1
8
7
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Website
A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).
Local URL
The URL of the local directory containing all assets of the website.
<a href="http://citadel-medieval-society.webs.com/Index.html">http://citadel-medieval-society.webs.com/Index.html</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Citadel Medieval Society
Subject
The topic of the resource
Archery, armour, chivalry, Citadel Medieval Society, combat, costume, Crusade, Estonia, France, helmet, heraldry, knight, La Rochelle, living history, Livonian Brothers of the Sword, Livonian Crusade, Livonian Order, performance, Qld, Queensland, re-creation, re-enactment, Schwertzbruder, shield, spear, sword, Sword Brethren, Teutonic Order, warrior-monks, website.
Description
An account of the resource
<p>Citadel Medieval Society is a living history group based in Queensland. The group were founded seventeen years ago and focus on two time periods and locations: the port of La Rochelle, France, in c. 1370 during the Hundred Years War; and the German warrior-monks the Livonian Brothers of the Sword (also known as the Sword Brethren or Schwertzbruder) who took part in the Livonian Crusade and operated in modern-day Estonia from 1202-1236, when they became the Livonian Order within the Teutonic Order. The group focus on combat (although other activities such as music and craft are practiced) and appear in full costume, and with weapons and tents, at various events. They are also available for hire.</p>
<p>For their website see http://citadel-medieval-society.webs.com/Index.html</p>
Creator
An entity primarily responsible for making the resource
Citadel Medieval Society
Rights
Information about rights held in and over the resource
Citadel Medieval Society
Format
The file format, physical medium, or dimensions of the resource
Website
Archery
Armour
chivalry
Citadel Medieval Society
combat
costume
Crusade
Estonia
France
helmet
heraldry
knight
La Rochelle
living history
Livonian Brothers of the Sword
Livonian Crusade
Livonian Order
performance
Qld
Queensland
re-creation
re-enactment
Schwertzbruder
shield
spear
sword
Sword Brethren
Teutonic Order
warrior-monks
website.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self">http://www.artgallery.nsw.gov.au/work/182.2002.20/</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Afternoon in Chartres Cathedral’ by Salvatore Zofrea
Subject
The topic of the resource
<em>Appassionata</em>, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window.
Description
An account of the resource
This woodblock print, from Salvatore Zofrea’s <em>Appassionata</em> collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.
Creator
An entity primarily responsible for making the resource
Salvatore Zofrea (b.1946)
Source
A related resource from which the described resource is derived
Art Gallery of New South Wales
Date
A point or period of time associated with an event in the lifecycle of the resource
c.1994-1999
Rights
Information about rights held in and over the resource
Art Gallery of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark
Appassionata
architecture
art
Art gallery of New South Wales
Cathedral
Catholicism
Chartres Cathedral
church interior
ecclesiastical building
France
French Gothic
gothic architecture
print
Salvatore Zofrea (b.1946)
stained glass
window
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<span style="color: #000000; font-family: Tahoma; font-size: x-small;"><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"><a href="http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio" target="_blank">http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio</a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Troveresse Medieval Music Ensemble
Subject
The topic of the resource
Helen Dell, Drama, France, Iberia, Melbourne, music, performance, poetry, song, Troveresse Medieval Music Ensemble, Vic, Victoria
Description
An account of the resource
Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Love’s Paradise – love stories and songs from twelfth and thirteenth-century France; Songs from the Heart – songs by and for women from medieval France; All You Who Love – medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama.
Creator
An entity primarily responsible for making the resource
Allegro Music
Date
A point or period of time associated with an event in the lifecycle of the resource
13 April 2012
Rights
Information about rights held in and over the resource
Allegro Music, Troveresse Medieval Music Ensemble
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Language
A language of the resource
English
drama
France
Helen Dell
Iberia
Melbourne
music
performance
poetry
song
Troveresse Medieval Music Ensemble
Vic
Victoria
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p><a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"><span style="color: #0000ff;">http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790</span></a></p>
<strong></strong>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
No 'Robin Hood' financial transaction tax coming to Australia, says Wayne Swan
Subject
The topic of the resource
Australian businesses, bank, business, economic crisis, economic growth, economy, finance, financial transaction tax, folklore, France, investor, Nicolas Sarkozy, outlaw, penalty, revenue, Robin Hood, “Robin Hood†tax, tax, treasury, Wayne Swan
Description
An account of the resource
This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swan’s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozy’s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a “Robin Hood†tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy.
Creator
An entity primarily responsible for making the resource
Unknown
Source
A related resource from which the described resource is derived
Perth Now
Publisher
An entity responsible for making the resource available
Perth Now
Date
A point or period of time associated with an event in the lifecycle of the resource
30 January 2012
Rights
Information about rights held in and over the resource
Perth Now
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Language
A language of the resource
Language
“Robin Hood†tax
Australian businesses
bank
business
economic crisis
economic growth
economy
finance
financial transaction tax
folklore
France
investor
Nicolas Sarkozy
outlaw
penalty
revenue
Robin Hood
tax
treasury
Wayne Swan
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https://ausmed.arts.uwa.edu.au/files/original/cc75f80122ca02b3be5c8565f389f4b5.JPG
65befc4d4973904c5fd177c8b937eb0d
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
604
Width
907
https://ausmed.arts.uwa.edu.au/files/original/d1e6a4d5c5a4b3ad7c48b017e54c0cd7.JPG
115be0fa5286f73c5a81cd1bad208c38
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
700
Width
933
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
2 x Digital Photographs; JPEGs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Rouen clock: Medieval inspiration for London Court, Perth.
