3 8 72 https://ausmed.arts.uwa.edu.au/files/original/2c957817120b78f696fe1b1012c5bc82.JPG 2271eb5352c4cb8f68d6f5f96c8700a1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/f369bcc0607f8dd09883990de932555a.JPG 52cc561291ac965e50673378f43ca1c4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mark’s Church of England rear, Pontville, Tasmania Subject The topic of the resource Anglican, arrow slit, James Blackburn, blind doorway, buttress, Celtic cross, cemetery, Church of England, column, convict, John Franklin, garden, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower. Description An account of the resource <p>St Mark&rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For the rest of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1233">http://ausmed.arts.uwa.edu.au/items/show/1233</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arrow slit blind doorway buttress Celtic cross cemetery Church of England column convict garden James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Mark’s Church of England stained glass Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/11176486966bbf798f18ca8b49c55dbc.JPG 0a0cab20da15e452da13c7ef287f81f3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/f05bfe08b627d1c8279c74206c5d2932.JPG 8251301f613adf365035a4bfbfe911ff Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Launceston Post Office entrance, Launceston, Tasmania Subject The topic of the resource Arts and Crafts, Australia Post, bas-relief sculpture, Byzantine, capital, column, Lesley Gordon Corrie, William W. Eldridge, Federation, Free Romanesque, Launceston, Launceston Post Office, lead lighting, Alexander North, oval window, post office, Queen Anne Style, Romanesque, sculpture, semi-circular arch, shield, Tas, Tasmania, Union Jack. Description An account of the resource <p>The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque and the Arts and Crafts Movement. The Romanesque elements of the building are in evidence on its semi-circular arched entrance doorway. The arch is supported by two shaped columns and the alternating bands of red brick and light-coloured stone (particularly apparent on the photograph of the inside entrance doorway) is reminiscent of Byzantine buildings. Immediately above the arch are bas-relief in the Arts and Crafts style of Australian foliage and two shields displaying the Union Jack. The second storey above the entrance has two windows with semi-circular arched windows supported by columns with capitals. Above this is an oval window attic window with lead lighting.</p> <p>For more of the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1242">http://ausmed.arts.uwa.edu.au/items/show/1242</a></p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1252">http://ausmed.arts.uwa.edu.au/items/show/1252</a></p> <p>For the Australian Heritage Database entry on the building see <a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210">http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 29, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1242">http://ausmed.arts.uwa.edu.au/items/show/1242</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1252">http://ausmed.arts.uwa.edu.au/items/show/1252</a></p> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Arts and Crafts Australia Post bas-relief sculpture Byzantine capital column federation Free Romanesque Launceston Launceston Post Office lead lighting Lesley Gordon Corrie oval window post office Queen Anne Style Romanesque sculpture semi-circular arch shield Tas Tasmania Union Jack. William W. Eldridge https://ausmed.arts.uwa.edu.au/files/original/807c8118548541256c02aa1c2671b06c.JPG ee168b8fe9e5997ca5460fb37b401be9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/b824b92369c8a19eecccbc423543336a.JPG 1c09683058d358ebd208d1e3a83438ba Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mark’s Church of England, Pontville, Tasmania Subject The topic of the resource Anglican, arcade, arrow slit, James Blackburn, buttress, capital, Celtic cross, Church of England, column, convict, John Franklin, Joseph Moir, Neo-Norman, Pontville, Romanesque, Romanesque Revival, St Mark’s Church of England, semi-circular arch, stained glass, Tas, Tasmania, tower, trefoil window. Description An account of the resource <p>St Mark&rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For the rear of the building see <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1238">http://ausmed.arts.uwa.edu.au/items/show/1238</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican arcade arrow slit buttress capital Celtic cross Church of England column convict James Blackburn John Franklin Joseph Moir Neo-Norman Pontville Romanesque Romanesque Revival semi-circular arch St Mark’s Church of England stained glass Tas Tasmania tower trefoil window. https://ausmed.arts.uwa.edu.au/files/original/1d3f09f3fa736e0e71935cf1044c09b2.JPG 033d6514be735d6b7c7150a6591b704d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boag’s Brewery building, Launceston, Tasmania Subject The topic of the resource Beer, Arthur Biddell, James Boag, Boag’s Brewery, J Boag & Son’s Brewery, confectionary, Launceston, Thomas Wilkes Monds, Romanesque, Romanesque Revival, semi-circular arch, store, Tas, Tasmania. Description An account of the resource This building is now part of J Boag & Son’s Brewery in the northern Tasmanian city of Launceston. It was built as a store in 1886 by the flour miller Thomas Wilkes Monds (1829-1916) and was rented by the confectioner Arthur Biddell. The brick store features Romanesque semi-circular arched windows and doorways on the ground floor of the building. They are accentuated by the pattern of alternate red and pale bricks. