduction on paper, 20.8 x 16.0 cm;
Hyperlink
Language
A language of the resource
English
Abbess
Almesbury
art
Arthur
Arthurian
Aubrey Beardsley (1872-1898)
convent
death
Guenever
Guinevere
illustration
J.M. Dent & Sons
Le Morte d’Arthur
nun
nunnery
penance
queen
SA
South Australia
Thomas Malory
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> <span style="color: #0000ff;">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</span></a></p>
<p>2. search by artist or title.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
How Sir Bedivere cast the Sword Excalibur into the Water
Subject
The topic of the resource
art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte d’Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king
Description
An account of the resource
This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Malory’s fifteenth-century canonical Arthurian text Le Morte d’Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte d’Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons.
Creator
An entity primarily responsible for making the resource
Beardsley, Aubrey
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1873
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
art
Arthur
Arthurian
Arthuriana
Aubrey Beardsley (1872-1898)
Avalon
death
Excalibur
illustration
J.M. Dent & Sons
king
knight
lake
Le Morte d’Arthur
legend
legends
myth
mythology
SA
Sir Bedivere
South Australia
sword
Thomas Malory
wounded king
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx" target="_blank"><span style="color: #0000ff; font-family: Calibri; font-size: small;">http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx</span></a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Morgan Le Fay
Subject
The topic of the resource
Accalan, Accolon, Art, Arthur, Arthurian, Avalon, Ballarat, Chrétien de Troyes, Christian Waller (1894-1954), Excalibur, healer, healing, keys, king, King Arthur, knight, lance, Le Morte d’Arthur, legend, Morgan Le Fay, power, shield, Thomas Malory, VIC, Victoria watercolour, wounded king
Description
An account of the resource
<p>This watercolour by Australian artist Christian Waller was gifted to the Art Gallery of Ballarat in 1933 by the Women’s Association. It depicts a woman in medieval dress whom the title identifies as Morgan Le Fay. Morgan Le Fay is a sorceress/healer in Arthurian legend. Starting with Chrétien de Troyes in the late twelfth century, she is often named as Arthur’s half-sister (by his mother Igerne). She plays a key adversarial role in much Arthurian literature; she is often depicted trying to expose the adulterous liaisons of Lancelot and Guinevere, and attempting to bring about Arthur’s downfall. She does this by using her magic powers to give Arthur’s sword, Excalibur, to her lover Accolon (while leaving Arthur unknowingly with a counterfeit), and by throwing Excalibur into the lake. At the end of Thomas Malory’s fifteenth-century text <em>Le Morte d’Arthur, </em>however, she resumes her healing role by taking Arthur to Avalon and tending to the wounded king. For a copy of <em>Le Morte d’Arthur, </em>see: <a href="http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/" target="_blank"> <span style="color: #0000ff;">http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/</span></a>. In the background of Waller’s painting are numerous medieval references: a lance, a heraldic shield, a helmet, a picture of a knight riding a horse, and a set of highly symbolic keys given Morgan Le Fay’s power in Arthurian legend.</p>
<p>About Christian Waller:</p>
<p>Christian Waller was born Christian Marjory Emily Carlyle Yandell in 1894 in Castlemaine, Victoria. In 1910 she moved to Melbourne with her family. There she attended the National Gallery Schools and won acclaim from a young age, receiving a number of student prizes, exhibiting her work with the Victorian Artists Society and featuring in illustrated publications such as Franklin Petersons <em>Melba’s Gift Book of Australian Art and Literature </em>in 1915. In 1915 she married fellow artist Mervyn Napier Waller. He lost his right arm the following year serving on the Western Front, and Christian supported him upon his return to Australia by working as a commercial artist. During the 1920s she became a book illustrator, and her work from this period has been described as reflecting “Classical, Medieval, Pre-Raphaelite and Art Nouveau influences” (See Thomas, David, 'Waller, Christian Marjory Emily Carlyle (1894–1954)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407" target="_blank">http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407</a>, accessed 4 February 2012). From 1928 Waller started designing stained glass windows. This was an artistic medium in which she was prolific, and for which she became well known, during the 1930s and 40s.</p>
Creator
An entity primarily responsible for making the resource
Waller, Christian (1894-1954)
Source
A related resource from which the described resource is derived
Art Gallery of Ballarat
Date
A point or period of time associated with an event in the lifecycle of the resource
1920
Rights
Information about rights held in and over the resource
Art Gallery of Ballarat
Format
The file format, physical medium, or dimensions of the resource
Watercolour, 33.3cm x 21.4cm;
Hyperlink
Accalan
Accolon
art
Arthur
Arthurian
Avalon
Ballarat
Chrétien de Troyes
Christian Waller (1894-1954)
Excalibur
healer
healing
keys
king
King Arthur
knight
lance
Le Morte d’Arthur
legend
Morgan Le Fay
power
shield
Thomas Malory
Vic
Victoria watercolour
wounded king