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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;This image and several others related to Longerenong homestead can be viewed on pages 71-76 of Miles Lewis&amp;rsquo;s 702675 Australian Building Analysis: Stained glass and specialist finishes, available as a pdf download:&lt;/p&gt;&#13;
&lt;p&gt;Go to: &lt;a href="http://mileslewis.net/illustrated-contents/10-australian-building.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://mileslewis.net/illustrated-contents/10-australian-building.html&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Select: Stained Glass (pdf.)</text>
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                <text>â€˜Heraldicâ€™ domestic pattern window, Front entrance, Longerenong homestead, Longerenong, Victoria</text>
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                <text>Celtic, Ferguson &amp; Urie, floral grid pattern, flowers, harp, heraldry, John Lyon, Longerenong homestead, medieval design, Samuel Wilson, Stained glass, Victoria, VIC, window</text>
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                <text>This â€˜heraldicâ€™ pattern transom hangs over the doorway at Longerenong homestead in Victoria. Central to the design is a golden Celtic harp on blue shield (c. 13th century) representing owner Samuel Wilsonâ€™s Irish roots. This is flanked by his initials (S W), and the year (AD 1862). A â€˜diaperedâ€™ medieval floral grid pattern dominates the background, and alternate blue and white flowers attached to golden stems and leaves, occupy the red outer borders. Beverley Sherry points out that, â€œThe nineteenth-century pioneers of Victoriaâ€™s pastoral districts had a strong sense of family pride and this was [often] expressed in stained glassâ€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.37). The colourful â€˜Longerenongâ€™ window provides an excellent example of such expression.</text>
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            <name>Creator</name>
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                <text>Lewis, Miles (digital image)</text>
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            <name>Date</name>
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                <text>2009 - 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Â© Miles Lewis and University of Melbourne </text>
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        <name>John Lyon</name>
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        <name>Longerenong homestead</name>
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        <name>Samuel Wilson</name>
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        <name>stained glass</name>
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        <name>Vic</name>
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