2 8 13 https://ausmed.arts.uwa.edu.au/files/original/b8e853630025b39f6c220fd8a60b3253.jpg 5cc16bd0d2768e46644a60c89ff6afdb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 542 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stained Glass Lancet Windows, St. Patrick's Catholic Church, York, Western Australia Subject The topic of the resource Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, convict, convicts, Joseph Nunan, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, lancet window, rose window, lancet windows, windows, window, tower, spire, spires, arch, arches, York, South Street, Perth, Western Australia, WA, statue, statues, Ireland, Irish, patron, patronage, patron saint, patron saints, stained glass, stained glass windows, stained-glass windows, windows, Christ, Jesus, Jesus Christ, cross, crucifix Description An account of the resource An image of stained glass lancet windows inside St. Patrick's Catholic Church in the town of York, Western Australia. About St. Patrick's Catholic Church, York, WA: The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation. The design of the church is typical of the Gothic revival style with its spire, tall arches, vaulted ceiling, rose windows and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architect architecture building Catholic Catholicism Christ Christian Christianity Church churches convict convicts cross crucifix Father Patrick Gibney Gothic Gothic building Gothic Revival Ireland Irish Jesus Jesus Christ Joseph Nunan lancet window lancet windows Patrick Gibney patron patron saint patron saints patronage Perth religion religious rose window saint Saint Patrick saints South Street spire spires St Patrick St. Patrick stained glass stained glass windows stained-glass windows statue statues tower vaulted ceiling WA Western Australia window windows York https://ausmed.arts.uwa.edu.au/files/original/cc9443600da982a5f8c98c5ec2f8fc33.jpg 5b2b201d9d3241d08e40448d5079418a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 493 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stained Glass Window, St. Patrick's Catholic Church, York, Western Australia Subject The topic of the resource Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, convict, convicts, Joseph Nunan, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, lancet window, rose window, lancet windows, windows, window, tower, spire, spires, arch, arches, York, South Street, Perth, Western Australia, WA, statue, statues, Ireland, Irish, patron, patronage, patron saint, patron saints, stained glass, stained glass windows, stained-glass windows, windows, crucifix, cross, Christ, Jesus, Jesus Christ Description An account of the resource An image of the stained glass window located above the entrance to St. Patrick's Catholic Church in the town of York, Western Australia. About St. Patrick's Catholic Church: The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation. The design of the church is typical of the Gothic revival style with its spire, tall arches, vaulted ceiling, rose windows and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architect architecture building Catholic Catholicism Christ Christian Christianity Church churches convict convicts cross crucifix Father Patrick Gibney Gothic Gothic building Gothic Revival Ireland Irish Jesus Jesus Christ Joseph Nunan lancet window lancet windows Patrick Gibney patron patron saint patron saints patronage Perth religion religious rose window saint Saint Patrick saints South Street spire spires St Patrick St. Patrick stained glass stained glass windows stained-glass windows statue statues tower vaulted ceiling WA Western Australia window windows York Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42149" target="_blank">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42149</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Mass, Corpus Christi at Manly Subject The topic of the resource Benediction, celebration, Christ, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ritual, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vision Description An account of the resource A photograph taken by photographer Ted Hood of the Corpus Christi Mass held at Manly, New South Wales, in 1934. Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink Benediction celebration Christ Corpus Christi Eucharist feast day feast of Corpus Christi Hugh of St-Cher Jacques PantelÃ©on Juliana of LiÃ¨ge (1193-1258) Latin Rite Manly Mass medieval ritual mystic mysticism New South Wales NSW nun Papal Bull Pope Urban IV procession religious ritual Robert de Thorete (d.1246) sacrament St Juliana Sydney Ted Hood (1911-2000) Transiturus de hoc mundo veneration vision Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42151" target="_blank">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42151</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Papal Nuncio, Corpus Christi at Manly Subject The topic of the resource Apostolic Nuncio, Catholic, Catholicism, celebration, Christ, clergy, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Papal Nuncio, Philip Bernardini, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vestments, vision Description An account of the resource A photograph taken by photographer Ted Hood of Apostolic Nuncio Philip Bernardini participating in the Corpus Christi Mass at Manly, New South Wales, in 1934. Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. Creator An entity primarily responsible for making the resource Hood, Ted Source A related resource from which the described resource is derived State Library of New South Wales Publisher An entity responsible for making the resource available State Library of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1934 Rights Information about rights held in and over the resource State Library of New South Wales Format The file format, physical medium, or dimensions of the resource Hyperlink Apostolic Nuncio Catholic Catholicism celebration Christ clergy Corpus Christi Eucharist feast day feast of Corpus Christi Hugh of St-Cher Jacques PantelÃ©on Juliana of LiÃ¨ge (1193-1258) Latin Rite Manly Mass medieval ritual mystic mysticism New South Wales NSW nun Papal Bull Papal Nuncio Philip Bernardini Pope Urban IV procession religious ceremony Robert de Thorete (d.1246) sacrament St Juliana Sydney Ted Hood (1911-2000) Transiturus de hoc mundo veneration vestments vision Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.       go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.       search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Virgin of the Offering Subject The topic of the resource Alsace, bronze, Christ, Christianity, Ã‰mile-Antoine Bourdelle (1861-1929), gothic, infant Jesus, Jesus, Madonna, Mary, model, Niederbruck, religious sculpture, Romanesque, sculpture, SA, South Australia, virgin, virgin and child Description An account of the resource This work by French sculptor Émile-Antoine Bourdelle was gifted to the Art Gallery of South Australia by William Bowmore AO OBE, through the Art Gallery of South Australia Foundation in 1994. It is a 2.5m tall bronze sculpture of the Virgin Mary holding the infant Jesus aloft. Along with similar sculptures held by the National Museum of Western Art in Tokyo and the National Galleries of Scotland (titled La Vierge d’Alsace), this work appears to be a model for Bourdelle’s much larger 6m tall stone carving of the subject, which was completed in 1922 and is situated on a hill in Niederbruck, Alsace, France. Bourdelle studied sculpture at the École des Beaux-Arts in Paris after training as a wood-carver with his father, and entered Rodin’s studio as a practitioner in 1893. He incorporated both subjects and techniques from Ancient Greek and medieval sculpture into his work. In ‘Virgin and the Offering’, his admiration of gothic and medieval religious art is evident in his choice of subject, while his use of simplified forms is reminiscent of earlier Romanesque sculpture. On the Gothic and Romanesque influences of Bourdelle’s work, see the catalogue description of NG Scotland’s La Vierge d’Alsace at: <a href="http://www.nationalgalleries.org/object/GMA%202" target="_blank">http://www.nationalgalleries.org/object/GMA 2</a>. Creator An entity primarily responsible for making the resource Bourdelle, Ã‰mile-Antoine Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1921 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Bronze Sculpture, 250 x 90 x 70cm; Hyperlink Ã‰mile-Antoine Bourdelle (1861-1929) Alsace bronze Christ Christianity Gothic infant Jesus Jesus Madonna Mary model Niederbruck religious sculpture Romanesque SA sculpture South Australia virgin virgin and child