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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Advertisement, banner, Bodleian Libraries, exhibition, illustration, Love and Devotions: from Persia and beyond, manuscript, Melbourne, Mughal India, Ottoman Turkey, Oxford University, Persia, sign, State Library of Victoria, Vic, Victoria</text>
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                <text>&lt;p&gt;This photograph shows banners advertising the &amp;lsquo;Love and Devotions: from Persia and beyond&amp;rsquo; exhibition at the State Library of Victoria. The banners form an image taken from a Persian manuscript. The exhibition features Persian manuscripts from the thirteenth to eighteenth centuries, along with manuscripts from Europe, Ottoman Turkey, and Mughal India. The majority of manuscripts on display are from the Bodleian Libraries of the University of Oxford.&lt;/p&gt;&#13;
&lt;p&gt;Such exhibitions are a rare opportunity for Australians to interact with real artefacts from the medieval period. Along with modern appropriations they often help to form people&amp;rsquo;s perceptions of the medieval era.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond" target="_blank"&gt;http://www.slv.vic.gov.au/event/love-and-devotion-persia-and-beyond&lt;/a&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>'The Five Lamps of Learning' Featured on the Great Gate at the University of Western Australia</text>
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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>C. E. W. Bean Oxford University heraldic shield</text>
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                <text>Charles Edwin Woodrow Bean, Victoria Barracks, Collaroy, plaque, heraldry, education, historians, official war histories, First World War, World War, war, World War I, journalism, Sydney Morning Herald, Gallipoli, Western Front, Australian War Memorial, Commonwealth Archives, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White, Tuggeranong, Oxford, university, Oxford University, shield</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;Black painted curved metal shield designed as a wall plaque, with the heraldic crest of Oxford University. The crest features an open book bearing the motto 'Dominus illuminatio mea' , with two crowns above the book and one below. The top of the shield has a semi-circular section soldered to it, to which is attached a black painted metal inverted 'V', folded over a metal ring, which allows it to be displayed on a wall. &lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt; &lt;/span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39641&lt;/a&gt;&lt;/cite&gt; &lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;span&gt;Summary from Australian War Memorial website:&lt;br /&gt;This object was collected from Charles Bean's study at his home 'Clifton' in Collaroy, NSW. Bean is perhaps best remembered for the official histories of Australia in the First World War, of which he wrote six volumes and edited the remainder. Before this, however, he was Australia's official correspondent to the war. He was also the driving force behind the establishment of the Australian War Memorial. &lt;br /&gt; &lt;br /&gt; Charles Edwin Woodrow Bean was born on 18 November 1879 at Bathurst, New South Wales. His family moved to England when he was ten. He completed his education there, eventually studying classics and law at Oxford. Bean returned to Australia in 1904 and was admitted to the New South Wales Bar. &lt;br /&gt; &lt;br /&gt; Having dabbled in journalism, Bean joined the Sydney Morning Herald as a junior reporter in January 1908. He published several books before being posted to London in 1910. In 1913 he returned to Sydney as the Herald's leader writer. When the First World War began, Bean won an Australian Journalists Association ballot and became official correspondent to the AIF. He accompanied the first convoy to Egypt, landed at Gallipoli on 25 April 1915 and began to make his name as a tireless, thorough and brave correspondent. He was wounded in August but remained on Gallipoli for most of the campaign, leaving just a few days before the last troops. &lt;br /&gt; &lt;br /&gt; He then reported on the Australians on the Western Front where his admiration of the AIF crystallised into a desire to create a permanent memorial to their sacrifice and achievements. In addition to his journalism, Bean filled hundreds of diaries and notebooks, all with a view to writing a history of the AIF when the war ended. In addition he organised the collection of battlefield relics from AIF soldiers on the Western Front through the formation of the Australian War Records Section. In early 1919 he led a historical mission to Gallipoli to collect relics for the Memorial, obtain Turkish accounts of the campaign and report on the condition of war graves. &lt;br /&gt; &lt;br /&gt; On his return to Australia Bean and his staff moved into Tuggeranong homestead, south of Canberra, to work on the official history. In 1921 he married Ethel (Effie) Young, a nursing sister at the Queanbeyan hospital whom he first met when she visited Tuggeranong to play tennis. They later moved to Sydney, where he continued to write at Victoria Barracks. When he began, Bean imagined that the history would take five years to write; in the event it took 23 years, and the final volume did not appear until 1942. &lt;br /&gt; &lt;br /&gt; Besides his written work, Bean worked tirelessly on creating the Australian War Memorial in Canberra. He was present when the building opened on 