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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Prince Alfred, altar, Anglican, George Frederick Bodley, column, font, Gothic, Gothic Revival, Hobart, Henry Hunter, pointed arch, rood screen, St Davidâ€™s Cathedral, stained glass, Tas, Tasmania, tracery, vaulted ceiling.</text>
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                <text>St Davidâ€™s Anglican Cathedral, Hobart was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style. The foundation stone was laid in 1868 by Prince Alfred, the Duke of Edinburgh, and the nave was consecrated in 1874. The work was supervised by Henry Hunter (1832-1892). The photographs show the nave, aisles, and sanctuary of the cathedral, as well as a small internal pointed arch door and doorway (photograph three), demonstrating that the Gothic style was carried through to utilitarian features. Photographs one and two show the elevation of the cathedral achieved with columns supporting pointed arches with molding, and the vaulted ceiling. Also visible is the large stained glass east window with stone tracery above the high altar, and numerous smaller stained glass windows. Other fatures of note in photographs one and two are the Bodley designed stone font and timber rood screen, the latter being installed in 1916.   &#13;
&#13;
George Bodley was a well-known architect working in the Gothic Revival style, and in particular he was influenced by late medieval architecture from England and northern Europe. His best known work is perhaps Magdalen College, Oxford.&#13;
&#13;
For more on St David's Cathedral see the 'Relation' section.</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1149"&gt;http://ausmed.arts.uwa.edu.au/items/show/1149&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1145"&gt;http://ausmed.arts.uwa.edu.au/items/show/1145&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1160"&gt;http://ausmed.arts.uwa.edu.au/items/show/1160&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1179"&gt;http://ausmed.arts.uwa.edu.au/items/show/1179&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1166"&gt;http://ausmed.arts.uwa.edu.au/items/show/1166&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1155"&gt;http://ausmed.arts.uwa.edu.au/items/show/1155&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1168"&gt;http://ausmed.arts.uwa.edu.au/items/show/1168&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1184"&gt;http://ausmed.arts.uwa.edu.au/items/show/1184&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1174"&gt;http://ausmed.arts.uwa.edu.au/items/show/1174&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1171"&gt;http://ausmed.arts.uwa.edu.au/items/show/1171&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1190"&gt;http://ausmed.arts.uwa.edu.au/items/show/1190&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;</text>
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                <text>Balingup 2012 film</text>
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                <text>Armour, Balingup, Balingup 2012, Balingup Medieval Carnivale, banner, carnival, Michael Cheffins, combat, costume, festival, harp, helmet, knights, Minervaâ€™s Tower, music, parade, shield, sword, Trio Grosso, WA, website, Western Australia, YouTube, ZigZagCommunityArts.</text>
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                <text>&lt;p&gt;This 11 minute film on YouTube shows highlights of the 2012 Balingup Medieval Carnivale held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Michael Cheffins for ZigZagCommunityArts Inc., and the soundtrack is played by Minerva&amp;rsquo;s Tower and Trio Grosso. The film includes the carnival parade with floats, banners, and people in medieval dress, a harp player, combat between knights in armour and helmets using shields and swords.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=EugBPAbN-fY"&gt;http://www.youtube.com/watch?v=EugBPAbN-fY&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Michael Cheffins; ZigZagCommunityArts Inc.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;</text>
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                <text>Minervaâ€™s Tower at Balingup Medieval Carnival 2012 film</text>
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                <text>Balingup, Balingup Medieval Carnivale, Alana Bennett, Belinda Bennett, carnival, costume, festival, film, folk music, Dylan Kerr, Minervaâ€™s Tower, performance, Perth, Renaissance, troubadour, trouvÃ¨re, WA, website, Western Australia, YouTube.</text>
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                <text>&lt;p&gt;This 11 minute film on YouTube shows has been pieced together from separate performances by Minerva&amp;rsquo;s Tower at the 2012 Balingup Medieval Carnivale. The event was held in the town of Balingup in the south-west of Western Australia on August 25-26. The film was made by Belinda Bennett. The film shows the band perform a six pieces comprised of traditional folk music, a Renaissance tune, and a thirteenth century trouv&amp;egrave;re (northern French version of troubadour) song.&lt;/p&gt;&#13;
&lt;p&gt;Minerva&amp;rsquo;s Tower are a Perth-based band who performs medieval and neo-medieval folk music, including some original compositions. The band consists of two multi-instrumentalists, Alana Bennett and Dylan Kerr.&lt;/p&gt;&#13;
&lt;p&gt;For the film see &lt;a href="http://www.youtube.com/watch?v=xKLvfAJChL4"&gt;http://www.youtube.com/watch?v=xKLvfAJChL4&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the band see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1051"&gt;http://ausmed.arts.uwa.edu.au/items/show/1051&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Minerva's Tower</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/703/&lt;/a&gt;</text>
