18 8 1266 https://ausmed.arts.uwa.edu.au/files/original/d8096813ae89ad0c1e9ec1e10492901f.jpg 63e20d765c3fd7f97d7143290e145e47 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Saint Michaelâ€™ Stained Glass Window, St Albanâ€™s Anglican Church, Highgate, Western Australia Subject The topic of the resource Angel, Anglican, Anglican church, archangel, Archangel Michael, architecture, battle, Book of Revelation, church, church building, dragon, feast day, Highgate, iconography, J. J. Talbot Hobbs (1864-1938), leadlight windows, medieval calendar, medieval Holy Day, Michaelmas, neo-romanesque, Norman architecture, parish church, romanesque architecture, rounded arch, Saint Michael, saints, saint, semi-circular arch, Saint Alban, St. Alban, St Alban, St George, Saint George, St. George, Saint Michael, St. Michael, St Michael, window, windows, Christian, Christianity, religious, religion, stained-glass, Victorian Romanesque style, WA, Western Australia Description An account of the resource An image of the ‘Saint Michael’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St George) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts Michael, archangel and commander of the Lord’s army, standing astride a vanquished dragon. It represents the defeat of the Dragon and his rebel army by Michael and his angels in the Book of Revelation. The Dragon, otherwise Satan, was cast out of Heaven and hurled down to Earth with his angels (Revelation, 12:7-9). As is common in artistic renditions, Michael’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His wings are conspicuous and he is clothed in white to reinforce his righteousness and service on the side of ‘Good’. During the medieval period, St Michael’s feast day (29 September) – known as Michaelmas – was not only an important Holy Day, but was also observed as a quarter day for the settling of rents and accounts. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG angel Anglican Anglican church Anglicanism archangel Archangel Michael architecture battle Book of Revelation Christian Christianity Church church building dragon feast day Highgate iconography J. J. Talbot Hobbs (1864-1938) leadlight windows medieval calendar medieval Holy Day Michaelmas neo-Romanesque Norman architecture parish church religion religious Romanesque architecture rounded arch saint Saint Alban Saint George Saint Michael saints semi-circular arch St Alban St George St Michael St. Alban St. George St. Michael stained-glass Victorian Romanesque style WA Western Australia window windows Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279">http://www.flickr.com/photos/34094515@N00/5854993304/in/set-72157626676456279</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Soldier at a Medieval Faireâ€™ Subject The topic of the resource Arms, armor, armour, aventail, Blacktown, Blacktown Medieval Fayre, camail, chain mail, chainmail, combat, entertainment, helmet, honour, medieval costume, medieval fair, New South Wales, Norman style helmet, NSW, Nurragingy Reserve, re-enactment, reenactment, Richard Taylor, Sydney, war, warfare, Western Sydney Description An account of the resource This is a â€˜frozenâ€™ combat image taken at the Blacktown Medieval Fayre by photographer Richard Taylor in 2011. It depicts a participant dressed in a Norman style helmet complete with a chainmail collar known as an avential or camal, and engaged in combat. The participants and combatants in medieval re-enactment groups generally pay considerable attention to detail. Their clothing and war gear is researched and often handcrafted, and when it comes to re-enacting â€˜combatâ€™ all bouts are marshalled. However, the combat is also based on an honour system, in which â€œevery fighter must decide which blows hit hard enough for him to yield or fall deadâ€ (For more on this, see Patrick Oâ€™Donnell, The Knights Next Door: Everyday People Living Middle Ages Dreams, Lincoln, iUniverse Inc., 2004). Re-enacted combat combines medieval fighting techniques and entertainment. In Medieval Fantasy as Performance: The Society for Creative Anachronism and the Current Middle Ages (Lanham, The Scarecrow Press, 2010), Michael Cramer observes that participation in creative anachronistic events is largely performance-driven (p.xii). That is to say, historical re-enactment is essentially theatre, and this is a significant part of the appeal. The Blacktown Medieval Fayre is billed as â€œa world of medieval magic,â€ and is part of the annual Blacktown Fiesta, an eight day extravaganza hosted by Blacktown City Council. It is just one of several interesting medieval events held throughout the country at different times of the year. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 21 May 2011 Rights Information about rights held in and over the resource Â© Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour Arms aventail Blacktown Blacktown Medieval Fayre camail chain mail chainmail combat entertainment helmet honour medieval costume medieval fair New South Wales Norman style helmet NSW Nurragingy Reserve re-enactment reenactment Richard Taylor Sydney war warfare Western Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Francis and the Birdsâ€™, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™. Description An account of the resource This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist’s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in The Little Flowers of St Francis: So solace-filled he left them, and full well, To penitence disposed, and, parting thence, Betwixt Carmano and Bevagna came. And, ardently as ever journeying on, He raised his eyes and certain trees beheld Fast by the way-side, on whose boughs were perched A multitude of birds innumerable, So that Saint Francis was amazed thereat, And said to his companions: “In the road Ye shall await me here, whole I go preach Unto the birds my sisters”: and he went Within the field, and to the birds ‘gan preach That on the ground were sitting; and at once Those that were on the trees did come to him, And, one and all, stayed motionless until Saint Francis had done preaching, and e’en then Departed not till he had given them His Benediction. (James Rhoades, The Little Flowers of St Francis: Rendered into English Verse, London, 1904, pp.88-89). Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm â€˜new iconsâ€™ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream" target="_blank">http://www.flickr.com/photos/raysalmanac/5605716834/in/photostream</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Georgeâ€™ Stained Glass Window, Tolarno Hotel, St Kilda Subject The topic of the resource armour, armor, border, dragon, Ferguson & Urie, knight, Melbourne, rose, Saint George, St. George, St George, saint, saints, St. Kilda, St Kilda, stained glass, staircase, Tolarno Hotel, Tudor rose, Union Jack, valour, VIC, Victoria Description An account of the resource This elaborate staircase window in a converted St Kilda mansion is probably by Ferguson & Urie and dated c.1884. The window depicts a red-cloaked and fully armoured St George standing on the head of a dragon. Images of St George and the Dragon were popular in the nineteenth century, with this appeal being especially aided by Sir Walter Scottâ€™s reawakening of popular notions of chivalry in his writings. The outer border contains red and white Tudor roses interspersed with green leaves on a blue ground, while the solid looking pillars hold small medallion-shaped imprints of the Union Jack. Overall, the window represents a calm â€˜manlyâ€™ Victorian assurance in the face of determined opposition. Such a window can be interpreted as â€œan expansive declaration of the values and â€¦ institutions inherited from Britainâ€ (Beverley Sherry, Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.44). Although little information is available regarding the mansionâ€™s original owner, it is thought that the house was built for someone engaged in local politics. Thus, St George killing the dragon makes an ideal theme for a grand staircase window in a house where integrity and propriety must be readily observable. Creator An entity primarily responsible for making the resource Brown, Ray (Photographer) Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2001 (image) Rights Information about rights held in and over the resource Â© Ray Brown Format The file format, physical medium, or dimensions of the resource Hyperlink Armor Armour border dragon Ferguson & Urie knight Melbourne rose saint Saint George saints St George St Kilda St. George St. Kilda stained glass staircase Tolarno Hotel Tudor Rose Union Jack valour Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/184ee6b0184e9cd674d9172ed34ed644.jpg f41b2c430c75c21f033cefae8ffe12c7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2048 Width 1536 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Georgeâ€™ window, St Albanâ€™s Anglican church, Highgate Subject The topic of the resource Anglican, armour, church, cross, dragon, helmet, Highgate, Joseph John Talbot Hobbs, iconography, parish church, pennant, Romanesque, St Albanâ€™s, St George, St Georgeâ€™s Cathedral, semi-circular arch, shield, spear, stained glass, sword, Victorian Romanesque, WA, Western Australia. Description An account of the resource An image of the ‘Saint George’ stained glass window at St Alban’s Anglican Church, Highgate. This stained glass is one of three windows (the others depicting St Alban and St Michael) located at the rear of the church. It was originally purchased for St George’s Cathedral but was later discovered to be the wrong shape (rounded instead of pointed) and was donated to St Alban’s. The stained glass depicts George standing astride a vanquished winged-dragon. As is common in artistic renditions, George’s role as a warrior saint is symbolised by a suit of elaborate armour, a sword and a shield. His spear, which pierces the dragon, is also a processional cross and has a pennant with a cross flying from it. About St Alban’s: St Alban’s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The St Alban’s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915. For more information about St Alban’s, see: <a href="http://stalbans.org.au/about-st-albans/historic-st-albans/" target="_blank">http://stalbans.org.au/about-st-albans/historic-st-albans/</a>. Creator An entity primarily responsible for making the resource Le Coultre, Eleanor Date A point or period of time associated with an event in the lifecycle of the resource 23 November 2010 Rights Information about rights held in and over the resource Eleanor Le Coultre, Warden at St Albanâ€™s Anglican Church, Highgate, WA. Format The file format, physical medium, or dimensions of the resource Digital photograph Anglican Armour Church cross dragon helmet Highgate iconography Joseph John Talbot Hobbs parish church pennant Romanesque semi-circular arch shield spear St Albanâ€™s St George St Georgeâ€™s Cathedral stained glass sword Victorian Romanesque WA Western Australia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL The ‘table items’ Image is one of a series of 8 ‘Every