9 8 1266 https://ausmed.arts.uwa.edu.au/files/original/2d8d6c9a5a74bd5046879a271c48efd5.jpg 4a7152e6e61289286b5e25d4d9ab07dc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 1127 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘As it is in the Days of Now’, The Bulletin, 12 March 1908 Subject The topic of the resource Absent lover, anti-nostalgia, chivalry, critique, cuckoldry, Courtly Love, false friendship, gold, Henry Lawson (1867-1922), Holy Land, honour, knight, knighthood, Lady Clare, Noblesse oblige, reputation, romance, Sir Antony Mark, Sir William, the Crusades. Description An account of the resource This poem, which is best described as “an anti-nostalgic demystification of chivalric heroism” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.143), draws a link to the medieval past to suggest that little has changed with regards human behaviour. ‘As it is in the Days of Now,’ is a tale of cover-up, falsity, and cuckoldry. Here, everyone but Sir William is aware of an affair that took place between his Lady and his best friend while he was fighting in the Holy Land. The poor man even unwittingly drinks wine in the company of his rival and false friend. Lawson’s ubiquitous narrator states, “And the true friend pledges the false friend thrice.” Lawson refuses to romanticise love in accordance with medieval notions of chivalry. Lust and cupidity are here disguised and subsumed into ‘noblesse oblige,’ and Lawson’s poem rather denigrates selfish ‘knightly’ behaviour, with its false friendships, cuckoldry, and risible notions of Courtly Love. The poem in fact, is an angry riposte to nineteenth-century nostalgia and naiveté as it relates to the individual’s lack of nous and foresight. Creator An entity primarily responsible for making the resource Henry Lawson Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 12 March 1908, p.39 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Absent lover anti-nostalgia chivalry Courtly Love critique cuckoldry false friendship gold Henry Lawson (1867-1922) Holy Land honour knight knighthood Lady Clare Noblesse oblige reputation romance Sir Antony Mark Sir William the Crusades https://ausmed.arts.uwa.edu.au/files/original/88a37f3ccc93d18c35e00161e9c1cc81.jpg 02915376fc1e43f001116c81debe106c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3503 Width 1171 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Bards of the Backblocks: Knights of Chance’, The Bulletin, 26 May 1900. Subject The topic of the resource Adventuring, Australian national character, backblocks, bard, city, E. J. Brady (1869-1952), Federation, freedom, knight, lance, nationalism, romanticisation, rural economy, New South Wales, NSW. Description An account of the resource To describe everyday life in colonial Australia as entirely rural-based in 1900 would be misleading, for the country’s major urban centres, particularly Sydney and Melbourne, housed much of the population and fuelled its commercial vitality (see F. K. Crowley (ed.), A New History of Australia, Richmond, William Heinemann, 1984, p. 261). Yet, the author of these verses, E. J. Brady, romanticises the ordinary Australian’s willingness to ‘chance their luck’ on bold ventures: E.g., prospecting for gold, running sheep and cattle in the water-scarce ‘backblocks,’ harvesting pearls in the N.W., and shipping commodities all over the world. Brady clearly favoured the “adventuring life,” valuing rural freedom over machine-shop slavery in the noxious urban sprawl (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.141). The propensity for romanticising the Australian present by conflating it with a medieval past was not unusual at the time. The Bulletin published (and made room for) quite a lot of this type of ‘backblocks’ versification, which “was not only determinedly populist and disposable but also extremely cursory in its medievalism, ransacking the popular imaginary indiscriminately for tropes and terms that signified instantaneously and superficially as ‘medieval’” (D’Arcens, 19). That much is apparent from the poem, with its comparatively stock imagery and reliance on ‘the bygone days of yore’ for inspiration: the “Barons of Bold Adventure, Kings of the stout free lance”. Yet Brady, who was a long-standing member of the Australian Socialist League (See John B. Webb, A Critical Biography of Edwin James Brady 1869-1952, University of Sydney PhD Thesis, 1972 p.9), evidently envisaged entire communities of unburdened ‘emancipated’ workers “roaming the countryside and working at will,” like so many questing medieval knights (D’Arcens, p.140). It is likely that Brady was appealing to the resolve that was