15 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self">http://www.artgallery.nsw.gov.au/work/182.2002.20/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea Subject The topic of the resource Appassionata, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window. Description An account of the resource This woodblock print, from Salvatore Zofrea’s Appassionata collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style. Creator An entity primarily responsible for making the resource Salvatore Zofrea (b.1946) Source A related resource from which the described resource is derived Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource c.1994-1999 Rights Information about rights held in and over the resource Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark Appassionata architecture art Art gallery of New South Wales Cathedral Catholicism Chartres Cathedral church interior ecclesiastical building France French Gothic gothic architecture print Salvatore Zofrea (b.1946) stained glass window Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article81658763" target="_self">http://nla.gov.au/nla.news-article81658763</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Alfred Was Great Kingâ€™ Subject The topic of the resource Alfred the Great, Anglo-Saxon, Anglo-Saxon Chronicle, Charters Towers, Danes, education, England, King Alfred, law, literature, navy, The Northern Miner, Old English Chronicle, Qld, Queensland, Vikings, Wessex. Description An account of the resource ‘Alfred Was Great King’ is an anonymous article that appeared in the Charters Towers, Queensland, newspaper The Northern Miner in 1954. The article is about the ninth-century Anglo-Saxon/English king Alfred of Wessex, or Alfred the Great. The article enthusiastically supports his title and discusses Alfred’s achievements – saving Wessex from Danish (Viking) invaders, laying the foundations for English law, beginning its naval tradition, and promoting education and prose literature. A lot of text is devoted to another of Alfred’s achievements, the establishment of the Old English Chronicle, now usually referred to as the Anglo-Saxon Chronicle. It is described in the article as ‘the first great work in English prose’. The article can be found at <a href="http://nla.gov.au/nla.news-article81658763">http://nla.gov.au/nla.news-article81658763</a>    Creator An entity primarily responsible for making the resource Anon. Publisher An entity responsible for making the resource available The Northern Miner Date A point or period of time associated with an event in the lifecycle of the resource February 6, 1954 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper article; hyperlink Alfred the Great Anglo-Saxon Anglo-Saxon Chronicle Charters Towers Danes education England King Alfred law literature navy Old English Chronicle Qld Queensland The Northern Miner vikings Wessex. https://ausmed.arts.uwa.edu.au/files/original/b937582c181e389e73f57e1c1178604c.jpg ea11ad0870297f54093f68db2e619152 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3495 Width 1514 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal (microfilm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜An I.O.G.T. Idyllâ€™ Subject The topic of the resource Crusades, doggerel, idyll, I.O.G.T., drunkenness, military order, Order of Knights Templar, Order of the Temple, sobriety, Soldiers of Christ, templar, templar knights, temperance, temperance society, The International Order of Good Templars Description An account of the resource This amusing temperance â€˜dittyâ€™ describes the adventures of â€œa burly Templar chiefâ€ whose carefree night of drinking turns out to be more than he expected or bargained for. The I.O.G.T. was a temperance society (The International Order of Good Templars). There were people from all walks of life and religious persuasions involved in the temperance movement in 1880s Australia, Britain, America and Sweden. Presumably the I.O.G.T. hierarchy viewed themselves as crusader knights fighting the â€œGood Fight,â€ and clearly a good fight was one that ended well for â€˜true believersâ€™ and badly for their foes (i.e. â€˜winebibbersâ€™, â€˜publicansâ€™ and â€˜sinners). However, it should be noted that the Order of Knights Templar, a powerful military order and charitable organisation in the Middle Ages, was never actually forbidden the use of wine, and occasionally instances of over-indulgence were recorded (See Dominic Selwood, Knights of the Cloister: Templars and Hospitallers in central-southern Occitania c.1100-c.1300, Woodbridge, Boydell, 2001, p.205). This oversight reveals the mindset of those who supported the adoption of quasi-medieval terminology and ceremony in the nineteenth-century, without fully appreciating the history and behaviour of those whose names they had chosen to adopt. