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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Architecture, arrow slit windows, battlement, castellation, Claremont, Claremont Teacherâ€™s College, crenellation, decorative effect, depressed arch, Edith Cowan University, embrasures, facade, gothic architecture, hood moulding, medieval castle, medieval warfare, merlons, military structures, neo-gothic, oriel, parapet, The University of Western Australia, Western Australia, Western Australian College of Advanced Education</text>
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                <text>A view of The University of Western Australiaâ€™s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacherâ€™s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004.&#13;
&#13;
At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                <text>A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as â€œRenaissanceâ€, and as being of Italian ancestry, but notably â€œanglicised and adapted to the local conditionsâ€ (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over â€œthe wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authoritiesâ€, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136).&#13;
&#13;
Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the Universityâ€™s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsopâ€™s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993).&#13;
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                <text>&lt;div class="gmail_quote"&gt;A view of the red brickwork and vaulted ceiling in the foyer of Winthrop Hall at the University of Western Australia. Groin vaults are produced when two semi-circular barrel or tunnel vaults are intersected at right angles. Vaulted ceilings were a common feature in medieval architecture by the twelfth century.&lt;/div&gt;&#13;
&lt;div class="gmail_quote"&gt;&amp;nbsp;&lt;/div&gt;&#13;
About Winthrop Hall:&lt;br /&gt;&lt;br /&gt;Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, arcading, thick walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See Western Mail, 21 April 1932, pp.14: &lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;http://nla.gov.au/nla.news-article38891565&lt;/a&gt;). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). Winthrop Hall was officially opened at a ceremony on 13 April 1932.</text>
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                <text>A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as â€œRenaissanceâ€, and as being of Italian ancestry, but notably â€œanglicised and adapted to the local conditionsâ€ (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over â€œthe wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authoritiesâ€, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136).&#13;
&#13;
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                <text>&lt;p class="MsoNormal"&gt;A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Winthrop Hall:&lt;/strong&gt;&lt;/p&gt;&#13;
Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as &lt;span lang="EN"&gt;being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See &lt;em&gt;Western Mail&lt;/em&gt;, 21 April 1932, pp.14: &lt;/span&gt;&lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article38891565&lt;/span&gt;&lt;/a&gt;&lt;span lang="EN"&gt;). &lt;/span&gt;Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&amp;rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, &lt;em&gt;Crawley Campus: The Planning and Architecture of the University of Western Australia, &lt;/em&gt;University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: &lt;a href="http://www.therosewindow.com/index-rose2.htm" target="_blank"&gt;http://www.therosewindow.com/index-rose2.htm&lt;/a&gt;</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;A view of the northern side of The Great Gate joining Winthrop Hall to the old Administration building at the University of Western Australia&amp;rsquo;s Crawley campus. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, "The Architecture of the Hackett Buildings", in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). It was designed and constructed in conjunction with Winthrop Hall, Hackett Hall and the Administration Building from a bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). The buildings were officially opened on 13 April 1932. The University also commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber on the northern side of the Great Gate in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>28 January 2011</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="15871">
                <text>No Copyright.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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