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                <text>Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.&#13;
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                <text>Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>anatomy, Anderson Stuart Building, Aretaeus of Cappadocia, Asklepios, classical, Gothic Revival, Hippocrates, John  Harris, medicine, neo-gothic, physicians, stained glass, stair window, surgeons, The University of Sydney, university, university building, window</text>
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                <text>This is the lower section of a two-tiered Gothic Revival stair window located in the Anderson Stuart Building at the University of Sydney. The window was donated by John Harris Esq., at a cost of Â£120 in c.1889 (Calendar of the University of Sydney for the year 1893, Sydney, W. E. Smith, 1893, p.375) It features a triad of classical physicians - Galen, Hippocrates, and Aretaeus of Cappadocia - each of whom had a profound influence on medical thought in the medieval and Renaissance periods and the development of medicine in general. The figures are separately surmounted and framed by late fourteenth to early fifteenth century canopies within individuated lights. Such figuration is very much in keeping with the customary practice of presenting a series of exemplary figures from history for edification and emulation. The Anderson Stuart Building, formerly known as â€˜The old medical schoolâ€™ is used for the teaching of anatomy. It also boasts a statue of Asklepios, the God of medicine and healing, and busts of several eminent physicians and surgeons. The Faculty of Medicine at Sydney University is the oldest in the country.</text>
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            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="18370">
                <text>Urry, David &#13;
(photographer)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18371">
                <text>3 November 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18372">
                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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        <name>Anderson Stuart Building</name>
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        <name>Aretaeus of Cappadocia</name>
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        <name>Asklepios</name>
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        <name>Classical</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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        <name>Hippocrates</name>
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        <name>John  Harris</name>
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        <name>medicine</name>
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        <name>neo-Gothic</name>
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        <name>physicians</name>
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      <tag tagId="693">
        <name>stained glass</name>
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        <name>stair window</name>
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        <name>surgeons</name>
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      <tag tagId="2275">
        <name>The University of Sydney</name>
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        <name>university</name>
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        <name>university building</name>
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        <name>window</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
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          <name>URL</name>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19150">
                <text>White, David</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19151">
                <text>Unknown</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19152">
                <text>Â© David White (photo)</text>
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            <name>Format</name>
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        <name>canopy</name>
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        <name>education</name>
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        <name>Geoffrey Chaucer (1340-1400)</name>
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        <name>Gothic Revival</name>
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        <name>Great Hall</name>
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        <name>James I of Scotland (1394-1437)</name>
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        <name>John Fortescue (1394-1476)</name>
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        <name>medieval</name>
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        <name>neo-Gothic</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>quadrangle</name>
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        <name>stained glass</name>
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        <name>window</name>
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        <name>writer</name>
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