67
8
1266
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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https://ausmed.arts.uwa.edu.au/files/original/1b852e577716a2071f0b7d22a6684cc9.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
380
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
2 x Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hieronymus Bosch, The Haywain Triptych Tableau vivant - the Perth Medieval and Renaissance Group
Subject
The topic of the resource
Art, Hieronymus Bosch, The Haywain, painting, Perth, Perth Medieval and Renaissance Group, PMRG, re-creation, Tableau vivant, triptych, University of Western Australia, UWA, WA, Western Australia
Description
An account of the resource
Photographs recreating a scene in The Haywain Triptych panel painting by Dutch artist Hieronymus Bosch. The recreated scene occurs in the centre of the central panel of the work that was probably painted in the early sixteenth century. The central panel depicts various examples of earthly sin. The photographs include a blue devil, young lovers, a musician and singers, and an angel being ignored. The scene was recreated by members of the Perth Medieval and Renaissance Group as part of their Christmas party. The Perth and Medieval and Renaissance Group is based at The University of Western Australia and includes scholars, students and members of the general public amongst its membership. For the Perth and Medieval and Renaissance Group see <a href="http://www.pmrg.arts.uwa.edu.au/" target="_blank">http://www.pmrg.arts.uwa.edu.au/</a>
Creator
An entity primarily responsible for making the resource
Members of the Perth Medieval and Renaissance Group, photographs by Joe Scott
Date
A point or period of time associated with an event in the lifecycle of the resource
28 November 2003
Rights
Information about rights held in and over the resource
Reproduced with the permission of the participants
Relation
A related resource
Members of the Perth Medieval and Renaissance Group; Joe Scott, “Hieronymus Bosch, The Haywain Triptych Tableau vivant,” Medievalism in Australian Cultural Memory, <a href="../../../items/show/544">http://ausmed.arts.uwa.edu.au/items/show/544</a>.
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
art
Hieronymus Bosch
painting
Perth
Perth Medieval and Renaissance Group
PMRG
re-creation
Tableau vivant
The Haywain
triptych
University of Western Australia
UWA
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/328b2bf3e7f4e3209132f8fd4f244c10.jpg
690fbf00f9fb390dda2c068f5e5dc6f7
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3888
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph;JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Highlands Warrior painting, Sheffield, Tasmania
Subject
The topic of the resource
Art, Highlander, Highlands, Highlands Warrior, kilt, painting, Scotland, Sheffield, shield, sporran, sword, tartan, Tas, Tasmania, warrior.
Description
An account of the resource
The northern Tasmanian town of Sheffield is known as the ‘Town of Murals’ due to the large number of publicly displayed artworks in its streets, especially on walls. Although the majority of the artworks are about Tasmanian, especially local, history, this particular example shows a warrior whose appearance suggests that he is from the Highlands of Scotland. He wears a tartan kilt with a sporran and is armed with a sword and a round shield. He may have been deemed a suitable subject for the town as it is close to a region known as the Highlands of Tasmania, and it is possibly Cradle Mountain and Lake St Clair pictured behind the warrior.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
August 10, 2012
Rights
Information about rights held in and over the resource
No copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph;JPEG
art
Highlander
Highlands
Highlands Warrior
kilt
painting
Scotland
Sheffield
shield
sporran
sword
tartan
Tas
Tasmania
warrior.
-
https://ausmed.arts.uwa.edu.au/files/original/23d79918e7980b9978c451e07cf7041c.pdf
5a2acfb3638a5f16fd625593662b5020
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Newspaper article; PDF. http://nla.gov.au/nla.news-article59193754
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
His Last Wish
Subject
The topic of the resource
Alfred of Wessex, Alfred the Great, Anglo-Saxon, Broadford, The Broadford Courier and Reedy Creek Times, England, law, slavery, VIC, Victoria, Wessex, West Saxons, wills
Description
An account of the resource
An article on page 5 of the Victorian newspaper The Broadford Courier and Reedy Creek Times on June 20, 1902. The anonymous article is about the will of Alfred the Great, king of the Anglo-Saxon kingdom of Wessex in southern England. It mentions that the last section of Alfred’s will includes a wish that the slaves still on his lands that had not been freed during his lifetime are made free (redeemed) following his death, and that those he had already freed were to remain free. It also makes the interesting point that Alfred had his wish ratified by the West Saxon nobles. The article follows directly after another article titled ‘Alfred the Great’, about the use of entail in Alfred’s will.
