67 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL This image and several others related to Longerenong homestead can be viewed on pages 71-76 of Miles Lewis’s 702675 Australian Building Analysis: Stained glass and specialist finishes, available as a pdf download: Go to: <a href="http://mileslewis.net/illustrated-contents/10-australian-building.html" target="_blank">http://mileslewis.net/illustrated-contents/10-australian-building.html</a> Select: Stained Glass (pdf.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Heraldicâ€™ domestic pattern window, Front entrance, Longerenong homestead, Longerenong, Victoria Subject The topic of the resource Celtic, Ferguson & Urie, floral grid pattern, flowers, harp, heraldry, John Lyon, Longerenong homestead, medieval design, Samuel Wilson, Stained glass, Victoria, VIC, window Description An account of the resource This â€˜heraldicâ€™ pattern transom hangs over the doorway at Longerenong homestead in Victoria. Central to the design is a golden Celtic harp on blue shield (c. 13th century) representing owner Samuel Wilsonâ€™s Irish roots. This is flanked by his initials (S W), and the year (AD 1862). A â€˜diaperedâ€™ medieval floral grid pattern dominates the background, and alternate blue and white flowers attached to golden stems and leaves, occupy the red outer borders. Beverley Sherry points out that, â€œThe nineteenth-century pioneers of Victoriaâ€™s pastoral districts had a strong sense of family pride and this was [often] expressed in stained glassâ€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.37). The colourful â€˜Longerenongâ€™ window provides an excellent example of such expression. Creator An entity primarily responsible for making the resource Lewis, Miles (digital image) Date A point or period of time associated with an event in the lifecycle of the resource 2009 - 2011 Rights Information about rights held in and over the resource Â© Miles Lewis and University of Melbourne Format The file format, physical medium, or dimensions of the resource Hyperlink Celtic Ferguson & Urie floral grid pattern flowers harp heraldry John Lyon Longerenong homestead medieval design Samuel Wilson stained glass Vic Victoria window https://ausmed.arts.uwa.edu.au/files/original/71a1ff66fdaef453bae8e3fe7b6ad4e0.jpg b95e0dcfa94e0c8e4a5b28d2e6801654 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 614 Width 819 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labyrinth, Kryal Castle, Ballarat Subject The topic of the resource Kryal Castle, castle, labyrinth, maze, crenelation, drawbridge, gate, Kryal Castle, moat, porticullis, Keith Ryall, tourism, tower, battlements, leisure, recreation, re-creation, entertainment, functions, Ballarat, Melbourne, VIC, Victoria Description An account of the resource An image of the great stone labyrinth at Kryal Castle, a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can be hired for weddings, conferences, functions, and other functions. It was built in 1972 and opened in 1974 by Keith Ryall. Some of its most apparent medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis. Creator An entity primarily responsible for making the resource Jeffrey, N. Date A point or period of time associated with an event in the lifecycle of the resource 2007 Rights Information about rights held in and over the resource Image used with permission of N. Jeffrey Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Ballarat battlements castle crenelation drawbridge entertainment functions gate Keith Ryall Kryal Castle labyrinth leisure maze Melbourne moat porticullis re-creation recreation tourism tower Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Medieval Writerâ€™s window, The Great Hall at The University of Sydney Subject The topic of the resource Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer Description An account of the resource An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton & Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully ‘canopied,’ a self-conscious nineteenth-century ‘medievalism’ that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour. To view this and other stained glass windows from the Great Hall and Quadrangle, see: <a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank">http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml </a> Creator An entity primarily responsible for making the resource White, David Date A point or period of time associated with an event in the lifecycle of the resource Unknown Rights Information about rights held in and over the resource Â© David White (photo) Format The file format, physical medium, or dimensions of the resource Hyperlink Author canopy education Geoffrey Chaucer (1340-1400) Gothic Revival Great Hall James I of Scotland (1394-1437) John Fortescue (1394-1476) learning literature medieval neo-Gothic New South Wales NSW quadrangle stained glass Sydney The University of Sydney university university buildings window writer https://ausmed.arts.uwa.edu.au/files/original/a4227087a9a6a069f1958d0b7abf2331.jpg c9aeec7539ea07a8f89dcf2c244033d1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 242 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knight Stained Glass, Perth, Tasmania Subject The topic of the resource armour, castle, helmet, knight, knights, chivalry, knighthood, leadlight, Perth, shield, stained glass, Tas, Tasmania, domestic, residence, architecture, domestic architecture, house Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows domestic stained glass/leadlight beside the front door featuring an armoured knight on horseback. The knight has an early medieval style helmet, armour, and a shield like those depicted on the Bayeux Tapestry worn by the Normans in 1066. In this instance the shield features a central cross. