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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://users.tpg.com.au/gpost/index.htm" target="_blank"&gt;http://users.tpg.com.au/gpost/index.htm&lt;/a&gt;&lt;/span&gt;</text>
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                <text>New England Medieval Arts Society</text>
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                <text>Anglo-Saxon, Armidale, Armidale State Forest, Byzantine, dark ages, early medieval, longhouse, NEMAS, New England, New England Medieval Arts Society, New South Wales, Norman, NSW, re-enactment, Viking</text>
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                <text>The New England Medieval Arts Society (NEMAS) are a historical re-enactment group based in the New South Wales city of Armidale. The group concentrates on the fourth- to eleventh-century early medieval period (sometimes referred to as the â€˜Dark Agesâ€™), featuring such groups as the Byzantines, Anglo-Saxons, Normans, and Vikings. As well as weapons, armour, and battles, the group also re-creates woodworking, blacksmithing, tanning, spinning, and weaving. NEMAS headquarters is at a longhouse built in the Armidale State Forest. The longhouse was a building form common among â€˜Germanicâ€™ peoples, such as the Anglo-Saxons and Vikings, in early medieval Europe.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Jubilee Building, Perth</text>
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                <text>arched window, Byzantine, capital, cloister veranda, column, finial, mosaic, piazza, Perth, Perth Cultural Centre, museum, Perth Museum, Romanesque, semi-circular arch, George Temple-Poole, tower, turret, Victorian Byzantine, WA, Western Australia, Western Australian Museum</text>
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                <text>&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with&amp;nbsp;semi-circular arched entrances and windows. This photograph shows a former entrance to the building, with a moulded doorway supported by columns with decorated capitals. The entrance is part of a tower with four turrets ending in pointed finials.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with a semi-circular&amp;nbsp;arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;&lt;/div&gt;</text>
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                <text>&lt;p&gt;This photograph shows the Russian Orthodox Sts. Peter and Paul Church in the Perth suburb of Bayswater. The church has the typical orthodox/Byzantine architectural features of a dome (symbolising the heavens) on top of a square church building (symbolising the earth). The domes are often known as onion domes, and are usually gold. The Bayswater church also features external Eastern Orthodox crosses, on top of the dome and affixed to the walls of the building. Mosaics of St Peter and St Paul are featured above the arched entrance. The Sts. Peter and Paul Church is part of the diocese of Australia and New Zealand, as was founded in 1950.&lt;/p&gt;&#13;
For more on the church see &lt;a href="http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&amp;amp;lang=en" target="_blank"&gt;http://directory.stinnocentpress.com/viewparish.cgi?Uid=107&amp;amp;lang=en&lt;/a&gt;</text>
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        <name>Eastern Orthodox cross</name>
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        <name>mosaics</name>
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        <name>Perth</name>
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        <name>Russian Orthodox</name>
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        <name>Saint Paul</name>
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        <name>Saint Peter</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>arched window, arch, window, Byzantium, Byzantine, Jubilee building, Government Geology building, John Grainger, Perth, Perth Cultural Centre, Perth Library, library, museum, education, Perth Museum, Romanesque, State Library, George Temple-Poole, Victorian Byzantine, WA, Western Australia, Western Australian Museum</text>
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                <text>A photograph of the Government Geology building/former Library, now a wing of the Western Australian Museum â€“ Perth. The building was completed in 1902 and was designed by Government architect John Grainger. It was built to blend in with the Jubilee Building built by Graingerâ€™s predecessor George Temple-Poole. As can be seen in this photograph, the building originally housed the State Library and the Government Geologist. The former Library building was built in brick and stone, including stone left over from the Jubilee Building. It is in the Victorian Byzantine/Romanesque style with arched windows.</text>
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                <text>McEwan, Joanne</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18566">
                <text>Digital Photograph; JPEG</text>
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        <name>Byzantium</name>
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        <name>Government Geology building</name>
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        <name>John Grainger</name>
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        <name>library</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>The topic of the resource</description>
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                <text>&lt;p&gt;A photograph of the new entrance to the Western Australian Museum &amp;ndash; Perth, juxtaposed with the Jubilee Building that acts as one of the museum&amp;rsquo;s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;</text>
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                <text>McEwan, Joanne</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Baptist, Baptist Tabernacle, Byzantine, Byzantium, church, dome, George Fagg, William Gibson, Perth, Tas, Tasmania</text>
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                <text>&lt;p&gt;One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine (Byzantium, or the Eastern Roman Empire, was centred on Constantinople/Istanbul and endured until 1453) influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the brickwork and two arched windows within a larger arch.&lt;/p&gt;&#13;
For more on William Gibson see &lt;a href="http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/" target="_blank"&gt;http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/&lt;/a&gt;</text>
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                <text>Dorey, Margaret</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Asante ewer, British Museum, Byzantine, chess, children, Commonwealth, Cyprus treasure, education, Extraordinary Stories from the British Museum, Lewis Island chess set, Perth, Perth Cultural Centre, Perth Museum, Richard II, WA, Western Australia, Western Australian Museum, activity sheet</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These two photographs show one of three activity packs aimed at children which were available at the Extraordinary Stories from the British Museum exhibition held at the Western Australian Museum â€“ Perth. The exhibition included various items from the British Museum, including three medieval pieces, all of which featured in the activity pack. The items in question were the Queen chess piece from the twelfth-century Lewis Island chess set, the Asante ewer associated with Richard II, the King of England in the late fourteenth century, and the mid-seventh-century silver bowl from the first Cyprus treasure. The activity pack encouraged children to cut out pictures of the items and place them correctly along a timeline.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19233">
                <text>Western Australian Museum (activity sheet content); No copyright for digital image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19234">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>activity sheet</name>
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        <name>Asante ewer</name>
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        <name>British Museum</name>
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      <tag tagId="3980">
        <name>Byzantine</name>
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        <name>chess</name>
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        <name>children</name>
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        <name>Commonwealth</name>
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        <name>Cyprus treasure</name>
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        <name>education</name>
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        <name>Extraordinary Stories from the British Museum</name>
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        <name>Perth</name>
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        <name>Perth Cultural Centre</name>
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        <name>Perth Museum</name>
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      <tag tagId="4452">
        <name>Richard II</name>
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      <tag tagId="838">
        <name>WA</name>
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        <name>Western Australia</name>
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      <tag tagId="3997">
        <name>Western Australian Museum</name>
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