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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796"&gt;http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796&lt;/a&gt;&lt;/p&gt;</text>
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                <text>'Viking ship spotted off remote NT island'</text>
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                <text>ABC, ABC News, Arnhem Land, article, Australian Broadcasting Corporation, dragon ship, Elcho Island, longship, news, Northern Territory, NT, replica, Russia, ship, Sydney, Viking, website, Tim Wethers.</text>
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                <text>&lt;p&gt;&amp;lsquo;Viking ship spotted off remote NT island&amp;rsquo; appeared on the online version of ABC News on September 18, 2012. The replica Viking ship was seen off the coast of Elcho&lt;br /&gt;Island in Arnhem Land, Northern Territory. The ship was sailed by a crew of six Russians from Europe and was heading for a museum in Sydney. The Viking longship&lt;br /&gt;is often referred to as a dragon ship due to the carved figure-head on the bow, as seen in the photograph of the replica by Tim Wethers.&lt;/p&gt;&#13;
&lt;p&gt;The article is available&lt;br /&gt;at &lt;a href="http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796"&gt;http://www.abc.net.au/news/2012-09-18/viking-ship-spotted-off-nt/4266796&lt;/a&gt;&lt;/p&gt;</text>
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                <text>September 18, 2012</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Medieval Writerâ€™s window, The Great Hall at The University of Sydney</text>
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                <text>Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer</text>
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                <text>&lt;p&gt;An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton &amp;amp; Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully &amp;lsquo;canopied,&amp;rsquo; a self-conscious nineteenth-century &amp;lsquo;medievalism&amp;rsquo; that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour.&lt;/p&gt;&#13;
To view this and other stained glass windows from the Great Hall and Quadrangle, see: &lt;a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml &lt;/span&gt;&lt;/a&gt;</text>
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                <text>White, David</text>
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                <text>Unknown</text>
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                <text>Â© David White (photo)</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/MacLaurin_window.JPG&lt;/a&gt;</text>
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                <text>MacLaurin Window, Nicholson Vestibule, University of Sydney</text>
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                <text>Alfred the Great, Anglo-Saxon, James I/VI, Sir Henry Normand MacLaurin, MacLaurin Window, navy, New South Wales, Nicholson Vestibule, NSW, ship, stained glass, Sydney, University of Sydney, Viking, Wessex</text>
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                <text>The MacLaurin Window was created in 1920 and can be found in the Nicholson Vestibule lighting the staircase. The window has a portrait of Sir Henry Normand MacLaurin, Chancellor of the University of Sydney from 1896 to 1914, flanked by James I (England) and VI (Scotland) (1566-1625), and Alfred the Great (849-899). Alfred was king of the Anglo-Saxon kingdom of Wessex (roughly England south of the Thames) and his dynasty later unified England. Alfred is shown holding a warship, perhaps due to the notion that he was the father of the English navy due to the ships that he had constructed to help counter Viking attacks.</text>
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                <text>11 February 2012</text>
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                <text>University of Sydney, David White (photograph in link)</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;&lt;a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank"&gt;http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, CÃ¦dmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede</text>
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                <text>The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmonâ€™s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby.&#13;
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The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. </text>
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                <text>University of Sydney; &#13;
David White (photograph in hyperlink)</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Andrew Lynch, chivalry, College of Saint Basil the Great, combat, costume, ENGL2238, entertainment, essay, fighting, heraldry, Kingdom of Lochac, Known World Handbook, medieval names, medievalism, Monty Python and the Holy Grail, Nancy white, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, Victorian medievalism, WA, Western Australia</text>
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                <text>A student essay submitted by Nancy White as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. In this essay, the author traces the origins, and outlines the principles guiding participation in, the Society for Creative Anachronism (SCA) - a medieval re-enactment group. She explains the ties of the SCA to Victorian medievalism, and the influence of popular culture through films such as Monty Python and the Holy Grail. The essay also discusses the research that is invested in the costumes and names chosen by the participants, and the culture of chivalry that underpins the tournaments they host.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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            <name>Rights</name>
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                <text>&lt;span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"&gt;This work is &amp;copy; Nancy White. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Nancy White: &amp;lsquo;The Society for Creative Anachronism: Origins, Nature and Cultural Labour of its Medievalism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
&lt;p&gt;The groups logo features the early tenth-century Viking cross from Middleton, North Yorkshire. The ring-headed Celtic cross features a Scandinavian ring-chain pattern and a warrior sitting on a throne with two swords and a spear. A raven, a bird commonly associated with the Norse war god O&amp;eth;inr (Odin) flies from the cross.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Â© Europa Reenactment 2009 - 2010</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Holyrood&amp;rsquo;, &lt;em&gt;The Bulletin,&lt;/em&gt; 12 November 1903</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). </text>
