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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Anglo-Saxon Window, Great Hall, University of Sydney</text>
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                <text>Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, CÃ¦dmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede</text>
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                <text>The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmonâ€™s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby.&#13;
&#13;
The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. </text>
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                <text>White, David</text>
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                <text>11 February 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>University of Sydney; &#13;
David White (photograph in hyperlink)</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG&lt;/a&gt;</text>
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                <text>MacLaurin Window, Nicholson Vestibule, University of Sydney</text>
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                <text>Alfred the Great, Anglo-Saxon, James I/VI, Sir Henry Normand MacLaurin, MacLaurin Window, navy, New South Wales, Nicholson Vestibule, NSW, ship, stained glass, Sydney, University of Sydney, Viking, Wessex</text>
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                <text>The MacLaurin Window was created in 1920 and can be found in the Nicholson Vestibule lighting the staircase. The window has a portrait of Sir Henry Normand MacLaurin, Chancellor of the University of Sydney from 1896 to 1914, flanked by James I (England) and VI (Scotland) (1566-1625), and Alfred the Great (849-899). Alfred was king of the Anglo-Saxon kingdom of Wessex (roughly England south of the Thames) and his dynasty later unified England. Alfred is shown holding a warship, perhaps due to the notion that he was the father of the English navy due to the ships that he had constructed to help counter Viking attacks.</text>
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                <text>White, David</text>
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                <text>University of Sydney</text>
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                <text>11 February 2012</text>
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                <text>University of Sydney, David White (photograph in link)</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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                <text>White, David</text>
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                <text>Unknown</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Â© David White (photo)</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An article by Dylan Welch in The Sydney Morning Herald about the Knights Templar in Australia. The article briefly outlines the origins of the order in the early twelfth century as protectors of Christian pilgrims to Jerusalem, and its disbandment in the early fourteenth. The order has since been revived and now also operates in Australia, combining Christian charity work with instruction in swordplay and a French form of kickboxing. The article interviews two Australian members of the Templarâ€™s, Paul Oâ€™Sullivan and Paul Grice. It is noted that the modern knights have little in common with those featured in Dan Brownâ€™s novel â€˜The Da Vinci Codeâ€™. Instead, they are described as a â€˜modern-day esoteric knighthoodâ€™.</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18543">
                <text>The â€˜Caxton Windowâ€™</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18544">
                <text>books, education, John Ashwin &amp; Co., John Radecki, Margaret of Burgundy, Mitchell Reading Room, New South Wales, NSW, patronage, print, printing, printing press, Recuyell of the Historyes of Troye (1474), stained glass, State Library of NSW, Sydney, William Caxton (c.1422-1492), window</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18545">
                <text>An image of the â€˜Caxton Windowâ€™ located in the Mitchell Reading Room at the State Library of New South Wales. This stained glass window was created in a neo-medieval figurative style by John Radecki of Ashwin and Co., Sydney in 1941. It shows Englishman William Caxton presenting a copy of the Recuyell of the Historyes of Troye (1474) to his patron Margaret of Burgundy. The Caxton theme is an effective means of commemorating a momentous achievement in the history of English literature, namely the ready dissemination of cultural values and the arts via the printed page. Caxton later set up a printing press in Westminster in 1476, initially using type that he brought over from Bruges. This didactic window is superbly executed, and the significance of books and learning is highly appropriate for a library reading room. Regrettably the windowâ€™s finer details are not easily discernible from ground level. The placement of this window in the Mitchell reading room, which houses the early Australiana collection, provides a bridge between the two continents (Europe and Australia). </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18546">
                <text>Urry, David</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18547">
                <text>3 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18548">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18549">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="737">
