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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Digitised Newspaper Article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;a href="http://nla.gov.au/nla.news-article31897631" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://nla.gov.au/nla.news-article31897631&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Grand Theatre: â€™Under the Red Robeâ€</text>
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                <text>Alma Rubens (1897-1931), Cardinal Richelieu (1585-1642), Day of the Dupes (1630), drama, duel,  fiction, film, Gil de Berault, Grand Theatre, Henri de Cocheforet, historical fiction, honour, Huguenot, John Charles Thomas (1889-1960), literature, Louis XIII, Mademoiselle de Cocheforet, â€œMedieval romanceâ€, movie, novel, Robert B. Mantell, screen Stanley J. Weyman (1855-1928), â€œUnder the Red Robeâ€, WA, Western Australia</text>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt;"&gt;In this notice about  the upcoming programme for the Grand Theatre, a screening of the 1923  silent film &amp;ldquo;Under the Red Robe&amp;rdquo; is announced. The film is based on  Stanley J. Weyman&amp;rsquo;s historical novel of the same name. The novel is  described in the article as a medieval romance, although it is set in  seventeenth-century France. The story opens in 1630, when Gil de Berault  sets out on a search for fugitive Huguenot Henri de Cocheforet, on the  orders of Cardinal Richelieu. He has offered his martial skills to  Richelieu in exchange for his life after being arrested for duelling in  Paris. Although he does indeed find and arrest M. de Cocheforet, he  realises that he has fallen in love with his sister and lets him go free  to restore his honour. The story ends on the Day of the Dupes with the  marriage of de Berault and de Cocheforet.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;For a copy of &amp;ldquo;Under the Red Robe&amp;rdquo; by Stanley J. Weyman, see &lt;/span&gt;&lt;a href="http://www.gutenberg.org/ebooks/1896" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://www.gutenberg.org/ebooks/1896&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;</text>
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                <text>National Library of Australia</text>
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                <text>The West Australian</text>
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                <text>16 December 1925, p. 12.</text>
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                <text>The West Australian</text>
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                <text>English</text>
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