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture Armour castle chivalry domestic domestic architecture helmet house knight knighthood knights leadlight Perth residence shield stained glass Tas Tasmania Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/4277" target="_blank">http://www.ngv.vic.gov.au/col/work/4277</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Flight of Jane Shore Subject The topic of the resource Art, Edward IV (1442-1483), Elizabeth Shore (1445-1527), imprisonment, Jane Shore (1445-1527), Ludgate prison, mistress, Pre-Raphaelite, Richard III (1452-1485), royal mistress, Thomas Grey (c.1455-1501), VIC, Victoria, Wars of the Roses, William Hastings (c.1430-1483). Description An account of the resource This painting by Val Prinsep was gifted to the National Gallery of Victoria in 1934 by A L Prinsep. It depicts a woman, who the title identifies as Jane Shore, crouching under a bridge in an attempt to hide from a group of soldiers looking to arrest her. Shore, whose birth name was actually Elizabeth, is believed to have been Edward IV’s royal mistress from approximately 1476 until his death in 1483. Following Edward’s death, she was linked by contemporary sources to Thomas Grey, marquess of Dorset, and William, Lord Hastings. Some historians have claimed that she was involved in a Woodville-Hastings plot against Richard (while he was still the Duke of Gloucester and attempting to secure the throne), while others have suggested different, but similarly political, motives for his (mis)treatment of her. Shore was arrested on Richard’s command in 1483 and imprisoned, firstly in the tower of London and later in Ludgate prison. She was pardoned and released upon her marriage to the king’s solicitor, Thomas Lynom. For more on Jane Shore, see: Rosemary Horrox, ‘Shore , Elizabeth [Jane] (d. 1526/7?)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [<a href="http://www.oxforddnb.com/view/article/25451" target="_blank">http://www.oxforddnb.com/view/article/25451</a>, accessed 6 Feb 2012] Creator An entity primarily responsible for making the resource Prinsep, Val Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource c. 1865 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 155.3 x 92.4cm; Hyperlink art Edward IV (1442-1483) Elizabeth Shore (1445-1527) imprisonment Jane Shore (1445-1527) Ludgate prison mistress Pre-Raphaelite Richard III (1452-1485) royal mistress Thomas Grey (c.1455-1501) Vic Victoria Wars of the Roses William Hastings (c.1430-1483) https://ausmed.arts.uwa.edu.au/files/original/1f7eb9ac50340d70fe1c5701f0e2691f.jpg de30c4ca676c9995e3b9381005a2070f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 875 Width 656 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paulâ€™s Cathedral, Melbourne Subject The topic of the resource Anglican, arch, architect, architecture, blind tracery, cathedral, church, church building, Church of England, Diocese of Melbourne, gothic architecture, gothic revival, John Barr, Joseph Reed (1823-1890), lancet arch, lancet window, masonry, neo-gothic, sandstone, spire, tiling, tower, tracery, tympanum, VIC, Victoria, Victorian Gothic, William Butterfield (1814-1900), window, saint, Saint Paul, St. Paul, St Paul Description An account of the resource An image of St Paulâ€™s Cathedral, located at the intersection of Flinders Street and Swanston Street in central Melbourne. St Paulâ€™s is the official Cathedral of the Anglican Diocese of Melbourne. It was built in a Victorian Gothic style to the design of prominent English architect William Butterfield. The foundation stone was laid in 1880 and the Cathedral was consecrated just over a decade later when the initial stage of the building was completed in 1891. Butterfield oversaw the building remotely until 1884, when he resigned following disputes with the Church authorities in Melbourne. The remainder of the construction was supervised by well-known local architect Joseph Reed. Construction of the Cathedralâ€™s three towers and distinctive neo-gothic spires began in 1926. They were designed by Sydney architect John Barr, and are not in keeping with Butterfieldâ€™s more modest original plans. Other distinctive architectural features of St Paulâ€™s include its multiple lancet windows, decorative blind tracery, chequered tiling on the wall above the entrance and elaborate stained glass processional doors inside the entrance doorway. The cathedral interior is notable for its horizontally striped pattern, which is based on a design from thirteenth century Siena Cathedral. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 25 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican arch architect architecture blind tracery Cathedral Church church building Church of England Diocese of Melbourne gothic architecture Gothic Revival John Barr Joseph Reed (1823-1890) lancet arch lancet window masonry neo-Gothic saint Saint Paul sandstone spire St Paul St. Paul tiling tower tracery tympanum Vic Victoria Victorian Gothic William Butterfield (1814-1900) window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.       go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.       search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord Subject The topic of the resource Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin Description An account of the resource This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by “a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance” (See the accompanying information pages on the Art Gallery of South Australia’s website at: <a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank">http://www.artgallery.sa.gov.au/TLF/964p25/</a>). Creator An entity primarily responsible for making the resource Bunny, Rupert Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1896 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 100.3 x 110.4cm; Hyperlink Adam angel Annunciation art colour curtain Eden Eve Gabriel lilies Mary Pre-Raphaelite religious art Renaissance art rose Rupert Bunny (1864-1947) SA South Australia symbolism vermillion virgin https://ausmed.arts.uwa.edu.au/files/original/a717534f6f9333a73382a666fef2cc49.jpg fe9fa93e62cb72dafcd830dae1c4310f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 554 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Uniting Church, York, Western Australia Subject The topic of the resource Gothic, Gothic Revival, architecture, lancet windows, arch, arches, Wesleyan, Uniting Church, church, Methodist, Methodists, religion, religious, York, Perth, WA, Western Australia Description An account of the resource The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architecture Church Gothic Gothic Revival lancet windows Methodist Methodists Perth religion religious Uniting Church WA Wesleyan Western Australia York