1 8 7 https://ausmed.arts.uwa.edu.au/files/original/57c5db1bf1988cf905d752c3a8a4d1d9.pdf 14c19309768b68c4e882fd418ecc6b8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglican Church Dispute: Use of Vestments Subject The topic of the resource Anglican, Anglicanism, Archbishop of Sydney, canon law, Catholic, Catholicism, chasuble, Church hierarchy, Diocese of Sydney, dispute, ecclesiastical authority, ecclesiastical dress, ecclesiastical sanction, John Charles Wright (1861-1933), medieval Catholicism, medieval religion, medieval theology, memorial, Prayer Book, Protestantism, Reformation, religion, religious practice, Sydney, theology, vestments Description An account of the resource In this article, a summary is provided of the Archbishop of Sydney’s response to a memorial regarding the controversial debate over the wearing of vestments by Anglican clergy. According to Dr Wright, the article reports, the use of vestments was deliberately discarded by the Anglican Church at the reformation along with other aspects of medieval theology, and the “revival” of vestments equated to “a deliberate reintroduction of medieval usage”. He therefore would not sanction the use of vestments until the canon law was altered to make the practice legal. John Charles Wright was appointed Archbishop of Sydney in 1909. He was known for his adherence to laws of the Church, and for his insistence that his role was to administer the existing laws, not devise new ones. He was particularly opposed to the use of the chasuble by Anglican clergy, and made clergy within his diocese agree not to wear them. See Stephen E. Judd, “Wright, John Charles (1861-1933)”, Australian Dictionary of Biography, Volume 12, Melbourne University Press, 1990, pp. 585-586. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 27 July 1910 Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Newspaper Article Anglican Anglicanism Archbishop of Sydney Canon law Catholic Catholicism chasuble Church hierarchy Diocese of Sydney dispute ecclesiastical authority ecclesiastical dress ecclesiastical sanction John Charles Wright (1861-1933) medieval Catholicism medieval religion medieval theology memorial Prayer Book Protestantism Reformation religion religious practice Sydney theology vestments https://ausmed.arts.uwa.edu.au/files/original/dbbe806bb22193a7d0d60bd9a3efd275.jpg 438d4c318d14e0dbbd58119ce25fc8c5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 985 Width 739 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/dac5857b98ffa03130eb812780278c46.jpg 5f1a6a518bbd06bb84e279a437b1772d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/6f0295134990f89ea0ae5ac4cceb3071.jpg 9458fa0a71dee81e8c1d7bb093ecd432 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church, Melbourne Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, stained glass, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Scot’s Church located on Collins Street in central Melbourne. The church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Characteristic neo-gothic features of Scot’s Church’s exterior include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its stone tracery, decorative quoins, buttresses, pinnacles and lancet windows. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire stained glass tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/225b7766e4eb3a59859763c75386e79a.jpg 471dc34a32eeeb0cc92e1765bdfdf384 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 931 Width 698 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/28e435a19e0f24c9d8985042d5a1fb6a.jpg 432cda006ec873512bdeb1546b90d201 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 933 Width 622 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scot’s Church Neo-Gothic Window, Melbourne, Victoria Subject The topic of the resource Arcade, arch, architecture, blind tracery, buttress, church, church building, Church of Scotland, Decorated gothic style, freestone, gothic architecture, gothic revival, lancet arch, lancet window, masonry, neo-gothic, Presbyterian church, Protestantism, quoin, Reed & Barnes, sandstone, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of a traceried gothic window at Scot’s Church on Collins Street in central Melbourne. Above the window, an arcade of lancet arches lines the gable. A number of other slender lancet windows and examples of decorative blind tracery are visible. Scot’s Church was built in a decorated Gothic Revival style to the design of architectural firm Reed & Barnes. It is constructed from Barrabool Hills freestone with sandstone dressings sourced from New Zealand. The current Scot’s Church building was completed in 1874 and replaced an older church that had operated from the site since 1841. The site was granted to the Church of Scotland in 1839, and transferred to the Presbyterian Church of Victoria upon its formation in 1859 (when the Church of Scotland, the United Presbyterian Church and the Free Church united). Other characteristic neo-gothic features of Scot’s Church include its 120ft spire, which for a number of years was the highest point in Melbourne’s townscape, its decorative quoins, buttresses, and pinnacles. The church also boasts a number of stained glass windows by well-known artists such as Ferguson & Urie of Melbourne, Van der poorten of Brussels and F.X. Zettler of Munich. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arcade arch architecture blind tracery buttress Church church building Church of Scotland Decorated gothic style freestone gothic architecture Gothic Revival lancet arch lancet window masonry neo-Gothic Presbyterian Church Protestantism quoin Reed & Barnes sandstone spire tower tracery Vic Victoria Victorian Gothic Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p><em>The Age</em> online:</p> <p><a href="http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html" target="_blank">http://www.theage.com.au/opinion/society-and-culture/bigoted-bedrock-of-our-law-20110428-1dyp9.html</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bigoted Bedrock of Our Law Subject The topic of the resource Act of Settlement (1701), Anne Boleyn (c.1500-1536), anti-Catholicism, Australian constitution, British throne, Charles III (b.1948), Commonwealth, constitution, constitutional law, David Cameron (b.1966), Elizabeth II (b.1926), feudal principle, inheritance, Kate Middleton (b.1982), law, laws, legal, monarch, monarchy, primogeniture, protestantism, republican campaign, republicanism, royal tradition, Saxe-Coburg Gotha, succession, Thomas Paine (1737-1809), throne, Tony Blair (b.1953), treason, Treason Act (1351), William V (b.1982), Windsor Description An account of the resource Amidst media fervour over the royal wedding of Prince William and Kate Middleton (Princess Catherine), Geoffrey Robertson raises the Australian republican question in this opinion piece. Beginning with reference to Thomas Paine’s denunciation of hereditary monarchy and the religious bias of the 1701 Act of Settlement which prevents non-Protestant heirs from succeeding to the British throne, Robertson suggests that Australia’s enduring penchant for royal tradition is what keeps it part of the commonwealth. He goes on to cite examples of what he refers to as ‘medieval nonsense’ that ‘still applies in Australia’, including the feudal principle of primogeniture, the 1351 Treason Act and obsolete but unrepealed laws such as one that vests the ownership of wild swans with the monarch. Creator An entity primarily responsible for making the resource Robertson, Geoffrey QC Source A related resource from which the described resource is derived The Age Publisher An entity responsible for making the resource available The Age Date A point or period of time associated with an event in the lifecycle of the resource 29 April 2011 Rights Information about rights held in and over the resource The Age Format The file format, physical medium, or dimensions of the resource Online Newspaper Article Language A language of the resource English Act of Settlement (1701) Anne Boleyn (c.1500-1536) anti-Catholicism Australian constitution British throne Charles III (b.1948) Commonwealth constitution constitutional law David Cameron (b.1966) Elizabeth II (b.1926) feudal principle inheritance Kate Middleton (b.1982) law laws legal monarch monarchy primogeniture Protestantism republican campaign republicanism royal tradition Saxe-Coburg Gotha succession Thomas Paine (1737-1809) throne Tony Blair (b.1953) treason Treason Act (1351) William V (b.1982) Windsor