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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The â€˜Caxton Windowâ€™</text>
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                <text>books, education, John Ashwin &amp; Co., John Radecki, Margaret of Burgundy, Mitchell Reading Room, New South Wales, NSW, patronage, print, printing, printing press, Recuyell of the Historyes of Troye (1474), stained glass, State Library of NSW, Sydney, William Caxton (c.1422-1492), window</text>
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                <text>An image of the â€˜Caxton Windowâ€™ located in the Mitchell Reading Room at the State Library of New South Wales. This stained glass window was created in a neo-medieval figurative style by John Radecki of Ashwin and Co., Sydney in 1941. It shows Englishman William Caxton presenting a copy of the Recuyell of the Historyes of Troye (1474) to his patron Margaret of Burgundy. The Caxton theme is an effective means of commemorating a momentous achievement in the history of English literature, namely the ready dissemination of cultural values and the arts via the printed page. Caxton later set up a printing press in Westminster in 1476, initially using type that he brought over from Bruges. This didactic window is superbly executed, and the significance of books and learning is highly appropriate for a library reading room. Regrettably the windowâ€™s finer details are not easily discernible from ground level. The placement of this window in the Mitchell reading room, which houses the early Australiana collection, provides a bridge between the two continents (Europe and Australia). </text>
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                <text>Urry, David</text>
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                <text>3 November 2011</text>
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