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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.dragons.com.au/home"&gt;http://www.dragons.com.au/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St George Illawarra Dragons</text>
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                <text>Armour, dragon, helmet, knight, logo, New South Wales, NSW, rugby, rugby league, St George, St George Bank, St George Illawarra Dragons, shield, Sydney.</text>
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                <text>&lt;p&gt;The St George Illawarra Dragons are a professional rugby league club based in Sydney, New South Wales. They were formed in 1998 from the merger of two previous clubs: St George Dragons and the Illawarra Steelers. The club&amp;rsquo;s logo is in the shape of a shield and features a silhouette of a mounted knight in armour and wearing a helmet, and a white fire-breathing winged dragon. Appropriately, their major sponsor is St George Bank, resulting in the head of another fire-breathing dragon (the Bank&amp;rsquo;s logo) being on the players jersey&amp;rsquo;s.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;Their website is: &lt;a href="http://www.dragons.com.au/home"&gt;http://www.dragons.com.au/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>1998</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>James Boagâ€™s St George beer</text>
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                <text>Alcohol, beer, Boagâ€™s Brewery, crusade, dragon, label, logo, James Boagâ€™s, Launceston, St George, sword, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Launceston, Tasmania, brewing company James Boag has a &amp;lsquo;St George&amp;rsquo; beer. The bottle&amp;rsquo;s label features St George on a horse and carrying a sword trampling a dragon underfoot. This was one of the original logos of the brewery and has been used since 1883. The Boag&amp;rsquo;s website states that St George symbolises &amp;lsquo;strength, honour and courage&amp;rsquo;. Although the mounted figure depicts a more historic St George, who was a Roman soldier, than most other images, the tale of St George fighting a dragon is thought to have been brought to Western Europe by crusaders returning from the Holy Lands in the eleventh century.&lt;/p&gt;&#13;
&lt;p&gt;More information about the beer can be found at &lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>2009</text>
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                <text>James Boag Brewery</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>â€˜St Georgeâ€™ window, St Albanâ€™s Anglican church, Highgate</text>
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                <text>Anglican, armour, church, cross, dragon, helmet, Highgate, Joseph John Talbot Hobbs, iconography, parish church, pennant, Romanesque, St Albanâ€™s, St George, St Georgeâ€™s Cathedral, semi-circular arch, shield, spear, stained glass, sword, Victorian Romanesque, WA, Western Australia.</text>
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                <text>&lt;p&gt;An image of the &amp;lsquo;Saint George&amp;rsquo; stained glass window at St Alban&amp;rsquo;s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St Michael) located at the rear of the church. It was originally purchased for St George&amp;rsquo;s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban&amp;rsquo;s. The stained glass depicts George standing astride a vanquished winged-dragon. As is common in artistic renditions, George&amp;rsquo;s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His spear, which pierces the dragon, is also a processional cross and has a pennant with a cross flying from it.&lt;/p&gt;&#13;
&lt;p&gt;About St Alban&amp;rsquo;s:&lt;/p&gt;&#13;
&lt;p&gt;St Alban&amp;rsquo;s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban&amp;rsquo;s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban&amp;rsquo;s, see: &lt;a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank"&gt;http://stalbans.org.au/about-st-albans/historic-st-albans/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Le Coultre, Eleanor</text>
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                <text>23 November 2010</text>
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                <text>Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;St George Bank was formed in Sydney, New South Wales, in 1937 and is now a subsidiary of Westpac Banking Corporation. Despite its name, the logo of the bank fails to depict St George himself, but instead has a stylised head of a fire-breathing dragon, alluding to the popular tale of St George killing a dragon. The tale is thought to have been brought to Western Europe by crusaders returning from the Holy Lands in the eleventh century.&lt;/p&gt;&#13;
&lt;p&gt;The logo can be found on their website: &lt;a href="http://www.stgeorge.com.au/" target="_blank"&gt;http://www.stgeorge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;An image of the large statue of St. George located inside Kryal Castle, a tourist attraction near Ballarat in Victoria. The figure is atop a horse in full metal armour. At the foot of the statue are plaques describing the legend of 'St. George and the Dragon.'&lt;/p&gt;&#13;
&lt;p&gt;For more on the St George legend in Australia, see Andrew Lynch, &amp;ldquo;&amp;lsquo;Thingless names&amp;rsquo;? The St George Legend in Australia&amp;rdquo;, The La Trobe Journal, vol.81, Autumn 2008, pp.40-52: &lt;a href="http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html" target="_blank"&gt;http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-81/t1-g-t4.html&lt;/a&gt;).&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About Kryal Castle:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Built in 1972 by Keith Ryall, Kryal Castle is described as &amp;lsquo;Australia&amp;rsquo;s unique medieval castle.&amp;rsquo; As well as functioning as a tourist attraction, the castle can be hired for weddings, conferences, functions, and special events. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                <text>â€˜The Seasons window,â€™ Mandeville Hall, Toorak</text>