forming and cohering as a result of the recent Federation debates (c. 1897-98) which, having filtered down into everyday exchange sought to persuade and unite the colonies under the one flag and banner. Creator An entity primarily responsible for making the resource E. J. Brady Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 26 May 1900 (p. 3) Rights Information about rights held in and over the resource Public Domain Adventuring Australian national character backblocks bard city E. J. Brady (1869-1952) federation freedom knight lance nationalism New South Wales NSW romanticisation rural economy https://ausmed.arts.uwa.edu.au/files/original/e515b638d91b1844eb823cc11d271dcf.jpg debe30135e57d65b443722423598211d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3498 Width 724 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Because of her Father’s Blood’, The Bulletin, 25 June 1908 Subject The topic of the resource â€˜As It Is in the Days of Now,â€™ â€˜The Old Squire,â€™ ancestry, bravery, courage, Dame Ruth, forebears, Henry Lawson (1867-1922), knight, loyalty, outlaws, poem, Sir William series, war. Description An account of the resource Henry Lawson produced several interrelated medieval poems c. 1908 which The Bulletin published. ‘Because of her Father’s Blood’ is the third poem of the Sir William series. While the knight is away crusading his aunt, Dame Ruth, is left to keep things in good order at home. This is a poignantly nostalgic poem of courage arising from dire and severe need, wherein an elderly lady and a handful of domestic servants keep a large and rapacious band of outlaws at bay ‘against all the odds.’ There is something to be said, it seems, for resolute and purposeful determination under duress. That is the core message here, where ordinary men and women - domestics, scullions and grooms, none of them martial or overly brave - combine together under the considerable will and fierce determination of Dame Ruth, and heroic deeds are enacted as a result. Looking to her illustrious forebears provides the catalyst for Dame Ruth’s heroism and bravery: “For a fearsome mistress she was to serve, / Because of her father’s blood.” And, extending and applying this ‘medievalist’ performative metaphor to the national cause, loyalty and bravery are strongly emblematic of Australia’s attitude towards and defence of the British Empire in its foreign wars. Creator An entity primarily responsible for making the resource Henry Lawson Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 25 June 1908, p.43 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal Article â€˜As it is in the Days of Now â€™ â€˜The Old Squire â€™ ancestry bravery courage Dame Ruth forebears Henry Lawson (1867-1922) knight loyalty outlaws poem Sir William series war https://ausmed.arts.uwa.edu.au/files/original/5374e6eab04f9ddcd31e7d77e18d5f13.jpg 2152b77e462dfc8f304eb7c3602fa17f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3431 Width 1632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Chivalry’, The Bulletin, 15 September 1904 Subject The topic of the resource chivalry, Creeve Roe, death of chivalry, debate, Petrarch, romance, â€˜Romanceâ€™, sonnet, tradition, Victor Daley (1858-1905). Description An account of the resource At the time Victor Daley composed this poem, a debate had erupted over whether chivalry and romance, at least within the Australian context, were dead. That was certainly the argument put forward in an earlier poem, ‘Romance’ by L. D., which was published in The Bulletin in 1885. In December 1902 Victor Daley wrote his own explanation (See Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.139), beginning: “They say that fair Romance is dead, and in her cold grave lying low.” Nearly two years later, in September 1904 and writing under the pseudonym Creeve Roe, Daley penned this more credible hypothesis for the continued survival of chivalry and romance. Although in this later poem the medieval content is limited to a fleeting reference to the elaborate sonnets of Petrarch (d. 1374) and the veneer of archaic-sounding expressions, it is prefaced with an explanation that ties it to the debate over the death of chivalry and romance. In Daley’s previous poem ‘Romance’ (1902), we find more explicit Arthurian references to “Gold Gudrun, and Guinevere,” and “Merlin wise,” and “Castle Perilous, beyond the dark Enchanted Wood.” While Daley’s poem ‘Romance’ underlines the continued existence of romantic sensibilities despite the fact that, as a rapidly developing country, Australia was dominated by Mammon and Machinery (See D’Arcens, p.139), the light-hearted Creeve Roe poem offers