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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article41702770" target="_blank"&gt;http://nla.gov.au/nla.news-article41702770&lt;/a&gt;</text>
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                <text>Promising Colt</text>
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                <text>Alan Lechte - horsebreeder, colt, horse-racing, â€œMedieval Knightâ€, Melbourne, Messrs. William Inglis and Sonâ€™s, racehorse, racehorse lineage, racehorse names, racehorse sale, yearling</text>
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                <text>In this article concerning the sale of a yearling racehorse in Melbourne, the sire is identified as a horse named â€œMedieval Knightâ€. The colt was offered for sale by Alan Lechte in Messrs William Inglis and Sonâ€™s yearling catalogue in 1939. When bidding reached 300 guineas, Mr Inglis informed buyers that the breeder expected a price of 1000 guineas, or he was prepared to race the horse himself.</text>
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                <text>National Library of Australia</text>
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                <text>27 April 1939, p.15</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper article&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article34493669" target="_blank"&gt;http://nla.gov.au/nla.news-article34493669&lt;/a&gt;</text>
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                <text>The Order of the Thistle</text>
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                <text>Battle, Battle of Largs, Hebrides, heraldry, King Alexander III of Scotland (1241-1286), King Haakon of Norway, King James II of England, King James VII of Scotland, Largs, medieval Scotland, national emblem, Norway, order of knighthood, Order of the Thistle, Scotland, St Andrew, thistle</text>
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                <text>Explaining the establishment of "The Most Ancient and Most Noble Order of the Thistle&amp;rdquo; in 1687, this article from the Western Argus first discusses the medieval adoption of the thistle as Scotland&amp;rsquo;s national emblem. This it dates to the Battle of Largs fought between the Scottish army of Alexander III and the Norwegian army of King Haakon IV in 1263. In an ongoing battle over the territory of the Hebrides, King Haakon of Norway landed on Scottish shores and planned a night attack on the Scottish camp. However, one of his horsemen stepped on a thistle and cried out in pain, giving them away. The article suggests that the Scots adopted the thistle as their national emblem in remembrance of the Battle of Largs. It then links this to the thistle as the emblem of &amp;ldquo;The Order of the Thistle&amp;rdquo;, an order of knighthood founded by King James II of England (also King James VII of Scotland) in 1687.  The article incorrectly identifies the King of Scotland at the time of the Battle of Largs as Alexander II. King Alexander II had died and was succeeded by his young son, Alexander III, in 1249. Alexander III assumed full powers in 1259 and ruled until his own death in 1286. For more on Alexander III, see Norman H. Reid, &amp;lsquo;Alexander III (1241&amp;ndash;1286)&amp;rsquo;, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Oct 2009 [http://www.oxforddnb.com/view/article/323, accessed 18 Dec 2010]</text>
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                <text>The Western Argus</text>
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                <text>25 February 1930, p.35</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Celotex</text>
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                <text>Aztecs, building, Building materials, Celotex, Eskimos, Esquimos, housing, insulation, McLean Bros. and Rigg Ltd, medieval building, strength, warmth</text>
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                <text>This advertisement for a new building material, Celotex, highlights its dual properties of strength and insulation as a selling point. Drawing comparisons to past societies, the article suggests while the Aztecs and the Eskimos had built for insulation, medieval builders had turned their attention to strength. Unlike in these examples where building had focused on either insulation or strength, the advertisement promises that Celotex would enable modern builders to incorporate the benefits of both traditions, by offering the means to construct houses that would stay cool in summer, preserve warmth in winter and that were also notable for their structural strength and durability. </text>
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                <text>17 January 1935, p. 16.</text>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1 negative : acetate, b&amp;amp;w.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.pic-an13997268"&gt;&lt;/a&gt;</text>
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            <elementText elementTextId="3479">
              <text>16.2 x 11.8 cm.&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;</text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an23162725"&gt;http://nla.gov.au/nla.pic-an23162725&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Interior looking towards High Altar [St Mary's Cathedral, Perth, Western Australia]</text>
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            <description>The topic of the resource</description>
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                <text>Saint Mary, St. Mary, Western Australia, Perth, cathedral, church, Gothic Revival, architecture, christian, christianity, gothic, Frank Hurley</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Image of interior of St. Mary's Cathedral in Western Australia.&#13;
&#13;
About St Maryâ€™s Roman Catholic Cathedral:&#13;
&#13;
St Maryâ€™s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA.  It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end.  Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanaghâ€™s grand design. &#13;
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                <text>Hurley, Frank</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13707">
                <text>National Library of Australia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>between 1910-1962</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13709">
                <text>National Library of Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/heiress-marries-prince_western-mail_29-june-1933_p24_125f93f85b.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="2142">
              <text>Newspaper Article&lt;br /&gt;&lt;br /&gt; &lt;a href="http://nla.gov.au/nla.news-article37704755" target="_blank"&gt;http://nla.gov.au/nla.news-article37704755&lt;/a&gt;</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2133">
                <text>Heiress Marries Prince</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="2134">
                <text>Barbara Hutton, crowd, crown, medieval design, medieval dress, prince, Prince Alexis Mdivani, Russian Orthodox Church, wedding, wedding gown, Woolworths, fashion, medieval fashion, vogue, medieval style</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2135">
                <text>In this article from the Western Mail, news from Paris informs readers about a cheering crowd of 3000 people, mostly women, who mobbed Miss Barbara Hutton, the American Woolworthsâ€™ heiress, and Russian Prince Alexis Mdivani as they left the church after their wedding in June 1933. Huttonâ€™s wedding gown is described as a pearl-coloured satin dress with a medieval design and a train.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2136">
                <text>Anon.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2137">
                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2138">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2139">
                <text>29 June 1933, p. 24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2140">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article</text>
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        <name>Barbara Hutton</name>
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        <name>crowd</name>
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        <name>crown</name>
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        <name>fashion</name>
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      <tag tagId="553">
        <name>medieval design</name>
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        <name>medieval dress</name>
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      <tag tagId="446">
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        <name>medieval style</name>
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        <name>prince</name>
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      <tag tagId="555">
        <name>Prince Alexis Mdivani</name>
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      <tag tagId="556">
        <name>Russian Orthodox Church</name>
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      <tag tagId="126">
        <name>vogue</name>
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        <name>wedding</name>
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        <name>wedding gown</name>
      </tag>
      <tag tagId="558">
        <name>Woolworths</name>
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    </tagContainer>
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