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 11 November 1882 (p. 8) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Language A language of the resource English Crusades doggerel drunkenness I.O.G.T. idyll Military Order Order of Knights Templar Order of the Temple sobriety Soldiers of Christ temperance temperance society templar templar knights The International Order of Good Templars https://ausmed.arts.uwa.edu.au/files/original/a5be564332304d4afdb879f7017a91a3.JPG d39e726479a29625ad848cae02eec830 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Celticâ€™ Cross, Longford, Tasmania Subject The topic of the resource James Appleyard, Celtic, Celtic cross, Christ Church, churchyard, Longford, memorial, Tas, Tasmania. Description An account of the resource This memorial cross can be found in the churchyard of Christ Church in Longford. It is a ring-headed ‘Celtic’ style cross. The 1899 cross commemorates James Appleyard who designed the churchyard and planted its trees. Free-standing ring-headed high crosses were common in medieval Ireland, and also occur in Scotland, the Isle of Man, Wales, Cornwall, and northern England, primarily between the 8th and 12th centuries before the style became popular again in the 19th century. For Christ Church, Longford, see <a href="http://ausmed.arts.uwa.edu.au/items/show/1027">http://ausmed.arts.uwa.edu.au/items/show/1027</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 31, 2012 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1027">http://ausmed.arts.uwa.edu.au/items/show/1027</a>   Format The file format, physical medium, or dimensions of the resource Digital Photograph Celtic Celtic cross Christ Church churchyard James Appleyard Longford memorial Tas Tasmania. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/703/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown Subject The topic of the resource Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour. Description An account of the resource This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled “Geoffrey Chaucer Reading the ‘Legend of Custance’ to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince’s Forty-Fifth Birthday”, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King’s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown’s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer & Laura MacCulloch, Ford Madox Brown: The Unofficial Pre-Raphaelite, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the ‘Father of English poetry’. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because “the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity” (Velma Bourgeois Richmond, “Ford Madox Brown’s Protestant Medievalism: Chaucer and Wycliffe”, Christianity and Literature, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled The Seeds and Fruits of English Poetry, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns. Creator An entity primarily responsible for making the resource Ford Madox Brown Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1847-1851 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 372cm x 296cm â€˜Legend of Custanceâ€™ Alice Perrers (1348-1400) anniversary art artwork birthday Black Prince (1330-1376) court Custance Dante Gabriel Rossetti (1828-1882) Edward III (1312-1377) English language Geoffrey Chaucer (c.1343-1400) history painting jester John of Gaunt (1340-1399) knight Lute palace of Sheen poetry Pre-Raphaelite reading royalty troubadour https://ausmed.arts.uwa.edu.au/files/original/dac5a32463ecde6886a6198de778df42.jpg 0c7269abeb59a381199e796b5a012f9a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3483 Width 2046 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal (Microfilm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Dam(n)pier as Mephistophelesâ€™ Subject The topic of the resource Alfred Dampier (1848-1908), cartoon, Christopher Marlowe (1564-1593), devil, Dr Faustus (c. 1590), Faust (I & II), Goethe (1749-1832), â€˜Mephistoâ€™, Mephistopheles, Phil May (1864-1903), The Bulletin Description An account of the resource â€˜Dam(n)pier as Mephistopheles,â€™ is The Bulletin cartoonist Phil Mayâ€™s humorous pun on actor and theatrical entrepreneur Alfred Dampierâ€™s name (See Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.164). Alfred Dampier first appeared as Mephisto in Faust in 1873 at the Royal theatre, Melbourne. While reasonably successful in his chosen profession (his acting career spanned thirty years), he was generally considered â€œsound rather than brilliantâ€ by his critics (See, for example: John Rickard, 'Dampier, Alfred (1848â€“1908)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/dampier-alfred-3360/text5067, accessed 12 June 2012.) Phil May acknowledges Dampierâ€™s competence and durability, albeit with a mischievous gleam in the eye and a knowing flourish of his pen. The literary origins of the legend of Dr Faust date back to the 1580s, and may be based upon a real person who died c. 1540-41 (J. W. Smeed, Faust in Literature, London: Oxford University Press, 1973, pp.1-2). Creator An entity primarily responsible for making the resource May, Phil Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 