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&lt;p&gt;Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&amp;rsquo;s first Bishop, on New Year&amp;rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.&lt;/p&gt;&#13;
&lt;p&gt;For their very informative website of the church see &lt;a href="http://www.ccsl.org.au/"&gt;http://www.ccsl.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Christ Church St Laurence Anglican Church is at 812 George Street in the inner-city suburb of Haymarket in Sydney, New South Wales. The foundation stone of the church was laid by William Grant Broughton (1788-1853), Australia&amp;rsquo;s first Bishop, on New Year&amp;rsquo;s Day 1840, and he consecrated the church on September 10, 1845. The original architect was Henry Robertson, who completed the walls of the nave and the base of the tower. Edmund Thomas Blacket (1817-1883) was responsible for much of the interior, including the stone window tracery and ceiling. Following a fire in 1905 the architect John Burcham Clamp (1869-1931) restored much of the interior. Christ Church St Lawrence is in the Gothic Revival style and the interior features pointed arch windows lancet windows with stone window mouldings, tracery, and stained glass, a timber ceiling with trusses, and a painted wall around the east window. Painted interiors of churches was common during the medieval period before the Reformation, after which many were white-washed in countries which turned from Catholicism.&lt;/p&gt;&#13;
&lt;p&gt;For their very informative website of the church see &lt;a href="http://www.ccsl.org.au/"&gt;http://www.ccsl.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This window display was in an Elizabeth Street, Sydney, window of the David Jones department store. It shows a medieval-style castle topped with a crenelated parapet being guarded by mice carrying spears and wearing helmets. A lion wearing a crown and a cloak (the king) is standing in the doorway. David Jones banners also hang from the castle. The mistletoe above the doorway indicates that this was a Christmas window display.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>18 December 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photograph; JPEG</text>
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        <name>Christmas</name>
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        <name>David Jones</name>
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        <name>helmet</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>shield</name>
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        <name>shop</name>
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      <tag tagId="1820">
        <name>spear</name>
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        <name>Sydney</name>
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        <name>window display</name>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>(Former) Mortuary Station, Regent St, Sydney</text>
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            <description>The topic of the resource</description>
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                <text>James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The former Mortuary Station is located behind Sydneyâ€™s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs&#13;
.&#13;
The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events.  &#13;
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>December 17, 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33686">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>capital</name>
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        <name>James Barnet</name>
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        <name>lancet window</name>
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        <name>Moorish</name>
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        <name>Mortuary Station</name>
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        <name>moulding</name>
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        <name>New South Wales</name>
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      <tag tagId="338">
        <name>NSW</name>
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        <name>pointed arch</name>
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        <name>railway</name>
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        <name>Regent Street Railway Station</name>
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        <name>Rookwood Cemetery</name>
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        <name>sculpture</name>
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        <name>spire</name>
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        <name>Sydney</name>
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        <name>Venetian Gothic.</name>
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  <item itemId="1272" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gerni Weekend Warriors advertisement</text>
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;&amp;lsquo;Gerni Weekend Warriors&amp;rsquo; is a marketing campaign created by Sydney ad agency MJW to promote Gerni high pressure water cleaners. The television advert features three men dressed as warriors from the past using a Gerni to clean their cars and houses, with the Gerni clearly taking the place of a weapon. The men are dressed as a Roman centurion with cape, helmet and breastplate; a Viking (c. 800-1000) wearing a horned helmet and animal skin; and a thirteenth century Mongol wearing a fur-lined conical helmet, fur boots, and upper-body armour.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=q-DD0yQovRw&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For an article on the marketing campaign see &lt;a href="http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni"&gt;http://www.bandt.com.au/breaking-campaigns/mjw-puts-the-pressure-on-for-gerni&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>MJW</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>August, 2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33445">
                <text>Gerni, MJW</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>centurion</name>
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        <name>Gerni</name>
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        <name>Gerni Weekend Warriors</name>
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        <name>helmet</name>
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      <tag tagId="6216">
        <name>MJW</name>
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      <tag tagId="6217">
        <name>Mongol</name>
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        <name>NSW</name>
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        <name>warrior</name>
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        <name>website</name>
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        <name>YouTube.</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The red brick and stone building at 152 Elizabeth St in Sydney, New South Wales, incorporates a number of architectural styles. Most prominent of these is the medieval Romanesque style seen in the semi-circular arched windows on the second and third storey, and the doorway. The two oriel windows are usually found in Gothic Revival architecture, especially when used above a doorway as here. Finally, the entrance features two ionic columns with volute capitals, a style first used in Classical Greece. The building also has a low tower with two buttresses on each end, and the parapet on top of the building has crenels on top of the towers, giving the impression of fortification. Part of the ground floor of the building is now occupied by the Oak Barrel Liquor Shop. </text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Stocatta School of Defence</text>
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                <text>&lt;p&gt;Stocatta School of Defence was established in Sydney, New South Wales, in 1998. The school teaches swordsmanship based on historical texts written between the thirteenth and nineteenth centuries. Weapons taught include Highland broadsword, English and German long sword, quarterstaff (a long wooden pole), rapier, sword and shield, and sword&lt;br /&gt;and buckler (a small round shield). There are classes available for both children and adults. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Their website is available at http://sydney.stoccata.org/&lt;/p&gt;</text>
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                <text>Stocatta School of Defence</text>
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        <name>sword and buckler</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/10c8ffc3278650d47979c8cfa70bee43.jpg</src>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Bell Tower, St Andrewâ€™s Presbyterian Church, Manly, Sydney.</text>
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                <text>A close up image of the bell tower of St Andrewâ€™s Presbyterian Church on Raglan Road in the Sydney suburb of Manly. The building was designed by John Sulman in the Romanesque Revival style and was completed in 1890. The carved white sandstone building features a prominent bell tower (shown) with gargoyles, semi-circular arched windows and blind arcading with columns with decorated capitals.</text>
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                <text>05 February 2012</text>
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              <elementText elementTextId="32441">
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        <name>Romanesque Revival</name>
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