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                <text>&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with&amp;nbsp;semi-circular arched entrances and windows. This photograph shows a former entrance to the building, with a moulded doorway supported by columns with decorated capitals. The entrance is part of a tower with four turrets ending in pointed finials.&lt;/p&gt;&#13;
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&lt;p&gt;One of two photographs of the Jubilee Building that now acts as a wing of the Western Australian Museum &amp;ndash; Perth. The brick and stone building was designed by Government architect George Temple-Poole and opened in 1897, originally housing the WA Museum and Library. It was built in the Victorian Byzantine/Romanesque style with a semi-circular&amp;nbsp;arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque and the Arts and Crafts Movement. The Romanesque elements of the building are in evidence on its semi-circular arched entrance doorway. The arch is supported by two shaped columns and the alternating bands of red brick and light-coloured stone (particularly apparent on the photograph of the inside entrance doorway) is reminiscent of Byzantine buildings. Immediately above the arch are bas-relief in the Arts and Crafts style of Australian foliage and two shields displaying the Union Jack. The second storey above the entrance has two windows with semi-circular arched windows supported by columns with capitals. Above this is an oval window attic window with lead lighting.&lt;/p&gt;&#13;
&lt;p&gt;For more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The red brick and freestone Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque. The Romanesque elements are obvious in the unusual interior which features an internal quadrangle (now glassed in) with balconies and windows. These elements include prominent use of semi-circular arches in the doorways and windows, and a pattern of alternating red brick and freestone, also known as &amp;lsquo;blood and bandage&amp;rsquo;, to highlight these features. The interior also includes leadlight windows.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;A photograph of the new entrance to the Western Australian Museum &amp;ndash; Perth, juxtaposed with the Jubilee Building that acts as one of the museum&amp;rsquo;s wings. The Jubilee Building was designed by Government architect George Temple-Poole and opened in 1897. It originally housed the Museum and Library. It was built in the Victorian Byzantine/Romanesque style with an arched entrance and windows. What is now the outer wall of the lower level was originally a piazza, or cloister veranda, paved in mosaic tiles.&lt;/p&gt;&#13;
An early photograph of the building can be viewed at &lt;code&gt;&lt;strong&gt;&lt;a href="http://hdl.handle.net/1885/111" target="_blank"&gt;http://hdl.handle.net/1885/111&lt;/a&gt;&lt;/strong&gt;&lt;/code&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://users.tpg.com.au/gpost/index.htm" target="_blank"&gt;http://users.tpg.com.au/gpost/index.htm&lt;/a&gt;&lt;/span&gt;</text>
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                <text>New England Medieval Arts Society</text>
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                <text>Anglo-Saxon, Armidale, Armidale State Forest, Byzantine, dark ages, early medieval, longhouse, NEMAS, New England, New England Medieval Arts Society, New South Wales, Norman, NSW, re-enactment, Viking</text>
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                <text>The New England Medieval Arts Society (NEMAS) are a historical re-enactment group based in the New South Wales city of Armidale. The group concentrates on the fourth- to eleventh-century early medieval period (sometimes referred to as the â€˜Dark Agesâ€™), featuring such groups as the Byzantines, Anglo-Saxons, Normans, and Vikings. As well as weapons, armour, and battles, the group also re-creates woodworking, blacksmithing, tanning, spinning, and weaving. NEMAS headquarters is at a longhouse built in the Armidale State Forest. The longhouse was a building form common among â€˜Germanicâ€™ peoples, such as the Anglo-Saxons and Vikings, in early medieval Europe.</text>
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                <text>New England Medieval Arts Society</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17916">
                <text>New England Medieval Arts Society</text>
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            <elementTextContainer>
              <elementText elementTextId="17917">
                <text>Hyperlink</text>
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        <name>Armidale State Forest</name>
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        <name>Byzantine</name>
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        <name>Dark Ages</name>
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        <name>NEMAS</name>
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        <name>New England</name>
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        <name>New England Medieval Arts Society</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. &#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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                <text>Munro, Tony</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Our Lady of Mt Carmel and Sts Peter and Paul, Mullewa</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="22787">
                <text>Bas-relief, Bell tower, Byzantine, campanile, Catholic, church, column, dome, John Cyril Hawes, Monsignor Hawes, Mullewa, Our Lady of Mt Carmel and Sts Peter and Paul, Romanesque, sculpture, semi-circular arch, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="22788">
                <text>The church of Our Lady of Mt Carmel and Sts Peter and Paul is in the small rural Western Australian town of Mullewa. The church was built between 1920 and 1927 to the design of Monsignor John Cyril Hawes, who was the priest at Mullewa. His design for the church changed following a study tour to France, Spain and Italy in 1923, and Hawes stated that the style was inspired by twelfth-century churches found in southern France. The exterior of the church is in Romanesque style with possible Byzantine influence on the two domes. It features a bell tower (campanile), semi-circular arched windows, columns, and bas-relief sculpture. &#13;
&#13;
For more on the architecture of Monsignor Hawes see John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956 (University of Western Australia Press, Nedlands, 2000).</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22789">
                <text>Munro, Tony</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22790">
                <text>February 22, 2002</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22791">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="22792">
                <text>Digital Photograph; JPEG</text>
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        <name>bas-relief</name>
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        <name>bell tower</name>
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        <name>Byzantine</name>
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        <name>Catholic</name>
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        <name>Church</name>
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        <name>dome</name>
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      <tag tagId="4648">
        <name>John Cyril Hawes</name>
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      <tag tagId="4702">
        <name>Monsignor Hawes</name>
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        <name>Mullewa</name>
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      <tag tagId="4704">
        <name>Our Lady of Mt Carmel and Sts Peter and Paul</name>
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      <tag tagId="2066">
        <name>Romanesque</name>
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      <tag tagId="273">
        <name>sculpture</name>
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      <tag tagId="3108">
        <name>semi-circular arch</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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