23 October 1886 (p. 7) Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Language A language of the resource English â€˜Mephistoâ€™ Alfred Dampier (1848-1908) cartoon Christopher Marlowe (1564-1593) devil Dr Faustus (c. 1590) Faust (I & II) Goethe (1749-1832) Mephistopheles Phil May (1864-1903) The Bulletin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx" target="_blank">http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Gale rejects Lethalâ€™s â€˜serfsâ€™ claimâ€™ online article Subject The topic of the resource AFL, Australian Football League, Australian rules football, Brendon Gale, feudal, Jennifer Witham, Leigh Matthews, Melbourne, online, pay dispute, radio, Richmond, sport, Victoria, website, 3AW Description An account of the resource An online article on June 25 reporting comments made by Brendon Gale, Chief Executive of the AFL club Richmond on air at Melbourne radio station 3AW. He was responding to earlier comments by AFL commentator Leigh Matthews that pay claims of players against the AFL was a case of the ‘serfs fighting back’. The article can be found at <a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/117078/default.aspx" target="_blank">http://www.afl.com.au/news/newsarticle/tabid/208/newsid/117078/default.aspx</a> A June18, 2011, article by Jennifer Witham about the original comments and an explanation that ‘serfs’ is a medieval term used to describe the lowest group in the feudal system can be found at <a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx" target="_blank"> http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx</a> Creator An entity primarily responsible for making the resource Staff writers of the AFL BigPond Network Source A related resource from which the described resource is derived <a href="http://www.afl.com.au/" target="_blank">www.afl.com.au</a> Publisher An entity responsible for making the resource available <a href="http://www.afl.com.au/" target="_blank">www.afl.com.au</a> Date A point or period of time associated with an event in the lifecycle of the resource 25 June 2011 Rights Information about rights held in and over the resource <a href="http://www.afl.com.au/" target="_blank">www.afl.com.au</a> Relation A related resource Witham, Jennifer , ""Serfs Hit Back" Online Article ," in Medievalism in Australian Cultural Memory, Item #395, <a href="../../../items/show/395">http://ausmed.arts.uwa.edu.au/items/show/395</a> Format The file format, physical medium, or dimensions of the resource Online Article Language A language of the resource English 3AW AFL Australian Football League Australian rules football Brendon Gale feudal Jennifer Witham Leigh Matthews Melbourne online pay dispute radio Richmond sport Victoria website https://ausmed.arts.uwa.edu.au/files/original/cc8abcec583d9341d3795018a8b0241d.jpg c0f552e95b232131aeb502d83c45577d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 235 Width 279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Galen, Hippocrates, and Aretaeus of Cappadociaâ€™ Window, The University of Sydney Subject The topic of the resource anatomy, Anderson Stuart Building, Aretaeus of Cappadocia, Asklepios, classical, Gothic Revival, Hippocrates, John Harris, medicine, neo-gothic, physicians, stained glass, stair window, surgeons, The University of Sydney, university, university building, window Description An account of the resource This is the lower section of a two-tiered Gothic Revival stair window located in the Anderson Stuart Building at the University of Sydney. The window was donated by John Harris Esq., at a cost of Â£120 in c.1889 (Calendar of the University of Sydney for the year 1893, Sydney, W. E. Smith, 1893, p.375) It features a triad of classical physicians - Galen, Hippocrates, and Aretaeus of Cappadocia - each of whom had a profound influence on medical thought in the medieval and Renaissance periods and the development of medicine in general. The figures are separately surmounted and framed by late fourteenth to early fifteenth century canopies within individuated lights. Such figuration is very much in keeping with the customary practice of presenting a series of exemplary figures from history for edification and emulation. The Anderson Stuart Building, formerly known as â€˜The old medical schoolâ€™ is used for the teaching of anatomy. It also boasts a statue of Asklepios, the God of medicine and healing, and busts of several eminent physicians and surgeons. The Faculty of Medicine at Sydney University is the oldest in the country. Creator An entity primarily responsible for making the resource Urry, David (photographer) Date A point or period of time associated with an event in the lifecycle of the resource 3 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG anatomy Anderson Stuart Building Aretaeus of Cappadocia Asklepios Classical Gothic Revival Hippocrates John Harris medicine neo-Gothic physicians stained glass stair window surgeons The University of Sydney university university building window