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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.myspace.com/knightqueste"&gt;http://www.myspace.com/knightqueste&lt;/a&gt;</text>
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                <text>Knightqueste Myspace Profile</text>
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                <text>Myspace, Wollongong, NSW, New South Wales, Australia, Australian music, Australian metal, music, metal, local music, fantasy, pop culture, popular culture, leisure, chivalry, knighthood, knight, knights, band, bands, Australian band, metal scene, masculinity, masculine, band page, social network</text>
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                <text>A hyperlink to the Myspace music profile for Australian metal band, Knightqueste. Based in Wollongong, New South Wales, Knightqueste have utilised elements of a typically 'masculinised' medieval past. In particular, there is a strong focus on elements of knighthood, battles and medieval weaponry. &#13;
The Knightqueste band page also includes a banner featuring the band's name in elaborate font, and the phrase "Majestic metal rocking into the Renaissance." </text>
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                <text>Accessed 13/02/2012</text>
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                <text>Knightqueste</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <description>A name given to the resource</description>
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                <text>Mitchell Building, The University of Adelaide</text>
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                <text>Adelaide, arcade, arch, architecture, blind tracery, fleche, gable, gothic architecture, Gothic Revival, lancet arch, lancet window, mullion, neo-gothic, quatrefoil, SA, South Australia, spire, The University of Adelaide, tracery, turret, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962)</text>
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            <description>An account of the resource</description>
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                <text>An image of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn, and is of a Victorian Academic Gothic architectural style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was renamed the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s notable neo-gothic features include the steeply gabled roof, rows of twin lancet windows, decorative stone tracery, entrance porch and the stone fleche/spire.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Dorey, Margaret</text>
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                <text>5 July 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, CÃ¦dmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede</text>
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                <text>The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmonâ€™s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby.&#13;
&#13;
The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. </text>
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                <text>White, David</text>
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                <text>University of Sydney; &#13;
David White (photograph in hyperlink)</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;One of two photographs associated with Harry Potter: The Exhibition at the Powerhouse Museum in Sydney from November 19, 2011 &amp;ndash; March 18, 2012. This photograph shows a poster advertising the exhibition. Although set in a magical version of the contemporary world, the Harry Potter books and films feature strong medieval influences. For example Hogwarts School of Witchcraft and Wizardry is situated in a castle, in Harry Potter and the Philosopher&amp;rsquo;s Stone the characters play with a replica of the twelfth-century Lewis Island chess set and later play a life-sized version of chess with pieces based on medieval knights. The philosopher&amp;rsquo;s stone itself was sought by alchemists during the middle ages. Medieval-style characters include witches, wizards, giants, goblins, dragons, and unicorns.&lt;/p&gt;&#13;
&lt;p&gt;Due to the immense popularity of the Harry Potter series it is likely to be the first place that many people encounter medievalism and the medieval.&lt;/p&gt;&#13;
For more on the exhibition see &lt;a href="http://www.powerhousemuseum.com/harrypotter/overview.php" target="_blank"&gt;http://www.powerhousemuseum.com/harrypotter/overview.php&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19349">
                <text>The Powerhouse Museum;&#13;
Shane McLeod</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>exhibition</name>
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        <name>giant</name>
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        <name>goblin</name>
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        <name>Harry Potter</name>
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        <name>J.K. Rowling</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows one of the gothic-style windows, which is accentuated by the roofline and surrounding decoration. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries. For Jack climbing a beanstalk see other entry. </text>
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                <text>Dorey, Margaret</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This article from the online edition of ABC News reports on a change in Australian parliamentary procedure. A longer and more formal procession from the lobby of Parliament House to the Chamber of the House of Representatives has been introduced by Peter Slipper (the Speaker) on Tuesdays, the article explains, so that visitors and members of the public are better able to witness the ceremonial opening of parliamentary proceedings. An image of Slipper, in his ceremonial robes, following the Serjeant-at-Arms and the official mace accompanies the article. The mace plays an important and symbolic role in the House of Representatives, as in the British House of Commons. The association of the mace with parliament most likely originates from the medieval period, when the Kingâ€™s bodyguards, also known as serjeants-at-arms, were each armed with a mace. Gradually, the mace became associated with the customs and rituals of parliamentary ceremony rather than with its former use as a weapon. </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Kryal Tapestry</text>
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                <text>Kryal Castle, tapestry, tapestries, weaving, medieval craft, medieval, craft, castle, castles, jousting, knights, knight, medieval scene, Gloria Rose Armstrong, Australia, Ballarat, Melbourne, VIC, Victoria, Keith Ryall, tourism, tourist, attraction, leisure, recreation, re-creation, entertainment, functions</text>
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                <text>An image depicting the hand embroidered 'Kyral Tapestry', which is displayed at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. The tapestry was designed and executed by Gloria Rose Armstrong, and depicts Kryal Castle and various aspects of medieval life. Reportedly the largest of its type in the Southern hemisphere, the Kryal tapestry took 3600 hours to complete and is thought to contain 19 million stitches.</text>
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                <text>Jeffrey, N.</text>
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                <text>Digital Photograph; JPEG</text>
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              <text>&lt;p&gt;&lt;a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;strong&gt;&lt;/strong&gt;</text>
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                <text>No 'Robin Hood' financial transaction tax coming to Australia, says Wayne Swan</text>
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                <text>This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swanâ€™s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozyâ€™s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a â€œRobin Hoodâ€ tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. </text>
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                <text>Perth Now</text>
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                <text>30 January 2012</text>
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                <text>Perth Now</text>
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