4 8 47 https://ausmed.arts.uwa.edu.au/files/original/3ab350409ca554bbfd16ea4cc4c6279b.JPG e5f7e3af601e1b7c9fe0327dbc3877be Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/d208edbccba1acb1f93d73730a5f89ec.JPG 45fa71a8d55dc25eda71ebaa617db50b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/d9d96c62a850a98144c1c811f535677f.JPG 39f405c2288f09e39e14b49a794ea9d9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/23302e03ce025b4b2878a168bde5c1fd.JPG a1216875f25e46bb133f89ec284717b4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval artefacts, St David’s Cathedral, Hobart, Tasmania Subject The topic of the resource Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St David’s Cathedral, St Patrick’s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall. Description An account of the resource <p>St David&rsquo;s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick&rsquo;s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David&rsquo;s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture.</p> <p>For the exterior of the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> Format The file format, physical medium, or dimensions of the resource 4xDigital Photograph Anglican artefact Cloisters Dublin England George Frederick Bodley Gothic Gothic Revival Hobart Ireland pillar Salisbury Cathedral spire St David’s Cathedral St Patrick’s Cathedral Tas Tasmania Tudor Rose Wales Westminster Hall. https://ausmed.arts.uwa.edu.au/files/original/8185a74eed2a8145ba84b132f821101c.pdf f312b85eb48834e8cd45a6e84db20647 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Modern Viking Subject The topic of the resource Hobart, Lief Larsen, The Mercury, Norway, Norwegian, WWII, World War, war, wars, World War II, Second World War, TAS, Tasmania, Viking, navy, naval forces Description An account of the resource A short article with photograph on page 22 of the Hobart newspaper ‘The Mercury’ on September 5, 1953. The article reports the recent activities of the World War Two Norwegian resistance hero Lief Larsen. The article describes Larsen as a ‘Modern Viking’. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Mercury Date A point or period of time associated with an event in the lifecycle of the resource 5 September 1953 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English Hobart Lief Larsen naval forces navy Norway Norwegian Second World War Tas Tasmania The Mercury viking vikings war wars World War World War II WWII https://ausmed.arts.uwa.edu.au/files/original/6262aca1d90c54313319daa02e62a021.jpg aac23b0a45348171e6f0445312822d16 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/43342411cf7fff3fa5167dabe0e9816b.jpg b05e45b722a32f3817f56655b2bda694 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/475cd17aef6ba717465f8d230972c2d1.jpg 119f38fd31e77b28deec75bd78daa8f6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 https://ausmed.arts.uwa.edu.au/files/original/417ebded0112868c4a23d9d60a0f4f36.jpg b270e2ff93419df2ccbf77ff06618605 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/7f327a0f092c245a20323c6e25220544.jpg c772f1a9e6fd2a307b06ca9bed68ed5e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Mutual Life Building, Hobart, Tasmania Subject The topic of the resource Arched windows, blind arcading, commercial architecture, heraldry, Gothic, Hobart, lion, neo-Gothic, parapet, relief sculpture, Romanesque, sculpture, shield, statue, Tas, Tasmania, tower, unicorn, Alan Cameron Walker. Description An account of the resource Completed in 1906, the elaborate National Mutual Life Building in Hobart, Tasmania, was designed by Hobart-born architect Alan Cameron Walker (1864-1931). It is a mixture of Romanesque and Gothic architecture and features semi-circular windows with pointed arches above the windows, blind arcading, a parapet, and lions and dogs climbing up and down the wall between the windows of the second and third storeys. The entrance includes lion statues holding shields, and the logo of the company featuring a heraldic shield between a unicorn and lion. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource June 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 5xDigital photograph Alan Cameron Walker. arched windows blind arcading commercial architecture Gothic heraldry Hobart lion neo-Gothic parapet relief sculpture Romanesque sculpture shield statue Tas Tasmania tower unicorn https://ausmed.arts.uwa.edu.au/files/original/7f2a68483646fa55338556add699127c.JPG e3e480398b61e7926603361e87cbb226 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norman baptismal font, St Mary’s Cathedral, Hobart, Tasmania Subject The topic of the resource Arch, baptismal font, Catholic, column, font, Hobart, Norman, Norman font, Romanesque, St Mary’s Cathedral, Tas, Tasmania, Robert William Willson, Bishop Willson. Description An account of the resource <p>Repair work on St Mary&rsquo;s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date<br />back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes<br />from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing.</p> <p>The baptismal font is a rare example of the Australian<br />public&rsquo;s practical use of, and interaction with, an actual medieval item for many generations.</p> <p>For the original dating see <a href="http://www.cathnews.com/article.aspx?aeid=7424">http://www.cathnews.com/article.aspx?aeid=7424</a>.