a more practical and mischievous solution. The surest way, says the poet, for the continuance of chivalrous behaviour in an Australian setting, is for women to live up to the impossible standards imposed on them by tradition and the whimsy of men. Creator An entity primarily responsible for making the resource Creeve Roe (Victor Daley) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 15 September 1904, p.15 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) â€˜Romanceâ€™ chivalry Creeve Roe death of chivalry debate Petrarch romance sonnet Victor Daley (1858-1905) https://ausmed.arts.uwa.edu.au/files/original/6d0307e3b65c30ba92a7e6c757643759.jpg ce499652bbc407d305d44b904dad98fa Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3489 Width 2147 https://ausmed.arts.uwa.edu.au/files/original/f6692e9af65f7ca8a661d2d42836a354.jpg 31004a541a7ce5fcc09272d02f4b3cbf Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3065 Width 2457 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Eating the Leek’ (Henry V, Act V, Scene I), The Bulletin, 4 March 1893. Subject The topic of the resource Cartoon, Fluellen, Henry V, John Bull, medieval costume, Pistol, political cartoon, politics, Shakespeare, Sir George Richard Dibbs (1834-1904), Sir Robert William Duff (1835-1895), theatre, New South Wales, NSW politics, William Ewart Gladstone (1809-1898), William Shakespeare (c.1564-1616). Description An account of the resource This political cartoon by ‘Hop’ enacts a scene from William Shakespeare’s historical play, Henry V. In the scene, Fluellen the Welshman angrily berates the unfortunate Pistol, a crony of Sir John Falstaff, and forces him to eat a raw leek. The cartoon, Louise D’Arcens suggests, uses this rather cryptic information “to depict the recent appointment of the New South Wales governor Sir Robert Duff by the British Prime Minister Gladstone,” (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.182). The ‘leeks’ both seem equally unpalatable to the protesting recipient(s): Pistol and the Premier Sir George Dibbs respectively. The fact that Mr Gladstone and Her Majesty’s Government would appoint the next Governor without approval from the NSW Government indicates the lesson in humility that was forced upon the colony by Whitehall. Ironically, the John Bull figure holds a switch with the words ‘Silken Bond’ written upon it. This sounds suspiciously like “an iron fist in a velvet glove” rationale to contemporary ears. Creator An entity primarily responsible for making the resource Livingston York Hopkins (â€˜Hopâ€™) Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 4 March 1893 (Cover) Rights Information about rights held in and over the resource Public Domain cartoon Fluellen Henry V John Bull medieval costume New South Wales NSW politics Pistol political cartoon politics Shakespeare Sir George Richard Dibbs (1834-1904) Sir Robert William Duff (1835-1895) theatre William Ewart Gladstone (1809-1898) William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/189182de69727ceacddc399d623bb6df.bmp adf34cff50778ff8e267bccd6e282308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Holyrood’, The Bulletin, 12 November 1903 Subject The topic of the resource Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). Description An account of the resource As a young man, William H. (‘Will’) Ogilvie spent 12 years in outback Australia, ‘horse-breaking, droving, mustering and camping out on the vast plains’ before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869–1963)', Australian Dictionary of Biography, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in The Bulletin. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet’s reference to ‘ancient tower and archway’ hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey “down the storied halls” while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the ‘Corridor of Kings’ - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and ‘Bonnie’ Prince Charlie (“a rebel prince”) and the 1745 Jacobite Uprising. Ogilvie’s nostalgic poem appeared in The Bulletin in November 1903, after first being printed in The Scotsman. Creator An entity primarily responsible for making the resource Will H. Ogilvie Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 12 November 1903 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Battle of Flodden (9 September 1513) Bonnie Prince Charlie bush ballads Corridor of Kings David Riccio David Rizzio Edinburgh Flodden Field Holyrood Abbey Holyrood Palace Jacobite Uprising James IV (1473-1513) Lord Darnley Lute Mary Queen of Scots monarchy nostalgia royal residence Scotland the Forty Five Will H. Ogilvie (1869-1963) https://ausmed.arts.uwa.edu.au/files/original/90faa97aeaf719d655ea596e102635ad.jpg 43587f426593b031263a2f0d00ad6e15 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3505 Width 679 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Microfilm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Jack Cade: A Tribute to the Much-Maligned Patriot (see ‘Henry VI’ Second Part. Act IV. Scene X)’, The Bulletin, 8 December 1894. Subject The topic of the resource Alexander Iden, doggerel, Henry VI Part II, Jack Cade, John Bull, Kent, London, poetry, political commentary, rebellion, revolt, roast beef, verse, Victor J. Daley (1858-1905), William Shakespeare (c.1564-1616). Description An account of the resource Victor Daley was an Irishman who came to Australia as a young man. He wrote romantic verse and was referred to by Vivian Smith as, “one of the most attractive poets of the nineties in Australia” (Vivian Smith, ‘Poetry’, The Oxford History of Australian Literature, ed. by Leonie Kramer, Oxford, Oxford University Press, 1981, p.319). He also wrote under the pen-name Creeve Roe (trans. ‘Red Branch’), which conjures the image of a “Celtic bard singing ancient songs” in an unmistakably Antipodean context (Louise D’Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout, Brepols, 2011, p.124). In this period poem, Daley praises the memory of Jack Cade, a Kentish rebel leader who died in 1450. The poem critiques Shakespeare’s treatment of Cade in Henry VI, Part II. Daley’s objective seems to be setting the record straight and praising Jack Cade for his courage. He also seeks to summon local resistance to social values that he thinks have no place in an Australian bush setting. Addressing the English Bard directly he states, “I think thy mediaeval / social views suit not this clime.” The denouement, which involves a fight between the well-nourished Kentish squire Alexander Iden and the near-starving disconsolate rebel Cade, produces imagery of John Bull, over-stuffed with English beef, taking-on those who are ill-prepared for resistance. It is a decidedly one-sided encounter, and the outcome – Cade’s death – is never seriously in doubt. The rationale for condemnation is that the likes of Alexander Iden, depicted “Gasconading in his garden,” frequently attract undeserved honours and knighthoods, while the impoverished people (Jack Cade among them) fare ignominiously. The poem closes after encouraging the downtrodden to take their lead from Cade, and concludes with a toast to the memory of his brave deeds. Creator An entity primarily responsible for making the resource Victor J. Daley Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 8 December 1894 (p. 22) Rights Information about rights held in and over the resource Public Domain Alexander Iden doggerel Henry VI Part II Jack Cade John Bull Kent London poetry political commentary rebellion revolt roast beef verse Victor J. Daley (1858-1905) William Shakespeare (c.1564-1616) https://ausmed.arts.uwa.edu.au/files/original/357f2265ba7e54fedd1d4e8f8c427710.pdf e7b48da84ebcf6cc02f3f8fa98d86fe8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article71688335" target="_self">http://nla.gov.au/nla.news-article71688335</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Lecturer says our Universities are still “Mediaeval”’, The Argus, 7 January 1955 Subject The topic of the resource authority, classroom, education, lecturer, lecturing, pedagogy, specialist, teacher, teaching, teaching methods, university, W. A. Townsley. Description An account of the resource This article from The Argus in 1955 quotes Mr W. A. Townsley, a lecturer in Political Science, on the outlook of Australian Universities as ‘still mediaeval’. Criticising lecturing on the reasoning that it turns out ‘poorly educated, highly technical specialists’ instead of critical thinkers, Townsley negatively invokes the medieval period to explain the continued use of lecturing as the principal method of university teaching. This, he suggests, is ‘a hangover from medieval times when only very few people were educated’. Implied in this statement is a sense that the medieval period is ‘backwards’ or reactionary, and that progress requires a move away from medieval ideas about, and methods of, teaching. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article71688335" target="_self">http://nla.gov.au/nla.news-article71688335</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 7 January 1955, p.8 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article authority classroom education lecturer lecturing pedagogy specialist teacher teaching teaching methods university W. A. Townsley