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                <text>â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown</text>
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                <text>This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled &amp;ldquo;Geoffrey Chaucer Reading the &amp;lsquo;Legend of Custance&amp;rsquo; to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince&amp;rsquo;s Forty-Fifth Birthday&amp;rdquo;, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King&amp;rsquo;s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown&amp;rsquo;s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer &amp;amp; Laura MacCulloch, &lt;em&gt;Ford Madox Brown: The Unofficial Pre-Raphaelite&lt;/em&gt;, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the &amp;lsquo;Father of English poetry&amp;rsquo;. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because &amp;ldquo;the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity&amp;rdquo; (Velma Bourgeois Richmond, &amp;ldquo;Ford Madox Brown&amp;rsquo;s Protestant Medievalism: Chaucer and Wycliffe&amp;rdquo;, &lt;em&gt;Christianity and Literature&lt;/em&gt;, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled &lt;em&gt;The Seeds and Fruits of English Poetry&lt;/em&gt;, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns.</text>
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                <text>Ford Madox Brown</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>1847-1851</text>
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                <text>The Art Gallery of New South Wales</text>
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                <text>Oil on Canvas, 372cm x 296cm</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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          <element elementId="50">
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                <text>Church of the Apostles exterior, Launceston, Tasmania</text>
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                <text>Buttress, Catholic, Church of the Apostles, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, pointed arch, spire, stained glass, Tas, Tasmania, tower, tracery, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>November 18, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31358">
                <text>No Copyright</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
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        <name>Robert William Willson.</name>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;The website and advertisements for Four Season Gutter Protection feature four cartoon medieval foot soldiers wearing helmets and brandishing shields and weapons &amp;ndash; flails (a type of mace) and spears or pikes. The heads of the weapons are in the shape of different leaves, and the leaves also feature on the soldiers helmets and shields. The soldiers are evidently protecting your gutters against leaves.&lt;/p&gt;&#13;
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&lt;p&gt;For their website see &lt;a href="http://www.fourseasonsgutterpro.com.au/"&gt;http://www.fourseasonsgutterpro.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Â© 2011 Four Seasons Gutter Protection. All Rights Reserved.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Church of the Apostles interior, Launceston, Tasmania</text>
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                <text>Catholic, Church of the Apostles, column, Gothic, Gothic Revival, lancet window, Launceston, Cardinal Moran, Patrick Francis Moran, Alexander North, pointed arch, stained glass, Tas, Tasmania, tracery, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="31264">
              <text>Digital Photograph; JPEG</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31257">
                <text>Horizontal Retort Building, (Former) Launceston Gasworks, Launceston, Tasmania </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31258">
                <text>Horizontal retort building, Launceston, Launceston Gasworks, Romanesque, semi-circular arch, Tas, Tasmania. </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="31259">
                <text>The horizontal retort building is one of a number of derelict buildings on the former Launceston Gasworks site in the northern Tasmanian city of Launceston. The brick with sandstone edging building was completed in 1860. The building includes Romanesque features, in particular the semi-circular arched windows and doors, many of which have now been bricked up. As can be seen in photograph 3, some Romanesque windows were also included in later (20th century) brick and steel buildings on the site.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31260">
                <text>McLeod, Shane</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31261">
                <text>November 12, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31262">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31263">
                <text>3xDigital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="5935">
        <name>Horizontal retort building</name>
      </tag>
      <tag tagId="2972">
        <name>Launceston</name>
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      <tag tagId="5936">
        <name>Launceston Gasworks</name>
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      <tag tagId="2066">
        <name>Romanesque</name>
      </tag>
      <tag tagId="3108">
        <name>semi-circular arch</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="4809">
        <name>Tasmania.</name>
      </tag>
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