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                <text>autumn, country, cupid, David Relph Drape, Diana, Ferguson &amp; Urie, foliage, frieze, harvest, Joseph Clarke, landscape, nature, nostalgia, Romanesque, Saint George, seasons, spring, St George, stained glass, stairwell, summer, Toorak, VIC, Victoria, window, winter</text>
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                <text>This staircase â€˜Seasonsâ€™ window at Mandeville Hall in Toorak was designed by David Relph Drape and created by Ferguson &amp; Urie for the original owner, millionaire Joseph Clarke, in 1877. The circular medallions in the centre of the window depict scenes of the four different seasons, beginning with winter. The idyllic country scenes that fill the main medallions are of typically English views, and doubtless served, as Beverley Sherry suggests, as â€œpersuasive [and â€˜nostalgicâ€™] reminders of â€˜homeâ€™â€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.39). The figures to the left and right of the medallions also represent the four seasons, and feature banners identifying which season they represent. Clarkeâ€™s initials appear on the central lower border flanked by curved floral motifs that were probably adapted from classical Roman frieze work. There is also a star-studded cross of St George at each of the corners. In this way, classical Rome, medievalism, and British imperialism appear as natural offshoots of the other. This decorative and largely opaque window is intricately patterned with entwined foliage, and dominated by figural seasonal vignettes. It is crowned by a semi-circular top light (another concession to the architectural â€˜Romanesqueâ€™ or Norman style) containing a reclining Diana, and Cupid holding a bow. </text>
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                <text>Â© Ray Brown </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;strong&gt;&lt;/strong&gt;&#13;
&lt;p&gt;&lt;a href="http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜St Georgeâ€™ Stained Glass Window, Tolarno Hotel, St Kilda</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>armour, armor, border, dragon, Ferguson &amp; Urie, knight, Melbourne, rose, Saint George, St. George, St George, saint, saints, St. Kilda, St Kilda, stained glass, staircase, Tolarno Hotel, Tudor rose, Union Jack, valour, VIC, Victoria</text>
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                <text>This elaborate staircase window in a converted St Kilda mansion is probably by Ferguson &amp; Urie and dated c.1884. The window depicts a red-cloaked and fully armoured St George standing on the head of a dragon. Images of St George and the Dragon were popular in the nineteenth century, with this appeal being especially aided by Sir Walter Scottâ€™s reawakening of popular notions of chivalry in his writings. The outer border contains red and white Tudor roses interspersed with green leaves on a blue ground, while the solid looking pillars hold small medallion-shaped imprints of the Union Jack. Overall, the window represents a calm â€˜manlyâ€™ Victorian assurance in the face of determined opposition. Such a window can be interpreted as â€œan expansive declaration of the values and â€¦ institutions inherited from Britainâ€ (Beverley Sherry, Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.44). Although little information is available regarding the mansionâ€™s original owner, it is thought that the house was built for someone engaged in local politics. Thus, St George killing the dragon makes an ideal theme for a grand staircase window in a house where integrity and propriety must be readily observable.</text>
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            <name>Creator</name>
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                <text>Brown, Ray (Photographer)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>11 February 2001 (image)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18804">
                <text>Â© Ray Brown </text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18805">
                <text>Hyperlink</text>
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        <name>border</name>
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      <tag tagId="172">
        <name>dragon</name>
      </tag>
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        <name>Ferguson &amp; Urie</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="1117">
        <name>rose</name>
      </tag>
      <tag tagId="1767">
        <name>saint</name>
      </tag>
      <tag tagId="116">
        <name>Saint George</name>
      </tag>
      <tag tagId="1691">
        <name>saints</name>
      </tag>
      <tag tagId="1822">
        <name>St George</name>
      </tag>
      <tag tagId="1754">
        <name>St Kilda</name>
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      <tag tagId="505">
        <name>St. George</name>
      </tag>
      <tag tagId="4335">
        <name>St. Kilda</name>
      </tag>
      <tag tagId="693">
        <name>stained glass</name>
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        <name>staircase</name>
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        <name>Tolarno Hotel</name>
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        <name>Tudor Rose</name>
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        <name>Union Jack</name>