Subject
The topic of the resource
clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia
Description
An account of the resource
<p>These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a ‘replica’ of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.</p>
<p>The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.</p>
For London Court see <a href="http://www.londoncourt.com.au/" target="_blank"><span style="color: #800080;">www.londoncourt.com.au</span></a>. For the newspaper article ‘Two New Clocks’ see <a href="http://nla.gov.au/nla.news-article41438038" target="_blank"><span style="font-family: Calibri; font-size: small;">http://nla.gov.au/nla.news-article41438038</span></a><span style="font-size: small;"><span style="font-family: Calibri;">.</span></span>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
29 November 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
2 x Digital Photographs; JPEGs
clock
France
H. Hope-Jones
Le Gros Horloge
London Court
newspaper
Normandy
Perth
replica
Rouen
the Great Clock
The West Australian
WA
Western Australia
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https://ausmed.arts.uwa.edu.au/files/original/beb4fa5635c958140dc8d6b96afbf964.pdf
bf559ff7f631991e9ad7bc6ea3cdec88
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Newspaper article; PDF
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Meeting of Chamberlain and Eden clad as medieval admirals
Subject
The topic of the resource
Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine
Description
An account of the resource
A ‘Punch’ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled ‘Mediterranean piracy’, saying ‘I say, even in holiday time. I think we shall have to take some notice of this’ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the ‘Cairns Post’ Friday 3 September 1937, ‘Barrier Miner’ (Broken Hill, NSW) Friday 3 September 1937 with headlines ‘Punch Cartoon Urges Britain to Act’, ‘Sydney Morning Herald’ (Thursday 2 September 1937; ‘The West Australian’ Thursday 2 September 1937, ‘Morning Bulletin’ (Rockhampton, Qld.), Friday 3 September 1937, ‘Examiner’ (Launceston, Tas.) Friday 3 September 1937.
Creator
An entity primarily responsible for making the resource
Unknown
Source
A related resource from which the described resource is derived
The Canberra Times
Publisher
An entity responsible for making the resource available
The Canberra Times
Date
A point or period of time associated with an event in the lifecycle of the resource
3 Sept 1937
Rights
Information about rights held in and over the resource
Public Domain
Format
The file format, physical medium, or dimensions of the resource
Newspaper Article
Language
A language of the resource
English
Armour
caricature
cartoon
cartoons as political comment
Chamberlain
Eden
France
General France
Mediterranean piracy
Mussolini
piracy
political
politics
Pre-World War II
Punch
Punch Magazine
submarines
war
World War
WWII
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black & white - Glass original whole plate negative.
PDF.
URL
<a href="http://cas.awm.gov.au/item/E02964">http://cas.awm.gov.au/item/E02964</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sir John Monash knighted by King George V in France
Subject
The topic of the resource
knight, knighthood, Knighthood Ceremony, dubbing, King George V, Sir John Monash, World War 1, France, Bertangles Chateau, Military Costume, Order of the Bath, Military Honours, Orders of Knighthood
Description
An account of the resource
<span>General Sir John Monash was created Knight Commander of the Order of the Bath on 1 Jan 1918, and Knight Grand Cross of St Michael and St George on 1 Jan 1919. He is seen receiving his knighthood as Knight Commander of the Order of the Bath on 1</span><span>2 August 1918</span><span>; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. </span>The location is <span>France: Picardie, Somme, Bertangles.</span><br /> John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in<span> 1931 in Melbourne.<br /> </span> Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. <br /> <br /> The motto of the Order of the Bath is <span><span style="font-style: italic;">Tria Juncta in uno (</span>Three joined in one) </span><br /> The motto of the Order of St Michael and St George is <span><span style="font-style: italic;">Auspicium Melioris Aev</span>i (Token of a better age)<br /> <br /> Entry on Australian War Memorial website:<br /> </span><span>'His Majesty King George V, knighting Lieutenant General Sir John Monash, Australian Corps Commander, at the Corps Headquarters in the Chateau, when General Monash was invested as a Knight Commander of the Bath. The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Carruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'<br /> </span>
<div>
<div><cite><strong>Permalink:</strong> <a href="http://cas.awm.gov.au/item/E02964" target="_blank">http://cas.awm.gov.au/item/E02964</a></cite></div>
</div>
Creator
An entity primarily responsible for making the resource
Unknown Photographer
Source
A related resource from which the described resource is derived
Australian War Memorial E02964
Date
A point or period of time associated with an event in the lifecycle of the resource
12 August 1918
Rights
Information about rights held in and over the resource
Copyright expired - public domain
Format
The file format, physical medium, or dimensions of the resource
Hyperlink to Digital Image
Bertangles Chateau
dubbing
France
King George V
knight
knighthood
Knighthood Ceremony
Military Costume
Military Honours
Order of the Bath
Orders of Knighthood
Sir John Monash
World War 1