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Arthur Biddell Beer Boag’s Brewery confectionary J Boag & Son’s Brewery James Boag Launceston Romanesque Romanesque Revival semi-circular arch store Tas Tasmania. Thomas Wilkes Monds https://ausmed.arts.uwa.edu.au/files/original/9a1fcb79a64a17fe3465b9440ed80032.JPG 05330ddf341437c540d91de766e99d6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/94ca4ab44e470d489014455f1a65bfc4.JPG 87833588dd4a3b4477794e667069c84d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Peter’s Catholic Church, Kempton, Tasmania Subject The topic of the resource Buttress, Catholic, crenellation, Monsignor Gilleran, house, Kempton, parapet, pointed arch, Romanesque, Romanesque Revival, St Peter’s Church, semi-circular arch, spire, stained glass, Tas, Tasmania, tower, Alan Cameron Walker. Description An account of the resource The former St Peter’s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peter’s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker. buttress Catholic crenellation house Kempton Monsignor Gilleran parapet pointed arch Romanesque Romanesque Revival semi-circular arch spire St Peter’s Church stained glass Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/e36064afd6f95c07c8a1065968f5adb0.JPG 4d3315ab6326e11ca824632ee6120600 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Matthew’s Presbyterian Church rear window, Glenorchy, Hobart, Tasmania Subject The topic of the resource James Blackburn, capital, columns, convict, John Franklin, Glenorchy, Hobart, Kirk and Fisher, Neo-Norman, Presbyterian, Romanesque, Romanesque Revival, semi-circular arch, Tas, Tasmania, tracery. Description An account of the resource <p>The former St Matthew&rsquo;s Presbyterian Church is in the suburb of Glenorchy in Hobart, Tasmania. The church is in the Romanesque Revival style and is one of the earliest remaining Romanesque Revival buildings in Australia. The style is evident in the rear window of the church, made up of three narrow windows featuring tracery with semi-circular arches, above which are two small circular windows. The window frame also has a semi-circular arch, with columns and capitals on either side of the window.</p> <p>St Matthew&rsquo;s was designed by the convict architect James Blackburn (1803-1854) in 1839. The foundation stone was laid by Governor Sir John Franklin (1786-1847) in 1839 and the church was built by the Hobart company Kirk and Fisher and completed in 1841.</p> <p>Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.</p> <p>For more of the building see</p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1213">http://ausmed.arts.uwa.edu.au/items/show/1213</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1211">http://ausmed.arts.uwa.edu.au/items/show/1211</a></p> <p>&nbsp;</p> Format The file format, physical medium, or dimensions of the resource Digital Photograph capital columns convict Glenorchy Hobart James Blackburn John Franklin Kirk and Fisher Neo-Norman Presbyterian Romanesque Romanesque Revival semi-circular arch Tas Tasmania. tracery https://ausmed.arts.uwa.edu.au/files/original/29527589b73076dc60cac32bd175a109.JPG 820fc0392a06a0b57d836c9420018aca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Malt Kiln, Boag’s Brewery, Launceston, Tasmania Subject The topic of the resource Beer, James Boag, Boag’s Brewery, buttress, column, dragon, Esk Brewery, knight, Launceston, malt kiln, Queen Anne Style, Romanesque, St George and the Dragon, sculpture, semi-circular arch, Tas, Tasmania, tower. Description An account of the resource <p>The 1886 malt kiln of the Esk Brewery of James Boag and Son (Boag&rsquo;s Brewery) is in the northern Tasmanian city of Launceston. The fa&ccedil;ade is in the Queen Anne architectural style and includes a number of medieval features, such as buttresses, corner towers, and Romanesque semi-circular arches. The medieval aspects of the building are enhanced by the bas relief sculpture of St George and the dragon. St George is depicted as a medieval knight wearing armour and a helmet and sword. He is riding a horse which is trampling a winged dragon.</p> <p>For a close up of the St George and the dragon sculpture see <a href="http://ausmed.arts.uwa.edu.au/items/show/1212">http://ausmed.arts.uwa.edu.au/items/show/1212</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1216">http://ausmed.arts.uwa.edu.au/items/show/1216</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Beer Boag’s Brewery buttress column dragon Esk Brewery James Boag knight Launceston malt kiln Queen Anne Style Romanesque sculpture semi-circular arch St George and the Dragon Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/4cf5ff44cd6c020fa1650690c2a33f78.JPG bb52a9de6b74f475a9e8b2e354b6daca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/70e183479a614aa2bff806e54ebb34d3.JPG 39f6e721ece0f6f645715590958f9aa3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Mary’s Church of England, Kempton, Tasmania Subject The topic of the resource Anglican, James Blackburn, buttress, Church of England, Gothic, Gothic Revival, Kempton, lancet window, pointed arch, Romanesque, St Mary’s Church of England, semi-circular arch, Tas, Tasmania, tower. Description An account of the resource St Mary’s Church of England (now Anglican) is in the small Tasmanian town of Kempton. The foundation stone for the sandstone church was laid in 1839 and it opened in 1844. It is thought that the church was designed by the convict architect James Blackburn (1803-1854). The church is in the Gothic Revival style and features lancet windows (the small ones at the front are concreted up), including groups of three lancet windows at the building’s east and west, buttresses, and a pointed arch door and doorway. The square tower is unfinished, resulting in the bell being housed in a smaller structure on its top. Surprisingly, this addition has three Romanesque semi-circular arches on each side rather than the Gothic pointed arches used elsewhere on the building. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Church of England Gothic Gothic Revival James Blackburn Kempton lancet window pointed arch Romanesque semi-circular arch St Mary’s Church of England Tas Tasmania tower.