day items’. <a href="http://www.knightsstjohn.com/apps/photos/album?albumid=6911577">http://www.knightsstjohn.com/apps/photos/album?albumid=6911577</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Table Itemsâ€™ Subject The topic of the resource candle-holder, crusades, eating, dining utensils, fork, goblet, knife, Knight, Knights of St John, mealtimes, medieval implements utensils Description An account of the resource This photograph features a collection of â€˜representativeâ€™ dining utensils from the Damascus (Knights of St John) re-enactment group. Pictured is a turned wooden bowl, a serrated-edged knife with a carved handle, a steel fork with two tines, a spoon, and an â€˜ash glazedâ€™ goblet. There is also a candle and candle-holder with scrolled feet, presumably included to lend atmosphere to the â€˜still lifeâ€™ composition. These items roughly approximate the kinds of everyday implements that would have been used by the knights at mealtimes in the early fifteenth century. Creator An entity primarily responsible for making the resource Anonymous contributor, Knights of St John, Qld Date A point or period of time associated with an event in the lifecycle of the resource 2009 Rights Information about rights held in and over the resource Damascus Crusader Living History Â© 2011 Format The file format, physical medium, or dimensions of the resource Hyperlink candle-holder Crusades dining utensils eating fork goblet knife knight Knights of St John mealtimes medieval implements utensils Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article26636364">http://nla.gov.au/nla.news-article26636364</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Tasmaniaâ€™s Historic Towersâ€™. Subject The topic of the resource Article, Evandale Water Tower, folly, Hobart, The Mercury, newspaper, Panshanger Pigeon Tower, M.S.R. Sharland, Tas, Tasmania, â€˜Tasmaniaâ€™s Historic Towersâ€™, tower. Description An account of the resource The 1949 article ‘Tasmania’s Historic Towers’ by M.S.R. Sharland appeared in the Hobart, Tasmania, based newspaper The Mercury. The article discusses a number of stand-alone towers in Tasmania, including two medieval-styled examples, the pigeon tower on Panshanger Estate and the water tower at Evandale. The author bemoans the functionalism of modern architecture and is glad that earlier builders created structures of beauty, even if they may seem to be a ‘folly’. The article is available at <a href="http://nla.gov.au/nla.news-article26636364">http://nla.gov.au/nla.news-article26636364</a> For the Evandale Water Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/924">http://ausmed.arts.uwa.edu.au/items/show/924</a> For the Pigeon Tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1039</a> Creator An entity primarily responsible for making the resource Sharland, M.S.R. Publisher An entity responsible for making the resource available The Mercury Date A point or period of time associated with an event in the lifecycle of the resource July 16, 1949 Rights Information about rights held in and over the resource The Mercury Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/924" target="_self">http://ausmed.arts.uwa.edu.au/items/show/924</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1039" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1039</a>   Format The file format, physical medium, or dimensions of the resource Newspaper article; hyperlink â€˜Tasmaniaâ€™s Historic Towersâ€™ article Evandale Water Tower folly Hobart M.S.R. Sharland newspaper Panshanger Pigeon Tower Tas Tasmania The Mercury tower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a>   Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Tasmanian Gothicâ€™, Compass, ABC TV Subject The topic of the resource ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson. Description An account of the resource ‘Tasmanian Gothic’ was an episode of the Australian Broadcasting Corporation’s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200th anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin’s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania’s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin’s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture.   For the episode transcript see <a href="http://www.abc.net.au/compass/s3510122.htm">http://www.abc.net.au/compass/s3510122.htm</a> For the Pugin churches see <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a>     Creator An entity primarily responsible for making the resource Australian Broadcasting Corporation Date A point or period of time associated with an event in the lifecycle of the resource June 24, 2012 Contributor An entity responsible for making contributions to the resource Boynton, Wendy (researcher) Rights Information about rights held in and over the resource Australian Broadcasting Corporation Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1104">http://ausmed.arts.uwa.edu.au/items/show/1104</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/951">http://ausmed.arts.uwa.edu.au/items/show/951</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1119">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource Hyperlink ABC alter cloths Augustus Welby Northmore Pugin Australian Broadcasting Corporation baptismal font Bishop Willson Catholic chalice linen Church Colebrook Compass cross Geraldine Doogue Gothic Gothic Revival headstone monstrance Oatlands Pugin Richmond Robert William Willson. rood screen Tas Tasmania Tasmanian Gothic television transcript vestment website Wendy Boynton