Alfred’s will can be found in translation in Simon Keynes & Michael Lapidge, eds., Alfred the Great: Asser’s Life of Alfred and Other Contemporary Sources (Penguin, London, 1983), pp. 173-8.
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
National Library of Australia
Publisher
An entity responsible for making the resource available
The Broadford Courier, and Reedy Creek Times
Date
A point or period of time associated with an event in the lifecycle of the resource
20 June 1902
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Newspaper Article; PDF
Language
A language of the resource
English
Alfred of Wessex
Alfred the Great
Anglo-Saxon
Broadford
England
law
slavery
The Broadford Courier and Reedy Creek Times
Vic
Victoria
Wessex
West Saxons
wills
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black & white - Glass original whole plate negative
URL
<a href="http://cas.awm.gov.au/item/A03316">http://cas.awm.gov.au/item/A03316</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
His Majesty King George V congratulating Lieutenant General Sir John Monash KCB VD after his investiture as a Knight Commander of the Order of the Bath Sir John Monash knighted by King George V in France
Subject
The topic of the resource
knight, knights, knighthood, chivalry, Knighthood Ceremony, King George V, Sir John Monash, World War 1, Military Costume, Order of the Bath, Military Honours, Orders of Knighthood
Description
An account of the resource
<span><span style="font-family: Helvetica,Arial,sans-serif;"><span style="font-weight: bold;"><br /> </span></span><span>General Sir John Monash being congratulated by King George V after his investiture as Knight Commander of the Order of the Bath on 1</span><span>2 August 1918</span><span>; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. </span>The location is <span>France: Picardie, Somme, Bertangles.</span><br /> John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in<span> 1931 in Melbourne.<br /> </span> Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. <br /> <br /> The motto of the Order is <span><span style="font-style: italic;">Tria Juncta in uno (</span>Three joined in one) </span><br /> The motto of the Order of St Michael and St George is <span><span style="font-style: italic;">Auspicium Melioris Aev</span>i (Token of a better age)<br /> <br /> Entry on Australian War Memorial website:<br /> </span><span>'His Majesty King George V </span></span><span>congratulating Lieutenant General Sir John Monash KCB VD, General Officer Commanding, Australian Corps, after his investiture as a KCB, the ribbon of which can be seen round General Monash's neck, on the steps of Bertangles Chateau, which was the Headquarters of Australian Corps. </span><span><span><span>The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Caruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'<br /> </span></span></span>
<div>
<div>
<div>
<div><cite><strong>Permalink:</strong> <a href="http://cas.awm.gov.au/item/A03316" target="_blank">http://cas.awm.gov.au/item/A03316</a></cite> </div>
</div>
</div>
</div>
Creator
An entity primarily responsible for making the resource
Unknown Photographer
Source
A related resource from which the described resource is derived
Australian War Memorial Website
Date
A point or period of time associated with an event in the lifecycle of the resource
12 August 1918
Rights
Information about rights held in and over the resource
Copyright Expired-public domain
Australian War Memorial
A03316
E02839
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
chivalry
King George V
knight
knighthood
Knighthood Ceremony
knights
Military Costume
Military Honours
Order of the Bath
Orders of Knighthood
Sir John Monash
World War 1
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"><a href="http://www.historyalive.com.au/home.html" target="_blank">http://www.historyalive.com.au/home.html</a></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
History Alive: A Journey Through Time
Subject
The topic of the resource
Brisbane, carnival, dance, event, Fort Lytton National Park, History Alive, living history, Lytton, market, QLD, QLHF, Queensland, Queensland Living History Federation, re-enactment, tournament
Description
An account of the resource
History Alive: A Journey Through Time is a re-enactment weekend event held by The Queensland Living History Federation (QLHF). The event is held at Fort Lytton National Park and features re-enactment groups covering the period from the Roman Empire to the Vietnam War. Within this broad time frame are a number of groups who focus on the medieval period, and the main arena at the event hosts a 14th century tournament. As well as martial displays in the arena, there are also market stalls, displays by local historical groups, and dance.
