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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Balingup, Balingup Medieval Carnivale, Beowulf, carnival, fayre, fare, carnivale, dragon, parade, dragons, parades, procession, processions, re-creation, recreation, Saint George, St. George, St George, Shire of Donnybrook-Balingup, South-West, South-West WA, Viking, WA, Western Australia</text>
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                <text>A close-up digital photograph of the dragon in the parade at the Balingup Medieval Carnivale. Dragons are a popular element of the medieval period, occurring in Old English (Anglo-Saxon) literature, most famously in Beowulf, on the prows of some Viking ships, and as the victim of St George. More recently, dragons have featured in a number of stories by Tolkien, and in the popular imagination threatening damsels.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Close-up image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St George and the Dragon Altar, St Georgeâ€™s Cathedral, Perth, Western Australia.</text>
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                <text>altar, Anglican, Anglicanism, Anglican Cathedral, carving, Cathedral, chivalric tradition, chivalry, combat, battle, crusades, dragon, Eucharist service, Golden Legend, hagiography, Jacobus de Voragine, jarrah, knight, legend, myth, mythology, nave, nave altar, Perth, saint, saints, Speculum Historiale, St George, St George and the Dragon, Saint George, St Georgeâ€™s Cathedral, sword, Vincent of Beauvais (c.1190-1264), WA, Western Australia</text>
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                <text>&lt;p&gt;Image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                <text>21 May 2004</text>
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                <text>Photographed with permission of the Dean, St Georgeâ€™s Cathedral</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This sculpture of St George and the Dragon is at the top of the 1886 malt kiln of Boag&amp;rsquo;s Brewery in the northern Tasmanian city of Launceston. St George is depicted as a medieval knight wearing armour and a helmet with an open visor and a feather plume. He rides a horse and carries a sword. His horse is trampling a winged dragon.&lt;/p&gt;&#13;
&lt;p&gt;For the malt kiln see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other depictions of St George by Boag&amp;rsquo;s Brewery see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>November 18, 2012</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/989"&gt;http://ausmed.arts.uwa.edu.au/items/show/989&lt;/a&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/886"&gt;http://ausmed.arts.uwa.edu.au/items/show/886&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1216"&gt;http://ausmed.arts.uwa.edu.au/items/show/1216&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>bronze, Centennial International Exhibition, chivalric tradition, crusades, dragon, exhibition, Golden Legend, hagiography, international exhibition, Jacobus de Voragine, knight, legend,  Melbourne, mythology, sculpture, Sir Joseph Edgar Boehm (1834-1890), spear, Speculum Historiale, St George, Saint George, St George and the Dragon sculpture, State Library of Victoria, statue, sword, Victoria, Vincent of Beauvais (c.1190-1264)</text>
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                <text>Images of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of &amp;pound;1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate Fr&amp;eacute;miet&amp;rsquo;s Jeanne d&amp;rsquo;Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragon&amp;rsquo;s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html).</text>
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                <text>&lt;p&gt;St George Bank was formed in Sydney, New South Wales, in 1937 and is now a subsidiary of Westpac Banking Corporation. Despite its name, the logo of the bank fails to depict St George himself, but instead has a stylised head of a fire-breathing dragon, alluding to the popular tale of St George killing a dragon. The tale is thought to have been brought to Western Europe by crusaders returning from the Holy Lands in the eleventh century.&lt;/p&gt;&#13;
&lt;p&gt;The logo can be found on their website: &lt;a href="http://www.stgeorge.com.au/" target="_blank"&gt;http://www.stgeorge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Image of St George Dry Cleaners at the St Georges Terrace end of Trinity Arcade in the Perth CBD. The wall of the premises features a humorous cartoon representation of St George in armour and carrying a shield mounted on his horse attacking a fire breathing dragon. The lance has a banner hanging from it advertising the services offered by the business. </text>
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                <text>&lt;p&gt;The St George Illawarra Dragons are a professional rugby league club based in Sydney, New South Wales. They were formed in 1998 from the merger of two previous clubs: St George Dragons and the Illawarra Steelers. The club&amp;rsquo;s logo is in the shape of a shield and features a silhouette of a mounted knight in armour and wearing a helmet, and a white fire-breathing winged dragon. Appropriately, their major sponsor is St George Bank, resulting in the head of another fire-breathing dragon (the Bank&amp;rsquo;s logo) being on the players jersey&amp;rsquo;s.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;Their website is: &lt;a href="http://www.dragons.com.au/home"&gt;http://www.dragons.com.au/home&lt;/a&gt;&lt;/p&gt;</text>
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