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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Catholic Church of the Holy Cross in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes. The stone church features bell turret, dome, and Gothic pointed arches. Writing for the &lt;em&gt;Cathedral Chronicle&lt;/em&gt;, Hawes said that the design was inspired by 13&lt;sup&gt;th&lt;/sup&gt; century churches in the Sienna area of Tuscany in Italy. This was in part due to the similarity in climate.&lt;/p&gt;&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, &lt;em&gt;Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956&lt;/em&gt; (University of Western Australia Press, Nedlands, 2000).</text>
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