Creator
An entity primarily responsible for making the resource
Queensland Living History Federation
Date
A point or period of time associated with an event in the lifecycle of the resource
8 January 2012
Rights
Information about rights held in and over the resource
Queensland Living History Federation
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Brisbane
carnival
dance
event
Fort Lytton National Park
History Alive
living history
Lytton
market
Qld
QLHF
Queensland
Queensland Living History Federation
re-enactment
tournament
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.sunshinecastle.com/index.php?option=com_content&view=article&id=116&Itemid=58">http://www.sunshinecastle.com/index.php?option=com_content&view=article&id=116&Itemid=58</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
History of the Sunshine Castle, Bli Bli - A Timeline
Subject
The topic of the resource
Bli Bli, QLD, Sunshine Coast, Queensland, castle, tourism, tourist, popular culture, re-enactment, recreation, re-creation, function venue, venue, entertainment, Norman, Norman style
Description
An account of the resource
The Sunshine Castle is a popular tourist destination on the Sunshine Coast in Queensland. Influenced by a Norman architectural style, and complete with medieval additions such as a moat, turrets and a drawbridge, the castle hosts markets and 'medieval' displays. It is also used as a venue for functions such as weddings, parties, corporate events and children's birthdays.
Sunshine Castle was a finalist in the 2008 Queensland Tourism Awards.
Creator
An entity primarily responsible for making the resource
Sunshine Castle, Bli Bli
Source
A related resource from which the described resource is derived
<p>Sunshine Castle, Bli Bli Website:</p>
<p><a href="http://www.sunshinecastle.com/index.php?option=com_content&view=article&id=116&Itemid=58">http://www.sunshinecastle.com/index.php?option=com_content&view=article&id=116&Itemid=58</a></p>
Publisher
An entity responsible for making the resource available
Sunshine Castle, Bli Bli
Date
A point or period of time associated with an event in the lifecycle of the resource
Accessed 01/03/2011
Rights
Information about rights held in and over the resource
Sunshine Castle, Bli Bli, 2009
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Language
A language of the resource
English
Bli Bli
castle
entertainment
function venue
Norman
Norman style
popular culture
Qld
Queensland
re-creation
re-enactment
recreation
Sunshine Coast
tourism
tourist
venue
-
https://ausmed.arts.uwa.edu.au/files/original/3b2151aa910beb191e532a5217785100.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
691
Width
922
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Holy Trinity Anglican Church, Launceston
Subject
The topic of the resource
Anglican, Anglo-Catholic, James Blackburn, blind arcading, Holy Trinity Church, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, rose window, sculpture, spire, Tas, Tasmania, turret
Description
An account of the resource
<p>Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church is used for the traditional Anglo-Catholic version of the Anglican Church. The church, designed by local architect Alexander North (1858-1945), was dedicated in 1898 and consecrated in 1902. It replaced an earlier building designed by the convict architect James Blackburn. The current brick building is in the Gothic Revival style and features numerous towers, lancet windows, a spire, rounded chapels, blind arcading, relief sculptures, and a rose window.</p>
<p>The church website is at: <a href="http://www.holytrinitylaunceston.org/" target="_blank">http://www.holytrinitylaunceston.org/</a></p>
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Alexander North
Anglican
Anglo-Catholic
blind arcading
Gothic
Gothic Revival
Holy Trinity Church
James Blackburn
lancet window
Launceston
rose window
sculpture
spire
Tas
Tasmania
turret
-
https://ausmed.arts.uwa.edu.au/files/original/27a547c7a62733671113d0bc47738424.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
922
IPTC Array
a:2:{s:7:"caption";s:31:"OLYMPUS DIGITAL CAMERA ";s:11:"object_name";s:31:"OLYMPUS DIGITAL CAMERA ";}
IPTC String
caption:OLYMPUS DIGITAL CAMERA
object_name:OLYMPUS DIGITAL CAMERA
Width
691
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Holy Trinity Anglican Church, Launceston
Subject
The topic of the resource
Anglican, Anglo-Catholic, James Blackburn, blind arcading, Holy Trinity Church, Gothic, Gothic Revival, lancet window, Launceston, Alexander North, rose window, sculpture, spire, Tas, Tasmania, turret
Description
An account of the resource
<p>Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church is used for the traditional Anglo-Catholic version of the Anglican Church. The church, designed by local architect Alexander North (1858-1945), was dedicated in 1898 and consecrated in 1902. It replaced an earlier building designed by the convict architect James Blackburn. The current brick building is in the Gothic style and features numerous towers, lancet windows, a spire, rounded chapels, blind arcading, relief sculptures, and a rose window.</p>
<p> </p>
<p>The church website is at: <a href="http://www.holytrinitylaunceston.org/" target="_blank">http://www.holytrinitylaunceston.org/</a></p>
Creator
An entity primarily responsible for making the resource
Dorey, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Alexander North
Anglican
Anglo-Catholic
blind arcading
Gothic
Gothic Revival
Holy Trinity Church
James Blackburn
lancet window
Launceston
rose window
sculpture
spire
Tas
Tasmania
turret