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                <text>A photograph of two helmets and two swords in the blacksmithâ€™s workshop at the Balingup Medieval Carnivale. The helmets are based on designs known from excavations of migration age sites. In particular, the helmet in the foreground is similar to those of Vendal era Sweden, whilst the other is reminiscent of the helmet from the ship burial at Sutton Hoo in the Anglo-Saxon kingdom of East Anglia, England. Both of the helmets and swords display excellent workmanship.    </text>
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                <text>&lt;p&gt;Image One of three. This photograph was taken at the UWA Extension event &amp;lsquo;A Taste of the Medieval&amp;rsquo;, presented by Dr Margaret Dorey. The event commenced with a lecture on food in fourteenth and fifteenth century England, ending an exercise where participants were challenged with verbs found in Middle English recipes. This was followed by a lunch consisting of various recipes from the period prepared by the chef at Meeka Restaurant in the Perth suburb of Subiaco. The meal was accompanied by medieval music played on guitar and flute.&lt;/p&gt;&#13;
&lt;p&gt;UWA Extension is a community outreach initiative of The University of Western Australia offering courses and events to the public.&lt;/p&gt;&#13;
For UWA Extension see &lt;a href="http://www.extension.uwa.edu.au/" target="_blank"&gt;www.extension.uwa.edu.au&lt;/a&gt;</text>
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&lt;p&gt;Image Two of three. This photograph was taken at the UWA Extension event &amp;lsquo;A Taste of the Medieval&amp;rsquo;, presented by Dr Margaret Dorey. The event commenced with a lecture on food in fourteenth and fifteenth century England, ending an exercise where participants were challenged with verbs found in Middle English recipes. This was followed by a lunch consisting of various recipes from the period prepared by the chef at Meeka Restaurant in the Perth suburb of Subiaco. The meal was accompanied by medieval music played on guitar and flute.&lt;/p&gt;&#13;
&lt;p&gt;UWA Extension is a community outreach initiative of The University of Western Australia offering courses and events to the public.&lt;/p&gt;&#13;
For UWA Extension see &lt;a href="http://www.extension.uwa.edu.au/" target="_blank"&gt;www.extension.uwa.edu.au&lt;/a&gt;&lt;/div&gt;</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>A Taste of the Medieval</text>
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            <description>An account of the resource</description>
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&lt;p&gt;Image Three of three. This photograph was taken at the UWA Extension event &amp;lsquo;A Taste of the Medieval&amp;rsquo;, presented by Dr Margaret Dorey. The event commenced with a lecture on food in fourteenth and fifteenth century England, ending an exercise where participants were challenged with verbs found in Middle English recipes. This was followed by a lunch consisting of various recipes from the period prepared by the chef at Meeka Restaurant in the Perth suburb of Subiaco. The meal was accompanied by medieval music played on guitar and flute.&lt;/p&gt;&#13;
&lt;p&gt;UWA Extension is a community outreach initiative of The University of Western Australia offering courses and events to the public.&lt;/p&gt;&#13;
For UWA Extension see &lt;a href="http://www.extension.uwa.edu.au/" target="_blank"&gt;www.extension.uwa.edu.au&lt;/a&gt;&lt;/div&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14997">
                <text>UWA Extension, Margaret Dorey</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>Margaret Dorey</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Awl Leather: Medieval Shoes</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Archaeology, Awl Leather, Bellingen, Coppergate, craftsmen, England, Bruce Erskine, leather-work, New South Wales, NSW, re-enactment, retail, shoes, Viking, York</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="17921">
                <text>Awl Leather is a company started by craftsman Bruce Erskine in 1991 and based in the New South Wales town of Bellingen that creates leather goods. Amongst their collection are a number of medieval shoes, some of which are based on actual medieval shoes discovered during archaeological excavations. For example, they sell a Coppergate Shoe based on the shoe found during the excavation of the Viking-Age Coppergate district in York, England.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17922">
                <text>Awl Leather</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17924">
                <text>Awl Leather</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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        <name>Coppergate</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG&lt;/a&gt;&lt;/span&gt;</text>
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          <element elementId="50">
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                <text>Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, CÃ¦dmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede</text>
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                <text>The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmonâ€™s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby.&#13;
&#13;
The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. </text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19328">
                <text>University of Sydney; &#13;
David White (photograph in hyperlink)</text>
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              <name>Title</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>3 x Digital Photographs; JPEGs</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Extraordinary Stories Exhibition, Perth</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>advertising, advertisement, advertisements, British Museum, chess, Elizabeth I, England, Erin Jackson Vis, exhibition, Extraordinary Stories, Isle of Lewis, Lewis chess set, museum, Norway, Perth, Phoenix Jewel, queen, review, Scotland, sign, WA, Western Australia, Western Australian Museum</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image â€˜speakâ€™ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. &#13;
&#13;
For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories',  Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180.  &#13;
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                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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            <name>Date</name>
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                <text>January 29, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21126">
                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>3 x Digital Photographs; JPEGs</text>
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      <tag tagId="1157">
        <name>advertisement</name>
      </tag>
      <tag tagId="3064">
        <name>advertisements</name>
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        <name>advertising</name>
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      <tag tagId="1728">
        <name>British Museum</name>
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        <name>chess</name>
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        <name>Elizabeth I</name>
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        <name>England</name>
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        <name>exhibition</name>
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        <name>Extraordinary Stories</name>
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        <name>Isle of Lewis</name>
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        <name>Lewis chess set</name>
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      <tag tagId="3197">
        <name>museum</name>
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        <name>Norway</name>
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        <name>Perth</name>
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        <name>Phoenix Jewel</name>
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        <name>queen</name>
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        <name>Scotland</name>
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        <name>sign</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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        <name>Western Australian Museum</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Patrickâ€™s Cathedral, Melbourne</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22078">
                <text>Catholic, England, gargoyle, Gothic, Gothic Revival, lancet windows, Melbourne, minor basilica, porch, St Patrickâ€™s Cathedral, sculpture, spire, stained glass, tower, tracery, turret, vaulted ceiling, Vic, Victoria, William Wardell.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. External Gothic features include prominent towers, turrets, spires, gargoyles, and lancet windows with tracery.&amp;nbsp;St Patrick&amp;rsquo;s was made a minor basilica by Pope Paul VI in 1974.&lt;/p&gt;&#13;
&lt;p&gt;The cathedral website is available at &lt;a href="http://www.stpatrickscathedral.org.au/"&gt;http://www.stpatrickscathedral.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22080">
                <text>Lynch, Andrew</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>March 19, 2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22082">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22083">
                <text>2xDigital photograph</text>
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            </elementTextContainer>
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        <name>Catholic</name>
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        <name>England</name>
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        <name>gargoyle</name>
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        <name>Gothic</name>
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        <name>Gothic Revival</name>
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        <name>lancet windows</name>
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        <name>Melbourne</name>
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        <name>minor basilica</name>
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        <name>porch</name>
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        <name>sculpture</name>
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        <name>spire</name>
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        <name>St Patrickâ€™s Cathedral</name>
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      <tag tagId="693">
        <name>stained glass</name>
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        <name>tower</name>
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      <tag tagId="1094">
        <name>tracery</name>
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        <name>turret</name>
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        <name>vaulted ceiling</name>
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        <name>Vic</name>
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        <name>Victoria</name>
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        <name>William Wardell.</name>
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