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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Architecture, arrow slit windows, battlement, castellation, Claremont, Claremont Teacherâ€™s College, crenellation, decorative effect, depressed arch, Edith Cowan University, embrasures, facade, gothic architecture, hood moulding, medieval castle, medieval warfare, merlons, military structures, neo-gothic, oriel, parapet, The University of Western Australia, Western Australia, Western Australian College of Advanced Education</text>
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                <text>A view of The University of Western Australiaâ€™s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacherâ€™s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004.&#13;
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At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                <text>McEwan, Joanne</text>
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                <text>â€˜On page 9 of this text, an attempted theft of the diamonds of the Order of the Garter is detailed: On forming a connection with one Lowe, which was but a short time previous to that evening of the month of January, which is observed as the anniversary of the Queen's birth-day, it was resolved on between them, that, habited as a clergyman, Mr. Barrington should repair to Court, and there endeavour, not only to pick the pockets of some of the company, but, what was a much bolder, and a much more novel attempt, to cut off the diamond orders of some of the Knights of the Garter, Bath, and Thistle, who, on such days, usually wear the collars of their respective orders over their coats. In this enterprize he succeeded beyond the most sanguine expectations that could have been formed, by either his new accomplice Lowe or himself; for he found means to take the diamond order of Lord C--, with which he got away from St. James's perfectly unsuspected.'</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anniversary of the Establishment of the Eight Hour Day</text>
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                <text>A wood engraving by an artist for the Victorian Millers' Union which commemorates the 35th anniversary of the establishment of the eight hour working day in Victoria. Some historians consider trade unions to be the successors of medieval guilds.</text>
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                <text>The Amalgamated Millers Association of Victoria</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article37689201" target="_blank"&gt;http://nla.gov.au/nla.news-article37689201&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Early English Portraiture</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Anon.</text>
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                <text>National Library of Australia</text>
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                <text>11 December 1930, p. 12.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14879">
                <text>Western Mail</text>
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                <text>Newspaper Article</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Beggar</name>
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        <name>Geoffrey Chaucer (c.1340-1400)</name>
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        <name>John Gower (c.1330-1408)</name>
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        <name>John Lydgate (c.1370-1450)</name>
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        <name>knight</name>
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        <name>manuscript</name>
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        <name>Sir John Oldcastle (d.1417)</name>
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        <name>The Regiment of Princes</name>
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        <name>Thomas Hoccleve (c.1367-1426)</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/681d03daab6a47068811db55b5d8b6e3.jpg</src>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Fremantle Prison Gatehouse, Fremantle, Western Australia</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Architecture, capital punishment, conservation, Considine &amp; Griffiths Architects, architect, convict, Convict Establishment, convict labour, Edmund Henderson, Edward I of England (1239-1307), fortification, Fremantle, Fremantle Prison, gate, gatehouse, limestone, maximum security, medieval castle, medieval warfare, penal establishment, prison, stonework, Swan River Colony, towers, transportation, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p class="MsoNormal"&gt;A view of the Fremantle Prison Gatehouse in  Fremantle, Western Australia. The Gatehouse was constructed by convict  labour between 1854 and 1855. It was built according to the design of  Royal Engineer Edmund Henderson from limestone quarried on site.  Gatehouses consisting of two close towers with a gate positioned between  them were a common feature of medieval castles and walled cities,  especially during the reign of Edward I in England (1272-1307).  Gatehouses were deliberately designed to be large and imposing  structures, because their purpose was to protect the weakest point of a  fortified space - the entrance. A major restoration of the Fremantle  Prison Gatehouse took place in 2005 under the management of Considine  and Griffiths Architects. The stonework was conserved and all  non-original rendering was removed.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About Fremantle Prison:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Fremantle  Prison was originally named The Convict Establishment, then The  Colonial Convict Establishment. It was renamed Fremantle Prison in 1867.  The building of the prison commenced in 1852, following a British  government directive that the Swan River Colony was to be used as a  penal establishment and the arrival of the first ship of convicts in  June 1850. The prison was first occupied in May 1855. Control of the  prison was handed over to the colonial authorities in 1886, and the  gallows were added in 1888 (following the closure of the Perth Gaol in  1887). From then until capital punishment was abolished by an act of  State Parliament in 1984, Fremantle Prison was the only legal place of  execution in the colony and later the state. The prison was  decommissioned in 1991, when the remaining male inmates and staff were  transferred to the new maximum security prison at Casuarina. The Women&amp;rsquo;s  Division, added to the prison in 1889, had been disbanded in 1970 when  female prisoners were transferred to Bandyup Women&amp;rsquo;s Training Centre.  Since its closure, Fremantle Prison has been added to the State,  National and World Heritage Lists. For more information and a list of  recommended readings, see Fremantle Prison&amp;rsquo;s official website: &lt;a href="http://www.fremantleprison.com.au/" target="_blank"&gt;http://www.fremantleprison.com.au&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3575">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>4 February 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3577">
                <text>No Copyright</text>
              </elementText>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photograph</text>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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