11 November 1941 and became Chairman of the Memorial's board in 1952. He maintained a close association with the institution for the rest of his life. &lt;br /&gt; &lt;br /&gt; During the Second World War, Bean liaised between the Chiefs of Staff and the press for the Department of Information. He became Chairman of the Commonwealth Archives Committee and was instrumental in creating the Commonwealth Archives. Between 1947 and 1958 he was Chairman of the Promotion Appeals Board of the Australian Broadcasting Commission. He also continued to write, producing a history of Australia's independent schools and finally a book on two senior AIF figures, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White. Bean received a number of honorary degrees and declined a knighthood. Bean, one of the most admired Australians of his generation, died after a long illness in Concord Repatriation Hospital in 1968. &lt;br /&gt; &lt;br /&gt; Much of the material from Bean's study was originally housed in his Tuggeranong Homestead office where he began writing the official histories. When the family moved it was transferred to his homes in Sydney. Effie continued to use the study after her husband's death. The study was dismantled after her death in July 1991 and transferred to the Australian War Memorial.&amp;nbsp;&lt;br /&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Charles Edwin Woodrow Bean, Victoria Barracks, Collaroy, plaque, heraldry, education, historians, official war histories, First World War, World War I, journalism, Sydney Morning Herald, Gallipoli, Western Front, Australian War Memorial, Commonwealth Archives, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White, Tuggeranong, Oxford, university, Oxford University</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;Red painted curved metal shield designed as a wall plaque, with the heraldic crest of Hertford College, Oxford University, on the front in the form of a gold hart's head surmounted by a gold heraldic dagger, both of which are edged in black. The top of the shield has a semi-circular section soldered to it, to which is attached a red painted metal inverted 'V', folded over a metal ring, which allows it to be displayed on a wall. &lt;br /&gt; &lt;/span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/cite&gt; &lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;span&gt;Summary from Australian War Memorial website:&lt;br /&gt;This object was collected from Charles Bean's study at his home 'Clifton' in Collaroy, NSW. Bean is perhaps best remembered for the official histories of Australia in the First World War, of which he wrote six volumes and edited the remainder. Before this, however, he was Australia's official correspondent to the war. He was also the driving force behind the establishment of the Australian War Memorial. &lt;br /&gt; &lt;br /&gt; Charles Edwin Woodrow Bean was born on 18 November 1879 at Bathurst, New South Wales. His family moved to England when he was ten. He completed his education there, eventually studying classics and law at Oxford. Bean returned to Australia in 1904 and was admitted to the New South Wales Bar. &lt;br /&gt; &lt;br /&gt; Having dabbled in journalism, Bean joined the Sydney Morning Herald as a junior reporter in January 1908. He published several books before being posted to London in 1910. In 1913 he returned to Sydney as the Herald's leader writer. When the First World War began, Bean won an Australian Journalists Association ballot and became official correspondent to the AIF. He accompanied the first convoy to Egypt, landed at Gallipoli on 25 April 1915 and began to make his name as a tireless, thorough and brave correspondent. He was wounded in August but remained on Gallipoli for most of the campaign, leaving just a few days before the last troops. &lt;br /&gt; &lt;br /&gt; He then reported on the Australians on the Western Front where his admiration of the AIF crystallised into a desire to create a permanent memorial to their sacrifice and achievements. In addition to his journalism, Bean filled hundreds of diaries and notebooks, all with a view to writing a history of the AIF when the war ended. In addition he organised the collection of battlefield relics from AIF soldiers on the Western Front through the formation of the Australian War Records Section. In early 1919 he led a historical mission to Gallipoli to collect relics for the Memorial, obtain Turkish accounts of the campaign and report on the condition of war graves. &lt;br /&gt; &lt;br /&gt; On his return to Australia Bean and his staff moved into Tuggeranong homestead, south of Canberra, to work on the official history. In 1921 he married Ethel (Effie) Young, a nursing sister at the Queanbeyan hospital whom he first met when she visited Tuggeranong to play tennis. They later moved to Sydney, where he continued to write at Victoria Barracks. When he began, Bean imagined that the history would take five years to write; in the event it took 23 years, and the final volume did not appear until 1942. &lt;br /&gt; &lt;br /&gt; Besides his written work, Bean worked tirelessly on creating the Australian War Memorial in Canberra. He was present when the building opened on 11 November 1941 and became Chairman of the Memorial's board in 1952. He maintained a close association with the institution for the rest of his life. &lt;br /&gt; &lt;br /&gt; During the Second World War, Bean liaised between the Chiefs of Staff and the press for the Department of Information. He became Chairman of the Commonwealth Archives Committee and was instrumental in creating the Commonwealth