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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of a font in St Georgeâ€™s Cathedral, Perth. The font was sculpted in Donnybrook stone in 1930 by Herbert Parry, son of Bishop Parry. The font has eight facets, one of which features the intertwined initials I.H.S., a common medieval abbreviation, or Christogram, for Jesus taken from the first three letters of his name in Greek.</text>
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                <text>Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a â€˜Ye Olde English Fayreâ€™. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields â€“ many bearing the St George cross â€“ and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof.</text>
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                <text>Images of â€˜St George slaying the Dragonâ€™ at London Court in Western Australia. Located in a window above the clock at the St Georgeâ€™s Terrace entrance to London Court, 'St George slaying the Dragon' is a feature consisting of animated figures that move in time with the clock. A figurine of St George brandishing a sword chases a dragon around a circuit when the clock chimes each quarter of an hour. At the chiming of the full hour, St George catches up to the dragon and beheads him.&#13;
&#13;
London Court is a retail shopping arcade that runs between St Georgeâ€™s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;This photograph of a sign was taken at the rear of the Cascade Brewery. The sign features a warrior on horseback killing a dragon with a lance. The similarity of the sign to the original St George logo used by the Launceston brewery Boag&amp;rsquo;s, which was purchased by Cascade Brewery in 1922, suggests that this may also be an image of the warrior saint popular during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For the Boag's Brewery image see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Article, beer, commercial, dragon, La Trobe Journal, Andrew Lynch, Perth, poetry, rugby, St George, St George Illawarra Dragons, St Georgeâ€™s Cathedral, stained glass windows, statue, â€˜â€˜Thingless Namesâ€™? The St George Legend in Australiaâ€™, The University of Western Australia. </text>
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                <text>&lt;p&gt;&amp;lsquo;&amp;lsquo;Thingless Names&amp;rsquo;? The St George Legend in Australia&amp;rsquo; is an article by Andrew Lynch from The University of Western Australia. It appeared in the La Trobe Journal (No. 81, pp. 40-52) in Autumn 2008. The article briefly considers the impact of medievalism in Australia during the nineteenth century before focussing in particular on the many uses of the figure of St George, with or without the dragon, which can be found throughout Australia. A wide range of examples, including statues, stained glass windows, street names, poetry, beer commercials, St George Illawarra Dragons rugby club, are used, and there is a particular focus on St George&amp;rsquo;s Cathedral in Perth. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_self"&gt;http://nishi.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St George&amp;rsquo;s Anglican Chapel is the chapel of St George&amp;rsquo;s College, a residential college for students attending The University of Western Australia in Perth. The foundation stone of the chapel was laid in 1928 by Archbishop Riley, and the chapel was designed by Sir Talbot Hobbs. Unusually, the red brick chapel is built north-south rather than east-west like most churches. St George&amp;rsquo;s Chapel is built in the Gothic Revival style. It features stained glass windows at the north and south ends. The large west window above the entrance includes five lancet windows and the three central windows are devoted to medieval Anglo-Saxon saints of England: St Aiden of Lindisfarne (d. 651) who undertook missionary work in the Anglo-Saxon kingdom of Northumbria and established the monastery on the island of Lindisfarne; St Augustine (d. 604), the first Archbishop of Canterbury who led the mission to convert the Anglo-Saxons sent by Pope Gregory the Great; and St Boniface (d. 754), an Anglo-Saxon missionary who worked in Germany and Frisia. The east window includes St George wearing armour and carrying a sword to the right of Jesus in the centre (St Paul also carries a sword and is on Jesus&amp;rsquo; left).&lt;/p&gt;&#13;
&lt;p&gt;For the exterior of the chapel see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1019" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1019&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For St George&amp;rsquo;s College see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/83" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/83&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/83" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/83&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Close-up image of the jarrah nave altar at St George&amp;rsquo;s Cathedral in Perth, Western Australia. The altar features a hand-carved knight and dragon against a St George shield to portray the St George legend. It was carved by Robin McArthur and installed in the Cathedral in 1991. The addition of this new altar at the head of the nave enabled the Eucharist service to be conducted closer to, and facing, the laity. Continuing the traditional associations of Christianity with military service that are present throughout the Cathedral, the image of St George as an armoured knight has the effect of, as Andrew Lynch has suggested, conflating piety and prowess in a positive way.&lt;/p&gt;&#13;
&lt;p&gt;The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvais&amp;rsquo; Speculum Historiale and Jacobus de Voragine&amp;rsquo;s Golden Legend (c.1260). As with most Australian images of St George and the Dragon, the image features the knight and dragon in combat, and there is no sign of the maiden who was being saved in the original tale. For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>bronze, Centennial International Exhibition, chivalric tradition, crusades, dragon, exhibition, Golden Legend, hagiography, international exhibition, Jacobus de Voragine, knight, legend, Melbourne, mythology, sculpture, Sir Joseph Edgar Boehm (1834-1890), spear, Speculum Historiale, St George, Saint George, St George and the Dragon sculpture, State Library of Victoria, statue, sword, Victoria, Vincent of Beauvais (c.1190-1264)</text>
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            <name>Description</name>
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                <text>Image of the St George and the Dragon bronze statue at the entrance to the State Library of Victoria in Melbourne. The statue is the work of Viennese-born sculptor Joseph Edgar Boehm. It was purchased by the State Library of Victoria for the sum of Â£1000 following the Centennial International Exhibition in 1888, and was installed at the entrance to the library in 1889. With the exception of some repositioning to accommodate FrÃ©mietâ€™s Jeanne dâ€™Arc statue in 1907, this is where it still stands. The Boehm statue depicts St George, sitting astride his horse wearing a cape and a helmet bearing the distinctive St George cross, in the action of inflicting the dragonâ€™s deathblow by means of a large spear. The legend of St George slaying the dragon is Eastern in origin. It is thought to have been brought back to England by crusaders and was popularised and incorporated into hagiographies of St George in the medieval period in works such as Vincent of Beauvaisâ€™ Speculum Historiale and Jacobus de Voragineâ€™s Golden Legend (c.1260). As with most early Australian images of St George and the Dragon, the statue features the knight and dragon fused in combat, and there is no sign of the maiden who was being saved in the original tale. &#13;
&#13;
For more on the St George legend in Australia, see Andrew Lynch, â€œâ€˜Thingless namesâ€™? The St George Legend in Australiaâ€, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html.</text>
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              <elementText elementTextId="15213">
                <text>Lynch, Andrew</text>
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            <name>Date</name>
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                <text>9 September 2004</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <name>Format</name>
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                <text>Digital Photograph; JPEG</text>
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