1 8 3 https://ausmed.arts.uwa.edu.au/files/original/57898b6e12b67098982ebc41811ff890.JPG f434767cd9fd534dfdb1b94eea357abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/56b896ae51d90848e2233539138b3d5b.JPG a516869bdd36b02e751de20f9daa7d93 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/0e8b3522f845fd4d7d01c60f68abb56d.JPG 360f8c8fdf71b345390155db82c56fbd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Military Complex, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The Military Complex at the penal colony of Port Arthur, Tasmania, is situated in a prominent position overlooking the harbour. It is the third military complex on the site and was built in 1847, with the central tower built in 1836. Both were built during the rule of Commandant Charles O’Hara Booth (1800-1851) and they are situated next to the Commandant’s House which was built for him. The complex was built with convict labour, and the stones of the central tower were shaped by the boys at the nearby Point Puer Juvenile Establishment. No doubt in part due to practical considerations, the Military Complex resembles a medieval castle, with the central round Guard Tower flanked by two smaller round towers, all of which are topped by crenelated parapets. The towers are separated by a strong stone wall. For the Guard Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> For a smaller round tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1139">http://ausmed.arts.uwa.edu.au/items/show/1139</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1144">http://ausmed.arts.uwa.edu.au/items/show/1144</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/8b61ef7242ab2cebbb6229f05e58b4c0.JPG 71682468f0de1c0ec285bebba21643e3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/191ba9176ebd6dd0c2a80dd0cf47aabf.JPG e3477f47718a56addc824d8b868e8f90 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guard Tower, Port Arthur, Tasmania Subject The topic of the resource Castle, Charles Oâ€™Hara Booth, convict, crenellation, Guard Tower, Military Complex, parapet, Point Puer, Port Arthur, Tas, Tasmania, tower. Description An account of the resource The well preserved Guard Tower at Port Arthur, Tasmania, was a central part of the penal colony’s Military Complex. The tower was built in 1836 during the rule of Commandant Charles O’Hara Booth (1800-1851). It was built with convict labour, and the stones were shaped by the boys at the nearby Point Puer Juvenile Establishment. The guard tower is in a prominent elevated position and resembles a medieval castle tower with its crenelated parapet. For the Military Complex see <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1142">http://ausmed.arts.uwa.edu.au/items/show/1142</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph castle Charles Oâ€™Hara Booth convict crenellation Guard Tower Military Complex parapet Point Puer Port Arthur Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/0257752b32f8196e44ec8370d94c3e45.jpg 53a41360cdcf8a4226d5dbbd483a6cb3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/d2203ca27e4e99166b0274d1e31572bf.jpg 572f8d55476cb25ed73e503a74ddd953 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/0770a13ed6178c44d40c2ee774a1d888.JPG f563f35ec1e2d15302e1afee893083f4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Convict Church, Port Arthur, Tasmania Subject The topic of the resource George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempriere, pointed arch, Point Puer, Port Arthur, spire, steeple, Tas, Tasmania, tower. Description An account of the resource The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour, with some of the decorative stonework and pews done by the boys at the nearby Point Puer Juvenile Establishment. The church opened in 1837 and was never consecrated as it was used by different denominations for the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style, with a tower with crenellation, pointed arch windows and doorways, lancet windows, and numerous spires. For the church tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1136">http://ausmed.arts.uwa.edu.au/items/show/1136</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph convict Convict Church crenellation George Arthur Gothic Gothic Revival Henry Laing lancet window Point Puer pointed arch Port Arthur spire steeple Tas Tasmania Thomas Lempriere tower.