</p> <p>For the revised dating see <a href="http://hobart.catholic.org.au/history/st-marys-cathedral">http://hobart.catholic.org.au/history/st-marys-cathedral</a></p> <p>&nbsp;&nbsp;&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch baptismal font Bishop Willson. Catholic column font Hobart Norman Norman font Robert William Willson Romanesque St Mary’s Cathedral Tas Tasmania https://ausmed.arts.uwa.edu.au/files/original/6b924e1dd5f03f517561bf98961b40a8.jpg 17151f385e3c84a26771ac33ee1a4090 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Hutchins School, Hobart, Tasmania Subject The topic of the resource Arcade, arched window, William Archer, crest, Gothic, heraldry, Hobart, Hutchins School, neo-Gothic, Masonic Club of Tasmania, school, Tas, Tasmania, tower. Description An account of the resource <p>The photograph shows a building at the former Hutchins School in Hobart, Tasmania. Although this building is sympathetic to the main 1849 building on the site designed by William Archer, this building was a later addition and does not feature in an 1890 photograph. This later building is also in the Gothic style, featuring an arcade with pointed arched entrance ways, pointed arched windows on the second storey, and small towers on the corners.</p> <p>For the central building on the site see <a href="http://ausmed.arts.uwa.edu.au/items/show/880">http://ausmed.arts.uwa.edu.au/items/show/880</a>.</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource January 29, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/880" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/880</a> Format The file format, physical medium, or dimensions of the resource Digital photograph arcade arched window crest Gothic heraldry Hobart Hutchins School Masonic Club of Tasmania neo-Gothic school Tas Tasmania tower William Archer https://ausmed.arts.uwa.edu.au/files/original/0e8857dd63bce9efcede75bf833dab3b.JPG aa2fee3c9db8d81e827ededa60b61a86 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Testament window, St David’s Cathedral, Hobart, Tasmania Subject The topic of the resource Anglican, armour, Burlison and Grylls, castle, crenellation, Gideon, Gothic, helmet, heraldry, Hobart, Joshua, knight, lance, lancet window, Moses, Old Testament, parapet, pointed arch, St David’s Cathedral, shield, spear, spire, stained glass, sword, Tas, Tasmania, tower. Description An account of the resource <p>This large stained glass window featuring three figures from the Old Testament is on the northern wall of St David&rsquo;s Anglican Cathedral, Hobart. It was created by the firm Burlison and Grylls and installed in the Cathedral in 1872. Each of the three figures &ndash; Joshua, Moses, and Gideon, occupy a lancet window. While Moses is attired in a robe, Gideon wears armour and a hat of the Renaissance period, and carries a spear. Joshua, who led the Israelites on their conquest of Canaan following the death of Moses, is dressed as a medieval knight. He wears full plate armour of the late medieval period and a sword at his side, and carries a lance. His helmet is at his feet. All three figures are standing above a representation of a castle/fortress with three round towers topped by a crenelated parapet, and Gothic-style spires. Below the castles are heraldic shields.</p> <p>For the Cathedral interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Armour Burlison and Grylls castle crenellation Gideon Gothic helmet heraldry Hobart Joshua knight lance lancet window Moses Old Testament parapet pointed arch shield spear spire St David’s Cathedral stained glass sword Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/6ae701ead93a5ab7096a84e9483937d0.jpg c5903a700876951892edb39e58aac9c1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Engineers Building, Hobart, Tasmania Subject The topic of the resource Arched windows, bay window, gables, Hobart, Royal Engineers Building, Royal Engineers Regiment, sculpture, Tas, Tasmania, Tudor. Description An account of the resource The Royal Engineers Building on Macquarrie Street in Hobart was built in 1846-7 and was the headquarters of the Royal Engineers Regiment until 1876. The two-storey stone building was built in the late medieval Tudor style and features two-storey bay windows, arched windows, gables, and stone carvings. Unfortunately stone carvings in the gables were lost during a renovation in 1979, at which time a portico was also destroyed. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource January 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital photograph arched windows Bay window gables Hobart Royal Engineers Building Royal Engineers Regiment sculpture Tas Tasmania Tudor. https://ausmed.arts.uwa.edu.au/files/original/67f36e774da20f272a69621721fac6bc.JPG e7655eda4b55a6a45e4c47a0cc843e4f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St David’s Cathedral baptismal font, Hobart, Tasmania Subject The topic of the resource Anglican, baptismal font, blind arcading, George Frederick Bodley, font, Gothic, Gothic Revival, Hobart, pointed arch, St David’s Cathedral, Tas, Tasmania, tracery. Description An account of the resource <p>The baptismal font in St David&rsquo;s Cathedral, Hobart, was made by local craftsmen to the design of English architect George Frederick Bodley (1827-1907). The cathedral was designed in 1865 by Bodley. Like the cathedral, the baptismal font is in the Gothic Revival style, particularly the blind arcading design of the font&rsquo;s base featuring tracery and pointed arches.</p> <p>For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p> <p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican baptismal font blind window font George Frederick Bodley Gothic Gothic Revival Hobart pointed arch St David’s Cathedral Tas Tasmania tracery.