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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article:&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span style="color: #000000;"&gt;&lt;a href="http://nla.gov.au/nla.news-article32049693" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif'; color: blue; font-size: 12pt;"&gt;&lt;span style="font-family: Tahoma; font-size: x-small;"&gt;http://nla.gov.au/nla.news-article32049693&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>University Buildings. 51 Competitive Designs.</text>
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                <text>Adjudicatorsâ€™ report, Administration Building, architect, architecture, Athelson Saw, benefactor, bequest, commemoration, competition, Conrad Sayce, Crawley, â€œEarly Western Australian Renaissanceâ€ style, Great Gate, great hall, Hackett Hall, Leslie Wilkinson, loggia, monument, Rodney Alsop, Romanesque style, Senate, Senate Chamber, senators, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, university buildings, Western Australia, Winthrop Hall</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-family: 'Times New Roman','serif'; font-size: 13.5pt;"&gt;&lt;span style="font-family: Tahoma; font-size: x-small;"&gt;In 1926, an architectural competition invited new designs for Winthrop Hall and the Hackett Memorial Buildings at The University of Western Australia. &lt;/span&gt;&lt;a name="12de6d791188df37__GoBack"&gt;&lt;/a&gt;&lt;span style="font-family: Tahoma;"&gt;&lt;span style="font-size: x-small;"&gt;A bequest by the University&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett, had provided &amp;pound;150,000 for this purpose. This article from the &lt;em&gt;West Australian&lt;/em&gt; informs readers of the competition&amp;rsquo;s outcome. It identifies Melbourne architects Rodney Alsop and Conrad Sayce as the winners, Donald H. McMorran from Harrow-on-the-Hill as the first runner-up and Gummer and Ford from Auckland as the second runner-up. The article reports that 51 designs had been considered by the panel, which was comprised of Professor Leslie Wilkinson, Professor of Architecture, Mr A. R. L. Wright, President of the Royal Institute of Architects of Western Australia and Dr Athelson Saw, the Chancellor of the University, and that they had particularly commended the general layout and the design for the great hall, the loggia and the tower in the winning design. The conditions of the competition had stipulated that the winner would be employed as the architect for the project unless the adjudicators in consultation with the Senators objected. During this discussion, Professor Ross asked what style the winning design represented. Professor Wilkinson is reported to have answered &amp;ldquo;it is in the style which our grandsons will call &amp;lsquo;Early Western Australian Renaissance&amp;rsquo;.&amp;rdquo; &lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>This black and white photograph held by the State Library of New South Wales dates from c.1859. Taken by John Smith during the construction of The University of Sydney, it depicts stone masons at work carving the gargoyles. This is  taking place against the backdrop of one of The University of Sydneyâ€™s neo-gothic buildings. Gargoyles were a popular feature of gothic architecture. They were functional as well as decorative, and were used to divert water away from the walls of buildings before drainpipes became commonplace.&#13;
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                <text>Hyperlink to photograph : Wet collodion plate, varnished. Stereoscopic negatives 7.5 x 16.5 cm., each image 7.1 x 7.8 cm. with no separation. Some lifting of emulsion at edges.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of The University of Western Australiaâ€™s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacherâ€™s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004.&#13;
&#13;
At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                <text>&lt;p class="MsoNormal"&gt;Following a request from the University of Melbourne for a coloured copy of its coat of arms to incorporate into a stained glass window, this article informs readers that the University of Western Australia had commissioned George Kruger Gray, an English authority on heraldry, to redesign its crest and coat of arms. The blazon, or written description, of the new coat of arms is quoted in the text of the article as: &amp;ldquo;Arms: Party chevron-wise sable and gold, in the chief two open books having buckles, straps and edges of gold and in the foot a swan all sable&amp;rdquo;. This describes a shield that is divided into two by a chevron line, featuring two open books with gold edging against a black background above the line, and a black swan against a gold background below the line. It differed from the previous version by substituting the full chevron for a dividing line where it had previously been and also by replacing the conventionalised white swan that had been coloured black with a heraldic black swan. George Kruger Gray&amp;rsquo;s version of UWA&amp;rsquo;s coat of arms and its other historical variants can be viewed at: &lt;a href="http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/university_coat_of_arms" target="_blank"&gt;http://www.archives.uwa.edu.au/information_about/university_archives2/fact_sheet_index/university_coat_of_arms&lt;/a&gt;&lt;/p&gt;&#13;
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
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                <text>Untitled article: â€œthe medieval barbarities of our state criminal factoriesâ€</text>
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                <text>In the second half of this article, an excerpt from the Geraldton Express discussing the Royal Commission into the penal system in Western Australia is reprinted. The Commission, it asserts, had already succeeded in awaking public opinion to the need for reform and had led to the release of a number of innocent men from prison. In an attempt to emphasise the obsolete practices and inhumane punishments of the penal administration, the author associates them with the pre-modern past. The role of the Commission is described as being â€œto inquire into the Chamber of National Horrors at Fremantle and the medieval barbarities of our state criminal factoriesâ€.</text>
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                <text>25 December 1898, p. 18.</text>
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                <text>West Australian Sunday Times</text>
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                <text>baronial window, John Dixon Wyselaskie, Ferguson &amp; Urie, floral-rod pattern, homestead, initials, leaf and flower head design, medieval design, Narrapumelap homestead, roses, stained glass, VIC, Victoria, Wickliffe, window</text>
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                <text>An image of a stained glass window at the Narrapumelap homestead in Wickliffe, Victoria. The panelâ€™s outer edge is framed by an eye-catching â€˜floral-rodâ€™ pattern in spiral form. The window is divided into three segments (l, m, r) separated by wide vertical stripes with red roses on rigid leafy stems (x 2). The window contains the houseâ€™s construction date (1873) and owner John Dixon Wyselaskieâ€™s initials. The patterned background is an adapted medieval â€˜rigidâ€™ leaf and flower head design. The window is in a prominent position and would easily be seen by staff and clients alike. At night it would offer a welcoming glow to visitors and guests. An expensive â€˜Baronialâ€™ window such as this bears silent testimony to the wealth and social standing of its owner - in this case the pastoralist and philanthropist J. D. Wyselaskie.</text>
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                <text>9 January 2011</text>
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              <elementText elementTextId="19059">
                <text>Â© Ray Brown </text>
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                <text>Ut Si CafÃ© is in the Tasmanian town of Perth. It is in a renovated brick church built in the Gothic Revival style. The Gothic pointed arch windows and doorway in the porch have been highlighted by the use of contrasting colours in the new paint scheme.  </text>
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                <text>October 8, 2012</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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            </elementTextContainer>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>alchemy, alchemist, drama, entertainment, function, G. W. Craggs, L. B. McCay, laboratory, Major Norman Brearley, medieval setting, play, stage performance, Vacuum Oil Company, WA, Western Australia Y.A.L. Hall</text>
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                <text>This newspaper article from the Sunday Times reports on a function hosted by the Vacuum Oil Company at the Y.A.L. Hall on 1 June 1932. In addition to an address Major Norman Brearley, the managing director of W.A. Airways, the programme for the evening featured a well-received one-act play written by Mr L. B. McCay and produced by one of the Companyâ€™s automotive staff, Mr G. W. Craggs. Although no further details about the play are provided, the setting is described as â€˜the subterranean laboratory of medieval alchemistsâ€™. </text>
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                <text>The National Library of Australia</text>
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                <text>The Sunday Times</text>
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                <text>5 June 1932, p. 4.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>The Sunday Times</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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