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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€œAlfred,â€ A Cantata, by E. Prout </text>
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                <text>Alfred the Great, Alswitha, Anglo-Saxon, Athelney, Battle of Ethandun, cantata, Danes, Ealhswith, England, Mr Grist, Guthrum, libretto, minstrel, music, New South Wales, Norse, NSW, performance, Ebenezer Prout, Raven banner, Redfern, Saxon, St. Paulâ€™s, Sydney, The Sydney Morning Herald, Thor, Valhalla, Viking, Wessex, Y.M.C.A.</text>
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                <text>&lt;p&gt;This anonymous article in The Sydney Morning Herald on 30 November 1886 is a review of a musical performance about Alfred the Great. The cantata &amp;lsquo;Alfred&amp;rsquo; was composed by Ebenezer Prout with a libretto by Mr Grist. The piece is based around Alfred&amp;rsquo;s battle with the Viking great army and its leader Guthrum in 878 and opens with Alfred at Athelney, where he had been forced to take refuge with his wife Alswitha (Ealhswith) and men following a Viking attack on the royal estate at Chippenham. Alfred eventually enters the Viking camp disguised as a minstrel where he enters a singing competition with Guthrum, which he wins. During the competition Guthrum sings about the Norse god Thor and Alfred a song of love. Alfred and his men later defeat the Vikings at the battle of Ethandun and Guthrum and his followers become Christians. The performance was given to raise money for a new organ at St Paul&amp;rsquo;s, Redfern, and took place at the Y.M.C.A.&lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article28351939" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article28351939&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
The cantata is based on contemporary accounts about Alfred found in the &lt;em&gt;Anglo-Saxon Chronicle &lt;/em&gt;and Asser&amp;rsquo;s &lt;em&gt; Life of Alfred&lt;/em&gt;, but the story of him disguising himself as a minstrel to spy on the Viking camp is not found in these sources. It became a very popular tale in the nineteenth century, being the subject of various illustrations and mentioned in works of history.</text>
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                <text>The Sydney Morning Herald, Australia Trove (National Library of Australia)</text>
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                <text>Alfred the Great</text>
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                <text>&lt;p&gt;An article on page 10 of The Sydney Morning Herald on September 25, 1901. The article reports on a sermon by Archdeacon Gunther in St. John&amp;rsquo;s Church in which he mentioned that it was the thousandth anniversary of Alfred the Great, king of Wessex (primarily England south of the Thames), &amp;lsquo;the greatest and best of English kings&amp;rsquo;. Particular mention was made of the glories of his reign, and his morality and learning. Although the main primary source, the &lt;em&gt;Anglo-Saxon Chronicle&lt;/em&gt;, records Alfred&amp;rsquo;s death in the annal for 901, the texts date had gone awry and it is now thought that he died in 899. Alfred is renowned for defeating Viking invaders and promoting learning at his court, including the translation of many Latin works into (Old) English.&lt;/p&gt;&#13;
The article can be found at &lt;a href="http://nla.gov.au/nla.news-article14411811" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article14411811&lt;/span&gt;&lt;/a&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€œRobin Hoodâ€ (comic opera)</text>
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                <text>Comic opera, Conservatorium, Crusade, Government House, Reginald De Koven, light opera, music, New South Wales, NSW, opera, performance, Richard I, Robin Hood, Royal Botanic Gardens, Harry B. Smith, Sydney, Sydney Conservatorium of Music, Sydney Morning Herald.</text>
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                <text>&lt;p&gt;This piece titled &amp;ldquo;Robin Hood&amp;rdquo; in the &amp;lsquo;Amusements&amp;rsquo; section of the Sydney Morning Herald newspaper appeared on June 30, 1928. It brings to attention a new production of the comic/light opera Robin Hood at the Sydney Conservatorium of Music in the Royal Botanic Gardens, formerly the stables of Government House. Elsewhere on the same page in the &amp;lsquo;Music and Drama&amp;rsquo; section there is a complimentary article to remind readers of two previous seasons of the opera, and to discuss the opera&amp;rsquo;s origins and style. The &amp;lsquo;rustic&amp;rsquo; opera by Americans Reginald De Koven (music) and Harry B. Smith (libretto) was written in Chicago in the 1880s and, according to the newspaper article, features comic treatment of the characters of the Sherriff and Sir Guy. The opera is based on the popular adventures of the outlaw Robin Hood and is set in Nottingham, England, during the reign of Richard I (the Lionheart) during his time abroad on crusade.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article28052740"&gt;http://nla.gov.au/nla.news-article28052740&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Sydney Morning Herald</text>
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                <text>â€˜On page 9 of this text, an attempted theft of the diamonds of the Order of the Garter is detailed: On forming a connection with one Lowe, which was but a short time previous to that evening of the month of January, which is observed as the anniversary of the Queen's birth-day, it was resolved on between them, that, habited as a clergyman, Mr. Barrington should repair to Court, and there endeavour, not only to pick the pockets of some of the company, but, what was a much bolder, and a much more novel attempt, to cut off the diamond orders of some of the Knights of the Garter, Bath, and Thistle, who, on such days, usually wear the collars of their respective orders over their coats. In this enterprize he succeeded beyond the most sanguine expectations that could have been formed, by either his new accomplice Lowe or himself; for he found means to take the diamond order of Lord C--, with which he got away from St. James's perfectly unsuspected.'</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Peterâ€™s East Window, SCEGGS Great Hall, Darlinghurst, Sydney</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Canopy, Christ, Christianity, Darlinghurst, Empire, Ferguson &amp; Urie, geometric patterning, Great Hall, medallion, medieval design, New South Wales, NSW, quarries, SGEGGS, school, school buildings, St Peterâ€™s Church, Stained glass, Sydney, Sydney Girls Grammar School, window</text>
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            <description>An account of the resource</description>
