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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, WA</text>
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                <text>&lt;p&gt;Close-up image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of Â£1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate FrÃ©mietâ€™s Jeanne dâ€™Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragonâ€™s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvaisâ€™ Speculum Historiale and Jacobus de Voragineâ€™s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. &#13;
&#13;
For more on the St George legend in Australia, see Andrew Lynch, â€œâ€˜Thingless namesâ€™? The St George Legend in Australiaâ€, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html.</text>
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                <text>A digital photograph of the parade at the Balingup Medieval Carnivale. One of the highlights of the parade was an appropriately green and scaly smoke breathing winged dragon on wheels pulled by a chain. Dragons are a popular element of the medieval period, occurring in Old English (Anglo-Saxon) literature, most famously in Beowulf, on the prows of some Viking ships, and as the victim of St George. More recently, dragons have featured in a number of stories by Tolkien, and perhaps in the popular imagination threatening damsels.</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>A close-up digital photograph of the dragon in the parade at the Balingup Medieval Carnivale. Dragons are a popular element of the medieval period, occurring in Old English (Anglo-Saxon) literature, most famously in Beowulf, on the prows of some Viking ships, and as the victim of St George. More recently, dragons have featured in a number of stories by Tolkien, and in the popular imagination threatening damsels.</text>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15070">
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        <name>Beowulf</name>
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      <tag tagId="177">
        <name>carnival</name>
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      <tag tagId="178">
        <name>carnivale</name>
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      <tag tagId="172">
        <name>dragon</name>
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      <tag tagId="2784">
        <name>dragons</name>
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      <tag tagId="176">
        <name>fare</name>
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      <tag tagId="175">
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        <name>parade</name>
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        <name>parades</name>
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        <name>procession</name>
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        <name>recreation</name>
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        <name>Saint George</name>
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        <name>Shire of Donnybrook-Balingup</name>
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        <name>St George</name>
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        <name>St. George</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia</text>
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                <text>Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint Michael&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate.&lt;strong&gt; &lt;/strong&gt;This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts Michael, archangel and commander of the Lord&amp;rsquo;s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (&lt;em&gt;Revelation&lt;/em&gt;, 12:7-9). As is common in artistic renditions, Michael&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of &amp;lsquo;Good&amp;rsquo;. During the medieval period, St Michael&amp;rsquo;s feast day (29 September) &amp;ndash; known as Michaelmas &amp;ndash; was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Le Coultre, Eleanor</text>
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                <text>23 November 2010</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10687">
                <text>Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA.</text>
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              <text>Digital Photograph; JPEG</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St George Statue, St Georgeâ€™s Cathedral, Perth, Western Australia.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anglican, Anglicanism, Anglican Cathedral, cathedral, religion, religious, carving, Cathedral, chivalric tradition, dragon, hagiography, knight, knights, knighthood, legend, myth, mythology, Oberammergau, Perth, saint, saints, Saint George, St. George, dragon, St George, St George and the Dragon, St Georgeâ€™s Cathedral, statute, WA, Western Australia, Christian, Christianity</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Images of the St George woodcarved statue in St George&amp;rsquo;s Cathedral,  Western Australia. The statue was purchased from Oberammergau in 1970.  Oberammergau is a town in Bavaria known for its woodcarvers and, perhaps  more famously, it&amp;rsquo;s production of a passion play. The legend of St  George slaying the dragon is Eastern in origin. It is thought to have  been brought back to England by crusaders, where it was incorporated  into the chivalric tradition. For more on the St George legend in  Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in  Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="8214">
                <text>Lynch, Andrew</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>12 March 2008</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Photographed with permission of the Dean, St George's Cathedral</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Photograph; JPEG</text>
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        <name>Anglican</name>
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        <name>Anglican Cathedral</name>
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        <name>Anglicanism</name>
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        <name>carving</name>
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        <name>Cathedral</name>
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      <tag tagId="1815">
        <name>chivalric tradition</name>
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        <name>Christian</name>
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        <name>Christianity</name>
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        <name>dragon</name>
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        <name>hagiography</name>
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        <name>knight</name>
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        <name>knighthood</name>
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        <name>knights</name>
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        <name>legend</name>
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        <name>myth</name>
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        <name>mythology</name>
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        <name>Oberammergau</name>
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        <name>Perth</name>
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        <name>religion</name>
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      <tag tagId="1767">
        <name>saint</name>
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      <tag tagId="116">
        <name>Saint George</name>
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        <name>saints</name>
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      <tag tagId="1822">
        <name>St George</name>
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      <tag tagId="2241">
        <name>St George and the Dragon</name>
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      <tag tagId="2234">
        <name>St Georgeâ€™s Cathedral</name>
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      <tag tagId="505">
        <name>St. George</name>
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      <tag tagId="1746">
        <name>statute</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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