1 8 1 https://ausmed.arts.uwa.edu.au/files/original/3f8bef8d878a0fa1fee7392d239e49c0.pdf 165ed994e4bed972b98f8ed7eb2434e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Bernard Shaw, playwright. Miracle plays of medieval church as influences. Subject The topic of the resource Bernard Shaw, Edith M. Fry, origins of modern theatre, medieval mystery plays, theatre, drama, tragedy and comedy in theatre, medieval church passion play, miracle plays, medieval stage influence on Shaw’s drama, Oberammergau Passion play Description An account of the resource Edith M. Fry interviews Bernard Shaw about his dramatic philosophy. Shaw claims that tragedy and comedy are intertwined. He delivers a short history of the theatre from Greek to modern times. He models his lack of scenery changes on stage from the techniques of the miracle plays of the medieval church. The miracle plays have no curtain; all scenery is placed on the stage; actors pass easily from one location to another without a change of scenery. He cites the Oberammergau Passion Play as an example. Shaw concludes that great drama ought not to depend on elaborate or changing scenery. Creator An entity primarily responsible for making the resource Fry, Edith M. Source A related resource from which the described resource is derived Sydney Morning Herald/National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 15 May 1920 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Bernard Shaw drama Edith M. Fry medieval church passion play medieval mystery plays medieval stage influence on Shaw’s drama Miracle plays Oberammergau Passion play origins of modern theatre play plays theatre tragedy and comedy in theatre