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                <text>An image of the East Window in the Great Hall at Sydney Girls Grammar School (SGEGGS) in Darlinghurst, Sydney. The window was originally installed in St Peterâ€™s church in 1867, but the church has since been incorporated into the School Hall. It is the only known Ferguson &amp; Urie window in Sydney. Depictions of Christ and the disciples in lozenge and mandorla medallions stand out amidst a richly patterned geometrical background. This window employs several medieval design and glazing techniques, notably: 12th century lancets, the use of â€˜diaperedâ€™ background quarries, extensive geometric patterning, and painted figures restricted to â€˜mandorlaâ€™ and lozenge-shaped medallions. Note the comparatively larger, central figure of Christ standing under the imitation c. 14th century canopy. While not limited to a medieval primary colour scheme, the overall feeling and tone of this window is decidedly one of an adventurous medievalism. Such a window transmits the essence of the gospel message in visual narrative form, to the effect that the contents of each medallion can quite easily be â€˜readâ€™ by onlookers. The twin themes of Empire and Christianity merge seamlessly within the context of the windowâ€™s Neo-Gothic medievalism.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18911">
                <text>Brown, Ray</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>6 May 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18913">
                <text>Â© Ray Brown </text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18914">
                <text>Hyperlink</text>
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        <name>Darlinghurst</name>
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        <name>Empire</name>
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        <name>Ferguson &amp; Urie</name>
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        <name>geometric patterning</name>
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        <name>Great Hall</name>
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        <name>medallion</name>
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        <name>medieval design</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>quarries</name>
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        <name>school</name>
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        <name>school buildings</name>
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        <name>SGEGGS</name>
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        <name>St Peterâ€™s Church</name>
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        <name>stained glass</name>
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        <name>Sydney</name>
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        <name>Sydney Girls Grammar School</name>
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        <name>window</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/b1d046f64b7c50c62639d1b6c0ea1376.jpg</src>
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                <name>Bit Depth</name>
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                    <text>8</text>
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                <name>Channels</name>
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                    <text>3</text>
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                <name>Height</name>
                <description/>
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                  <elementText elementTextId="16456">
                    <text>952</text>
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                <name>Width</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="16492">
              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Camelot": The Original Motion Picture Soundtrack</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16485">
                <text>record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16486">
                <text>An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult &lt;a href="http://www.imdb.com/title/tt0061439/"&gt;http://www.imdb.com/title/tt0061439/. &lt;/a&gt;&lt;br /&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16487">
                <text>Carter, Bree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16488">
                <text>27 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16489">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="16490">
                <text>&amp;ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed November 28, 2011, &lt;a href="../../../items/show/26"&gt;http://ausmed.arts.uwa.edu.au/items/show/26 &lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16491">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>Alan Jay Lerner</name>
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      <tag tagId="346">
        <name>Arthur</name>
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        <name>Arthurian</name>
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        <name>Arthuriana</name>
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        <name>Camelot</name>
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        <name>chivalric</name>
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        <name>chivalry</name>
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        <name>cinema</name>
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        <name>entertainment</name>
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        <name>film</name>
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        <name>Franco Nero</name>
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        <name>Guinevere</name>
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      <tag tagId="3677">
        <name>Hoyts Century Theatre</name>
      </tag>
      <tag tagId="1175">
        <name>King Arthur</name>
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      <tag tagId="96">
        <name>knight</name>
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        <name>knighthood</name>
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        <name>Lancelot</name>
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        <name>movie</name>
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      <tag tagId="237">
        <name>music</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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      <tag tagId="2190">
        <name>orchestra</name>
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        <name>orchestral</name>
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      <tag tagId="1172">
        <name>popular culture</name>
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        <name>record</name>
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        <name>records</name>
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        <name>Richard Harris</name>
      </tag>
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        <name>round table</name>
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        <name>Sydney</name>
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        <name>theatre</name>
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        <name>theatres</name>
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      <tag tagId="3674">
        <name>Vanessa Redgrave</name>
      </tag>
      <tag tagId="3782">
        <name>York</name>
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