1 8 2 https://ausmed.arts.uwa.edu.au/files/original/9a1fcb79a64a17fe3465b9440ed80032.JPG 05330ddf341437c540d91de766e99d6c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/94ca4ab44e470d489014455f1a65bfc4.JPG 87833588dd4a3b4477794e667069c84d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource (Former) St Peter’s Catholic Church, Kempton, Tasmania Subject The topic of the resource Buttress, Catholic, crenellation, Monsignor Gilleran, house, Kempton, parapet, pointed arch, Romanesque, Romanesque Revival, St Peter’s Church, semi-circular arch, spire, stained glass, Tas, Tasmania, tower, Alan Cameron Walker. Description An account of the resource The former St Peter’s Catholic Church is in the small Tasmanian town of Kempton. The foundation stone for the red brick church was laid by Monsignor Gilleran in 1918 and the building was completed in 1923. St Peter’s was designed by architect Alan Cameron Walker (1864-1931) in the Romanesque Revival style. It features semi-circular arches on the doorways, windows, and decorative details. The building also has corner buttresses, a tower with a parapet and corner crenels, stained glass windows, and a spire. It is now a private residence. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alan Cameron Walker. buttress Catholic crenellation house Kempton Monsignor Gilleran parapet pointed arch Romanesque Romanesque Revival semi-circular arch spire St Peter’s Church stained glass Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/6262aca1d90c54313319daa02e62a021.jpg aac23b0a45348171e6f0445312822d16 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/43342411cf7fff3fa5167dabe0e9816b.jpg b05e45b722a32f3817f56655b2bda694 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/475cd17aef6ba717465f8d230972c2d1.jpg 119f38fd31e77b28deec75bd78daa8f6 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 https://ausmed.arts.uwa.edu.au/files/original/417ebded0112868c4a23d9d60a0f4f36.jpg b270e2ff93419df2ccbf77ff06618605 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2304 Width 3072 https://ausmed.arts.uwa.edu.au/files/original/7f327a0f092c245a20323c6e25220544.jpg c772f1a9e6fd2a307b06ca9bed68ed5e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3072 Width 2304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Mutual Life Building, Hobart, Tasmania Subject The topic of the resource Arched windows, blind arcading, commercial architecture, heraldry, Gothic, Hobart, lion, neo-Gothic, parapet, relief sculpture, Romanesque, sculpture, shield, statue, Tas, Tasmania, tower, unicorn, Alan Cameron Walker. Description An account of the resource Completed in 1906, the elaborate National Mutual Life Building in Hobart, Tasmania, was designed by Hobart-born architect Alan Cameron Walker (1864-1931). It is a mixture of Romanesque and Gothic architecture and features semi-circular windows with pointed arches above the windows, blind arcading, a parapet, and lions and dogs climbing up and down the wall between the windows of the second and third storeys. The entrance includes lion statues holding shields, and the logo of the company featuring a heraldic shield between a unicorn and lion. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource June 29, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 5xDigital photograph Alan Cameron Walker. arched windows blind arcading commercial architecture Gothic heraldry Hobart lion neo-Gothic parapet relief sculpture Romanesque sculpture shield statue Tas Tasmania tower unicorn