Archives. Between 1947 and 1958 he was Chairman of the Promotion Appeals Board of the Australian Broadcasting Commission. He also continued to write, producing a history of Australia's independent schools and finally a book on two senior AIF figures, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White. Bean received a number of honorary degrees and declined a knighthood. Bean, one of the most admired Australians of his generation, died after a long illness in Concord Repatriation Hospital in 1968. &lt;br /&gt; &lt;br /&gt; Much of the material from Bean's study was originally housed in his Tuggeranong Homestead office where he began writing the official histories. When the family moved it was transferred to his homes in Sydney. Effie continued to use the study after her husband's death. The study was dismantled after her death in July 1991 and transferred to the Australian War Memorial.&amp;nbsp;&lt;br /&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Sir John Monash, World War 1, Oxford University, Encaenia, Professor H. Pirenne, Rear Admiral Sir W. Reginald Hall, Rev. H.E. Blackiston, Doctor F.W. Pember, Sir Rosslyn Wemyss, Lieut. Gen. Sir John Monash, General J.J. Pershing, Marshall Joffre, Marquis Curzon, Field Marshal Sir Douglas Haig, Admiral Sir David Beatty, Mr H.C. Hoover, Field Marshal Sir Henry Wilson, doctoral robes, great war leaders, honorary degree doctor civil law, All Soul's College, Admiral of the Fleet, Chancellor Oxford University</text>
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                <text>&lt;p&gt;John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;span&gt;&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;The first honorary degree was awarded at Oxford University at the end of the medieval period, in either 1478 or 1479, to Lionel Woodville, the bother-in-law of Edward IV.&lt;em&gt;&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Permalink: &lt;a href="http://cas.awm.gov.au/item/A03081" target="_blank"&gt;http://cas.awm.gov.au/item/A03081&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Oxford Encaenia:- Group portrait of eight great war leaders at Oxford University, where they received the honorary degree of doctor of civil law. Left to right: back row; Professor H Pirenne, Rear Admiral Sir W Reginald Hall, the Reverend H E Blakiston, DD (Vice Chancellor of the University), Doctor F W Pember (Warden of All Souls' College). Front row; Vice Admiral Sir Rosslyn Wemyss (afterwards Admiral of the Fleet) , Lieutenant General Sir John Monash, General J J Pershing, Marshall Joffre, Marquis Curzon (Chancellor of the University of Oxford), Field Marshall Sir Douglas Haig (afterwards Earl), Admiral Sir David Beatty (afterwards Admiral of the Fleet and Earl), Mr H C Hoover President, Field Marshal Sir Henry Wilson.&lt;br /&gt; &lt;span&gt;&lt;br /&gt; &lt;/span&gt;&lt;span&gt;See Oxford University archive for medieval history of honorary degrees. &lt;br /&gt; &lt;/span&gt;&lt;a href="http://www.oua.ox.ac.uk/enquiries/hondegrees.html" target="_blank"&gt;http://www.oua.ox.ac.uk/enquiries/hondegrees.html&lt;/a&gt; &lt;br /&gt; &lt;br /&gt; See Oxford University website for History of Encaenia&lt;br /&gt; &lt;a href="http://www.ox.ac.uk/about_the_university/university_year/encaenia/history.html" target="_blank"&gt;http://www.ox.ac.uk/about_the_university/university_year/encaenia/history.html&lt;/a&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Great Gate (north side) and â€˜The Five Lamps of Learningâ€™, The University of Western Australia, Crawley Campus. </text>
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            <description>The topic of the resource</description>
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                <text>Administration Building, architecture, arch, archway, Crawley, â€œGreat Gateâ€, Italian influence, limestone, Mervyn Napier Waller, mosaic, Rodney Alsop, Senate Chamber, Sir John Winthrop Hackett, stone, The University of Western Australia, virtues, Western Australia, Winthrop Hall, Oxford University, Cambridge University, gateway, Tudor, Tudor architecture, university building, university buildings, university college, university colleges, college</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;A view of the northern side of The Great Gate joining Winthrop Hall to the old Administration building at the University of Western Australia&amp;rsquo;s Crawley campus. The flanking towers of the Gate are square at the base and octagonal at the top, which was supposed to liken it to the Tudor gateways of Oxford and Cambridge colleges (Rodney Alsop, "The Architecture of the Hackett Buildings", in &lt;em&gt;Opening of Winthrop Hall: Commemorative Volume and Official Programme, 1932&lt;/em&gt;). It was designed and constructed in conjunction with Winthrop Hall, Hackett Hall and the Administration Building from a bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916). The buildings were officially opened on 13 April 1932. The University also commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber on the northern side of the Great Gate in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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            <name>Date</name>
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                <text>28 January 2011</text>
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                <text>No Copyright.</text>
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                <text>Digital Photograph; JPEG</text>
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