        <name>books</name>
      </tag>
      <tag tagId="90">
        <name>education</name>
      </tag>
      <tag tagId="4247">
        <name>John Ashwin &amp; Co.</name>
      </tag>
      <tag tagId="4248">
        <name>John Radecki</name>
      </tag>
      <tag tagId="4249">
        <name>Margaret of Burgundy</name>
      </tag>
      <tag tagId="4250">
        <name>Mitchell Reading Room</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="3795">
        <name>patronage</name>
      </tag>
      <tag tagId="786">
        <name>print</name>
      </tag>
      <tag tagId="4251">
        <name>printing</name>
      </tag>
      <tag tagId="4252">
        <name>printing press</name>
      </tag>
      <tag tagId="4253">
        <name>Recuyell of the Historyes of Troye (1474)</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="4254">
        <name>State Library of NSW</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="4255">
        <name>William Caxton (c.1422-1492)</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="370" public="1" featured="0">
    <fileContainer>
      <file fileId="436">
        <src>https://ausmed.arts.uwa.edu.au/files/original/be943e690e7eabe461dfbfd58220277e.pdf</src>
        <authentication>1c1a9b0b453e532fe413f79e101d8fa2</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="7916">
              <text>Photograph; PDF</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7907">
                <text>Corpus Christi Procession North Sydney, 1934</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7908">
                <text>Sydney, North Sydney, NSW, New South Wales, Corpus Christi Procession Sydney, medieval saintsâ€™ pageants, saints, saint, pageant, procession, parade, parades, processions, banner,&#13;
banners, eucharistic procession, eucharist, parade, medieval liturgy, canopy, host, Body of Christ, priests, clerics, papal delegate, monstrance, Monte Santâ€™ Angelo Convent North Sydney, Archbishop Cattaneo, Blessed sacrament feast of Corpus Christi, baldacchino, ombrello, thurifers, crucifer, medieval liturgy, incense, candles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7909">
                <text>The feast of Corpus Christi (Body of Christ) has been held since the 13c. The host, Blessed sacrament, the consecrated body of Christ, is brought outside of its usual place in the sanctuary of the altar and paraded amongst devoted followers and the world at large. the procession is accompanied by prayer and adoration and usually concludes with Solemn Benediction. The feast occurs the first Thursday after Trinity Sunday.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7910">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7911">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7912">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7913">
                <text>Friday 1 June 1934, Procession Thursday 31 May (Thursday after Trinity Sunday)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7914">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7915">
                <text>Photograph; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2452">
        <name>Archbishop Cattaneo</name>
      </tag>
      <tag tagId="2454">
        <name>baldacchino</name>
      </tag>
      <tag tagId="158">
        <name>banner</name>
      </tag>
      <tag tagId="420">
        <name>banners</name>
      </tag>
      <tag tagId="2453">
        <name>Blessed sacrament feast of Corpus Christi</name>
      </tag>
      <tag tagId="2445">
        <name>Body of Christ</name>
      </tag>
      <tag tagId="2459">
        <name>candles</name>
      </tag>
      <tag tagId="1313">
        <name>canopy</name>
      </tag>
      <tag tagId="2447">
        <name>clerics</name>
      </tag>
      <tag tagId="2437">
        <name>Corpus Christi Procession Sydney</name>
      </tag>
      <tag tagId="2457">
        <name>crucifer</name>
      </tag>
      <tag tagId="2440">
        <name>Eucharist</name>
      </tag>
      <tag tagId="2442">
        <name>eucharistic procession</name>
      </tag>
      <tag tagId="2444">
        <name>host</name>
      </tag>
      <tag tagId="2458">
        <name>incense</name>
      </tag>
      <tag tagId="2443">
        <name>medieval liturgy</name>
      </tag>
      <tag tagId="2438">
        <name>medieval saintsâ€™ pageants</name>
      </tag>
      <tag tagId="2449">
        <name>monstrance</name>
      </tag>
      <tag tagId="2450">
        <name>Monte Santâ€™ Angelo Convent North Sydney</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="2451">
        <name>North Sydney</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="2455">
        <name>ombrello</name>
      </tag>
      <tag tagId="2420">
        <name>pageant</name>
      </tag>
      <tag tagId="2448">
        <name>papal delegate</name>
      </tag>
      <tag tagId="417">
        <name>parade</name>
      </tag>
      <tag tagId="899">
        <name>parades</name>
      </tag>
      <tag tagId="2446">
        <name>priests</name>
      </tag>
      <tag tagId="157">
        <name>procession</name>
      </tag>
      <tag tagId="878">
        <name>processions</name>
      </tag>
      <tag tagId="1767">
        <name>saint</name>
      </tag>
      <tag tagId="1691">
        <name>saints</name>
      </tag>
      <tag tagId="122">
        <name>Sydney</name>
      </tag>
      <tag tagId="2456">
        <name>thurifers</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
