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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Government House, Hobart, Tasmania</text>
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                <text>ANZAMEMS, Australian and New Zealand Association for Medieval and Early Modern Studies, bas-relief sculpture, crenellation, gargoyle, Gothic, Gothic Revival, Government House, Hobart, William Porden Kay, parapet, sculpture, Tas, Tasmania, tower, tracery, turret, Henry Fox Young.</text>
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                <text>&lt;p&gt;The current Government House of Tasmania, the third in Hobart, was designed by the Director of Public Works William Porden Kay and built between 1855 and 1857 in the Gothic Revival style. Governor Henry Fox Young took up residence on January 2, 1858. The building is located in the Queen&amp;rsquo;s Domain and features bas-relief sculpture, gargoyles, and tracery on the windows. Its most prominent Gothic features are found at the main entrance (as seen in the photograph), including a square clock tower topped by crenelated turrets, and a second tower with crenellation. The photograph was taking during a reception for the 7&lt;sup&gt;th&lt;/sup&gt; Biennial International Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies.&lt;/p&gt;&#13;
&lt;p&gt;For the website see &lt;a href="http://www.govhouse.tas.gov.au/government-house/history"&gt;http://www.govhouse.tas.gov.au/government-house/history&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>December 3, 2008</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Warrior and dragon sign, Cascade Brewery, Hobart, Tasmania</text>
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                <text>Boagâ€™s Brewery, Cascade Brewery, dragon, St George, Hobart, knight, lance, Launceston, sign, Tas, Tasmania, warrior.</text>
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                <text>&lt;p&gt;This photograph of a sign was taken at the rear of the Cascade Brewery. The sign features a warrior on horseback killing a dragon with a lance. The similarity of the sign to the original St George logo used by the Launceston brewery Boag&amp;rsquo;s, which was purchased by Cascade Brewery in 1922, suggests that this may also be an image of the warrior saint popular during the medieval period.&lt;/p&gt;&#13;
&lt;p&gt;For the Boag's Brewery image see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/884"&gt;http://ausmed.arts.uwa.edu.au/items/show/884&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/span&gt;</text>
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                <text>â€˜Home-made medieval war machine goes off with a bangâ€™</text>
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                <text>&lt;p&gt;This online article by Carol Raabus was posted in 2009 on the Australian Broadcasting Corporation&amp;rsquo;s Hobart page. It is about local man Doug Pattison and his re-creation of siege engines. He has built a trebuchet, first used in the twelfth century, and a ballista (a large version of a crossbow), which was first used by the classical Greeks and remained popular until replaced by the trebuchet. Doug sometimes gives public performances of the weapons.&lt;/p&gt;&#13;
&lt;p&gt;For the story, including a clip of the trebuchet in action, see &lt;a href="http://www.abc.net.au/local/videos/2009/04/21/2548797.htm"&gt;http://www.abc.net.au/local/videos/2009/04/21/2548797.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Raabus, Carol</text>
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                <text>Carol Raabus; Australian Broadcasting Corporation</text>
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                <text>Flamingos Dance Bar at 201 Liverpool Street, Hobart, is in a medieval-inspired building. It has the appearance of a small fortification or castle, with a central tower and six fortified turrets. The brick building is topped by a crenelated parapet, or battlements. The accentuated brickwork along the buildingâ€™s edges, and the rounded arch windows add to the medieval effect.  </text>
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                <text>The former St Maryâ€™s Hospital is on the corner of Davey Street and Salamanca Place, at the rear of Parliament House, in Hobart, Tasmania. Designed by William Porden Kay (1809-1870), it was built as a private sixty bed hospital for Dr Edward Samuel Pickard Bedford (1809-1876), with the foundation stone being laid in 1847. After the hospital closed in 1862 the building was used by the Lands and Survey Department and then the Health Department. The building has a crenelated parapet above the second storey, and another above the pointed arch entrance.    </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St Davidâ€™s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot.</text>
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                <text>A monument to Sir John Eardley Wilmot (1783-1847) is situated in St Davidâ€™s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemenâ€™s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture.     </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Kodak House, Hobart, Tasmania</text>
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                <text>Kodak House is in the Elizabeth Street mall in central Hobart. The top of the narrow five storey building has two narrow â€˜towersâ€™ on each end with a crenelated parapet running between them. In the centre is a shield bearing a â€˜Kâ€™. The upper storeys have bay windows, a common feature of Gothic Revival architecture, although they are more commonly found in domestic buildings. </text>
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                <text>McLeod, Shane</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This monument to William Bedford (1781-1852) is situated in St David&amp;rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&amp;rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.&lt;/p&gt;&#13;
&lt;p&gt;For more on William Bedford see: &lt;a href="http://adb.anu.edu.au/biography/bedford-william-1760"&gt;http://adb.anu.edu.au/biography/bedford-william-1760&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>No Copyright</text>
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