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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia - &lt;a href="http://nla.gov.au/nla.news-article58414412" target="_blank"&gt;http://nla.gov.au/nla.news-article58414412&lt;/a&gt;</text>
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                <text>Wedding Fashions</text>
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                <text>bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, womenâ€™s fashion</text>
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                <text>In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. </text>
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                <text>The Sunday Times</text>
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                <text>12 May 1929, p. 5s.</text>
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                <text>The Sunday Times</text>
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              <text>&lt;p&gt;Link to Sunshine Castle, Bli Bli Website:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.sunshinecastle.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=118&amp;amp;Itemid=61"&gt;http://www.sunshinecastle.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=118&amp;amp;Itemid=61&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Weddings at Sunshine Castle, Bli Bli</text>
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                <text>Bli Bli, QLD, Queensland, Sunshine Coast, Sunshine Castle, wedding, weddings, castle, tourism, tourist, popular culture, re-enactment, recreation, re-creation, function venue, venue, entertainment, Norman, Norman style, herald, knight, medieval feast</text>
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                <text>The Sunshine Castle is a popular tourist destination on the Sunshine Coast in Queensland. Influenced by a Norman architectural style, and complete with medieval additions such as a moat, turrets and a drawbridge, the castle hosts markets and 'medieval' displays. It is also used as a venue for functions such as weddings, parties, corporate events and children's birthdays.&#13;
&#13;
The link provided leads to a page regarding holding a wedding at the Castle. Aimed at recreating aspects of an idealised medieval past, Sunshine Castle profess, for instance, that one has "the option of choosing...a magnificent medieval feasting occasion including heralds, knights and serving wenches, firebreathing and bellydancers or a beautiful string quartet."</text>
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                <text>&lt;p&gt;Sunshine Castle, Bli Bli Website:&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.sunshinecastle.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=118&amp;amp;Itemid=61"&gt;http://www.sunshinecastle.com/index.php?option=com_content&amp;amp;view=article&amp;amp;id=118&amp;amp;Itemid=61&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Accessed 01/03/2011</text>
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                <text>Sunshine Castle, Bli Bli, 2009</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Weddings. Henry-Christie</text>
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                <text>dress, fashion, Karrakatta Club, medieval lines, Marjorie Christie, Norman J. Henry, Rev. George Tulloch, satin gown, St. Andrewâ€™s Presbyterian Church, wedding, wedding dress, vogue, medieval dress, medieval style</text>
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                <text>This article from the wedding column of the Western Mail gives an  account of the wedding of Marjorie Christie and Norman J. Henry at St  Andrew&amp;rsquo;s Presbyterian Church in Perth, Western Australia, on 15 July  1933. The bride&amp;rsquo;s dress is described as &amp;ldquo;a lovely gown of satin cut on  medieval lines, with long fitting sleeves.&amp;rdquo; Pink and silver flowers  decorated the corsage and train of the dress, matching the pink velvet  dresses and silver and pink turbans worn by the bridesmaids. The wedding  reception was held at the Karrakatta Club.</text>
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                <text>27 July 1933, p. 22.</text>
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