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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Josephâ€™s Catholic Church exterior, Hobart, Tasmania</text>
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                <text>Buttress, Catholic, convict, crenellation, finial, Gothic, Hobart, lancet windows, parapet, pointed arch, Tas, Tasmania, John Joseph Therry, Alexander Thompson, tower, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart, Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. The tower was completed in 1843 and a side chapel added in 1877. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict Alexander Thompson (1805-1860), and it was built using convict labour. It is in the Gothic Revival style with pointed arch windows and doorways, buttresses, a crenelated parapet on top of the tower, lancet windows, and pointed corner finials on the tower and the side of the church.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1129&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1129&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>November 18, 2012</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="31350">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="31351">
                <text>Digital Photograph</text>
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        <name>Alexander North</name>
      </tag>
      <tag tagId="712">
        <name>Altar</name>
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      <tag tagId="5693">
        <name>Bishop Willson</name>
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        <name>Catholic</name>
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      <tag tagId="5927">
        <name>Church of the Apostles</name>
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        <name>column</name>
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        <name>finials</name>
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      <tag tagId="70">
        <name>Gothic</name>
      </tag>
      <tag tagId="72">
        <name>Gothic Revival</name>
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      <tag tagId="1115">
        <name>lancet window</name>
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      <tag tagId="2972">
        <name>Launceston</name>
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      <tag tagId="4650">
        <name>pointed arch</name>
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      <tag tagId="5720">
        <name>Robert William Willson.</name>
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      <tag tagId="1087">
        <name>spire</name>
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      <tag tagId="693">
        <name>stained glass</name>
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      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
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      <tag tagId="1094">
        <name>tracery</name>
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