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        <name>valour</name>
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        <name>Vic</name>
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        <name>Victoria</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a0257e78b49e281fa08e2255bd23e788.jpg</src>
        <authentication>345f01f954c590d7511f4e09e63b49b0</authentication>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                  <elementText elementTextId="17500">
                    <text>8</text>
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                <name>Channels</name>
                <description/>
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                  <elementText elementTextId="17501">
                    <text>3</text>
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                <name>Height</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="17504">
                    <text>480</text>
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                <name>Width</name>
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                    <text>640</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17537">
              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Holy Trinity Church, York, Western Australia</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Romanesque, Victorian Romanesque, Gothic Revival, Rustic Gothic, Gothic, Carpenter Gothic, architecture, architect, church, churches, pipe organ, organ, Walsingham Shrine, Anglican, Anglicanism, Christianity, Christian, religion, religious, Newcastle Street, York, Western Australia, WA, Perth, Holy Trinity, Saint George, St. George, flag, turret, lancet window, lancet windows</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Completed in 1854 and consecrated in 1858, the Holy Trinity Church in York, Western Australia possesses features which are characteristic of the Victorian Romanesque, Carpenter Gothic and Gothic Revival architectural styles. Throughout the nineteenth century in the United Kingdom, Australia and America, the Gothic manifested itself in a variety of architectural forms. Based on, yet distinct from, British nineteenth-century medievalism, Australian medievalist buildings appropriated elements of medievalist design in ways which suited the Australian climate, materials and unique colonial settings. &#13;
&#13;
The most obvious evocation of the medieval in the design of the Holy Trinity Church in York is the castle turret and its many lancet windows. The simplicity of the church's design (both structurally and aesthetically) is also typical of the Carpenter Gothic style, known for its pointed arches, towers and steep gables, as well as light-frame construction.  </text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17533">
                <text>Carter, Bree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17534">
                <text>27 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17535">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17536">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>Anglican</name>
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      <tag tagId="81">
        <name>Anglicanism</name>
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        <name>architect</name>
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        <name>architecture</name>
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        <name>Carpenter Gothic</name>
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      <tag tagId="86">
        <name>Christian</name>
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      <tag tagId="227">
        <name>Christianity</name>
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        <name>churches</name>
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        <name>flag</name>
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      <tag tagId="70">
        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="3877">
        <name>Holy Trinity</name>
      </tag>
      <tag tagId="1115">
        <name>lancet window</name>
      </tag>
      <tag tagId="1078">
        <name>lancet windows</name>
      </tag>
      <tag tagId="3876">
        <name>Newcastle Street</name>
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      <tag tagId="641">
        <name>organ</name>
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      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="3874">
        <name>pipe organ</name>
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      <tag tagId="113">
        <name>religion</name>
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        <name>religious</name>
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      <tag tagId="2066">
        <name>Romanesque</name>
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      <tag tagId="3873">
        <name>Rustic Gothic</name>
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      <tag tagId="116">
        <name>Saint George</name>
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      <tag tagId="1822">
        <name>St George</name>
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      <tag tagId="505">
        <name>St. George</name>
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      <tag tagId="2069">
        <name>turret</name>
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      <tag tagId="3872">
        <name>Victorian Romanesque</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="3875">
        <name>Walsingham Shrine</name>
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      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
      <tag tagId="3782">
        <name>York</name>
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