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            <description>An account of the resource</description>
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                <text>As a young man, William H. (&amp;lsquo;Will&amp;rsquo;) Ogilvie spent 12 years in outback Australia, &amp;lsquo;horse-breaking, droving, mustering and camping out on the vast plains&amp;rsquo; before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869&amp;ndash;1963)', &lt;em&gt;Australian Dictionary of Biography&lt;/em&gt;, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in &lt;em&gt;The Bulletin&lt;/em&gt;. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet&amp;rsquo;s reference to &amp;lsquo;ancient tower and archway&amp;rsquo; hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey &amp;ldquo;down the storied halls&amp;rdquo; while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the &amp;lsquo;Corridor of Kings&amp;rsquo; - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and &amp;lsquo;Bonnie&amp;rsquo; Prince Charlie (&amp;ldquo;a rebel prince&amp;rdquo;) and the 1745 Jacobite Uprising. Ogilvie&amp;rsquo;s nostalgic poem appeared in &lt;em&gt;The Bulletin&lt;/em&gt; in November 1903, after first being printed in &lt;em&gt;The Scotsman&lt;/em&gt;.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="24654">
                <text>Will H. Ogilvie</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="24655">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24656">
                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24657">
                <text>12 November 1903</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24658">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24659">
                <text>Journal (Microfilm)</text>
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        <name>Battle of Flodden (9 September 1513)</name>
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        <name>Bonnie Prince Charlie</name>
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      <tag tagId="5172">
        <name>bush ballads</name>
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      <tag tagId="5173">
        <name>Corridor of Kings</name>
      </tag>
      <tag tagId="5175">
        <name>David Riccio</name>
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      <tag tagId="5176">
        <name>David Rizzio</name>
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      <tag tagId="5174">
        <name>Edinburgh</name>
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        <name>Flodden Field</name>
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        <name>Holyrood Abbey</name>
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        <name>Holyrood Palace</name>
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        <name>Jacobite Uprising</name>
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        <name>James IV (1473-1513)</name>
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        <name>Lord Darnley</name>
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        <name>Lute</name>
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        <name>Mary Queen of Scots</name>
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        <name>monarchy</name>
      </tag>
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        <name>nostalgia</name>
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        <name>royal residence</name>
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        <name>the Forty Five</name>
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        <name>Will H. Ogilvie (1869-1963)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Hyperlink</name>
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              <text>&lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="20739">
                <text>Crunch time: making money from a medieval extreme sport</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Armour, Bathurst, battle, entertainment, Full Tilt, helmet, jousting, knights, lance, My Small Business, New South Wales, NSW, shield, sport, sword, The Sydney Morning Herald, tournament, war, Rod Walker, David Wilson</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;This online newspaper article by David Wilson appeared in the My Small Business section of The Sydney Morning Herald. The article features an interview with Rod Walker about his business Full Tilt. The Bathurst-based business run fully costumed jousting demonstrations. Jousting became a popular form of entertainment during the High Middle Ages, allowing knights to practice their combat skills.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J%20"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the company see &lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20742">
                <text>Wilson, David</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="20743">
                <text>The Sydney Morning Herald</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20744">
                <text>The Sydney Morning Herald</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="20745">
                <text>May 18, 2012</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20746">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20747">
                <text>The Sydney Morning Herald, David Wilson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20748">
                <text>Online newspaper article</text>
              </elementText>
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        <name>Armour</name>
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        <name>Bathurst</name>
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      <tag tagId="595">
        <name>battle</name>
      </tag>
      <tag tagId="4717">
        <name>David Wilson</name>
      </tag>
      <tag tagId="344">
        <name>entertainment</name>
      </tag>
      <tag tagId="4240">
        <name>Full Tilt</name>
      </tag>
      <tag tagId="1555">
        <name>helmet</name>
      </tag>
      <tag tagId="2091">
        <name>jousting</name>
      </tag>
      <tag tagId="1249">
        <name>knights</name>
      </tag>
      <tag tagId="2092">
        <name>lance</name>
      </tag>
      <tag tagId="4715">
        <name>My Small Business</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="4716">
        <name>Rod Walker</name>
      </tag>
      <tag tagId="723">
        <name>shield</name>
      </tag>
      <tag tagId="2433">
        <name>sport</name>
      </tag>
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        <name>sword</name>
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      <tag tagId="3217">
        <name>The Sydney Morning Herald</name>
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        <name>tournament</name>
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        <name>war</name>
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