3 8 47 https://ausmed.arts.uwa.edu.au/files/original/84a240de39745bd69b4140d086ee9838.JPG 58c8da3528c86051b8804d77969d9a2a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://valhallaicecream.com.au">http://valhallaicecream.com.au</a></span> Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valhalla Icecream Subject The topic of the resource Advertisement, helmet, Hobart, horned helmet, icecream, logo, mythology, Norse, Odin, Old Norse mythology, shield, sign, Tas, Tasmania, Valhalla, Valhalla Icecream, Valkyrie, Viking, warrior, winged helmet. Description An account of the resource <p>Valhalla Icecream is made in the Hobart suburb of Moonah. As seen on this advertising sign, the company&rsquo;s logo features the side profile of the head of a Viking warrior on a red shield. The warrior wears a helmet with wings, a notion popular in the late 19^th century before Vikings with horned helmets became more popular. In Old Norse (Viking) mythology Valhalla was a giant hall where chosen warriors who had died in battle went to join the Norse god Odin. The warriors were led to Valhalla by Valkyries.</p> <p>For their website see <a href="http://valhallaicecream.com.au">http://valhallaicecream.com.au</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 26, 2012 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph advertisement helmet Hobart horned helmet icecream logo mythology Norse Odin Old Norse mythology shield sign Tas Tasmania Valhalla Valhalla Icecream Valkyrie viking warrior winged helmet. https://ausmed.arts.uwa.edu.au/files/original/e4cc902415683cc90e459ca82c319ee1.JPG e07296c80109f216f7cfa8962483db26 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flamingos Dance Bar, Hobart, Tasmania Subject The topic of the resource Castle, crenellation, Flamingos Dance Bar, Hobart, parapet, Tas, Tasmania, tower, turret. Description An account of the resource Flamingos Dance Bar at 201 Liverpool Street, Hobart, is in a medieval-inspired building. It has the appearance of a small fortification or castle, with a central tower and six fortified turrets. The brick building is topped by a crenelated parapet, or battlements. The accentuated brickwork along the building’s edges, and the rounded arch windows add to the medieval effect. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph castle crenellation Flamingos Dance Bar Hobart parapet Tas Tasmania tower turret. https://ausmed.arts.uwa.edu.au/files/original/70feabe4951219ade9b8354439188ff8.JPG c692bfc83639f2cc526a9b6bfbfab834 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Mary’s Hospital, Hobart, Tasmania Subject The topic of the resource Edward Samuel Pickard Bedford, crenelation, Health Department, Hobart, hospital, William Porden Kay, Lands and Survey Department, parapet, St Mary’s Hospital, Tas, Tasmania. Description An account of the resource The former St Mary’s Hospital is on the corner of Davey Street and Salamanca Place, at the rear of Parliament House, in Hobart, Tasmania. Designed by William Porden Kay (1809-1870), it was built as a private sixty bed hospital for Dr Edward Samuel Pickard Bedford (1809-1876), with the foundation stone being laid in 1847. After the hospital closed in 1862 the building was used by the Lands and Survey Department and then the Health Department. The building has a crenelated parapet above the second storey, and another above the pointed arch entrance. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph crenelation Edward Samuel Pickard Bedford Health Department Hobart hospital Lands and Survey Department parapet St Mary’s Hospital Tas Tasmania William Porden Kay https://ausmed.arts.uwa.edu.au/files/original/c24c8b09be285886c91ba4bc5da1f16a.JPG 16cac2a7cfe5132ab6e7a1e9c9994a5a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Eardley Wilmot monument, Hobart, Tasmania Subject The topic of the resource Blind arcading, cemetery, cenotaph, Gothic, Hobart, William Porden Kay, Lieutenant-Governor, mausoleum, monument, pointed arch, St David’s Park, Tas, Tasmania, Van Diemen's Land, John Eardley Wilmot. Description An account of the resource A monument to Sir John Eardley Wilmot (1783-1847) is situated in St David’s Park (previously a cemetery), Hobart. Wilmot was Lieutenant-Governor of Van Diemen’s Land (ie. Tasmania) between 1843 and 1847 and died of an undiagnosed illness after being removed from office. The multi-tiered cenotaph, sometimes referred to as a mausoleum, was raised by public subscription in 1850 and placed over his remains. It was designed by William Porden Kay (1809-1870). It is in the Gothic style and features the pointed arches, blind arcading, and elaborate stonework often associated with ecclesiastical architecture. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading cemetery cenotaph Gothic Hobart John Eardley Wilmot. Lieutenant-Governor mausoleum monument pointed arch St David’s Park Tas Tasmania Van Diemen's Land William Porden Kay https://ausmed.arts.uwa.edu.au/files/original/7d21ec72d0c2e3df44ad89c011425fa7.JPG 01360cc98410f002a17ce7f1c691cf85 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kodak House, Hobart, Tasmania Subject The topic of the resource Bay window, commercial architecture, crenellation, Kodak House, Gothic Revival, Hobart, parapet, shield, Tas, Tasmania, tower. Description An account of the resource Kodak House is in the Elizabeth Street mall in central Hobart. The top of the narrow five storey building has two narrow ‘towers’ on each end with a crenelated parapet running between them. In the centre is a shield bearing a ‘K’. The upper storeys have bay windows, a common feature of Gothic Revival architecture, although they are more commonly found in domestic buildings. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Bay window commercial architecture crenellation Gothic Revival Hobart Kodak House parapet shield Tas Tasmania tower. https://ausmed.arts.uwa.edu.au/files/original/ee900440bc05c91df600568423f887b2.JPG e53f82342c0f1ae9c31db8150f2a1375 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Bedford cenotaph, Hobart, Tasmania Subject The topic of the resource William Bedford, blind arcading, cemetery, cenotaph, chaplain, Church of England, Gothic, Hobart, monument, pointed arch, St David’s Church, St David’s Park, Tas, Tasmania. Description An account of the resource <p>This monument to William Bedford (1781-1852) is situated in St David&rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.</p> <p>For more on William Bedford see: <a href="http://adb.anu.edu.au/biography/bedford-william-1760">http://adb.anu.edu.au/biography/bedford-william-1760</a></p> <p>&nbsp;</p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph blind arcading cemetery cenotaph chaplain Church of England Gothic Hobart monument pointed arch St David’s Church St David’s Park Tas Tasmania. William Bedford https://ausmed.arts.uwa.edu.au/files/original/ef23019b585368a613ec23af80474226.JPG 36bd83ce5d882c34b10c59153159083f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Joseph’s Catholic Church exterior, Hobart, Tasmania Subject The topic of the resource Buttress, Catholic, convict, crenellation, finial, Gothic, Hobart, lancet windows, parapet, pointed arch, Tas, Tasmania, John Joseph Therry, Alexander Thompson, tower, Robert William Willson, Bishop Willson. Description An account of the resource <p>St Joseph&rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart, Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. The tower was completed in 1843 and a side chapel added in 1877. It was the principal Catholic church in Tasmania until St Mary&rsquo;s Cathedral was completed in 1866, so Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict Alexander Thompson (1805-1860), and it was built using convict labour. It is in the Gothic Revival style with pointed arch windows and doorways, buttresses, a crenelated parapet on top of the tower, lancet windows, and pointed corner finials on the tower and the side of the church.</p> <p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1129</a>&nbsp;&nbsp;&nbsp;</p> <p>For more on St Joseph&rsquo;s see <a href="http://www.passionistshobart.org.au/">http://www.passionistshobart.org.au/</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1129</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Alexander Thompson Bishop Willson buttress Catholic convict crenellation finial Gothic Hobart John Joseph Therry lancet windows parapet pointed arch Robert William Willson Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/93f66528adb4a6d7ea9f56424808f749.JPG 34bcb397f62ee64b2a734e85a2c81bfc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Joseph’s Catholic Church interior, Hobart, Tasmania Subject The topic of the resource Blind arcading, Catholic, convict, gallery, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, Walter McEntee, pointed arch, roof trusses, Tas, Tasmania, John Joseph Therry, James Alexander Thompson, tower, Robert William Willson, Bishop Willson. Description An account of the resource <p>St Joseph&rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart,<br />Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. It was the principal Catholic church in Tasmania until St Mary&rsquo;s Cathedral was completed in 1866, so Tasmania&rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict James Alexander Thompson (1805-1860), and it was built using convict labour. Alterations to the interior were made under the direction of Bishop Willson in 1856 by Henry Hunter (1832-1892). The interior is in the Gothic Revival style and features pointed arch windows and doorway, blind arcading, a gallery supported by rounded clustered gothic columns, and lancet windows. The timber trusses of the roof were painted brown to make them resemble English oak. The large brass electric lights were designed in the Gothic style by Fr Walter McEntee and added in 1972.</p> <p>For the exterior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1125</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p> <p>For more on St Joseph&rsquo;s see <a href="http://www.passionistshobart.org.au/">http://www.passionistshobart.org.au/</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 6, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1125</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph Bishop Willson. blind arcading Catholic convict gallery Gothic Gothic Revival Henry Hunter Hobart James Alexander Thompson John Joseph Therry lancet windows pointed arch Robert William Willson roof trusses Tas Tasmania tower Walter McEntee